Grundy Collection (page 7)

Windsor Castle from the Eton Play Ground, c1838. Artist: James Baker Pyne
Windsor Castle from the Eton Play Ground, c1838. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

An Old Mill, c1840. Artist: James Arthur O Connor
An Old Mill, c1840. Painting held at the Russell-Cotes Art Gallery & Museum, Bournemouth. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Young Mother, c1887. Artist: Hugh Carter
The Young Mother, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Silvery Day West of the Needles, Isle of Wight, 1932. Artist: Henry Moore
A Silvery Day West of the Needles, Isle of Wight, 1932. Painting held at the Williamson Art Gallery & Museum, Birkenhead. From A Catalogue of the Pictures

A Kentish View, c1845. Artist: Henry Jutsum
A Kentish View, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Mills on the Fens, c1853. Artist: Henry Bright
Mills on the Fens, c1853. Painting held at the Norwich Castle Museum and Art Gallery, Norfolk. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I

The Word and a Blow, 1875. Artist: Henry Benjamin Roberts
The Word and a Blow, 1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Home Comforts, 1874. Artist: Henry Benjamin Roberts
Home Comforts, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

The Fishmongers Call, c1886. Artist: Henry Benjamin Roberts
The Fishmongers Call, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Coming Breeze, c1901. Artist: Harry Musgrave
The Coming Breeze, c1901. Painting held at the Salford Museum & Art Gallery, Salford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Spring, 1899. Artist: Harry Musgrave
Spring, 1899. Painting held at the Salford Museum & Art Gallery, Salford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Near Pontremoli, c1863. Artist: Harry John Johnson
Near Pontremoli, c1863. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

London, from Hampstead, 1834. Artist: George Sidney Shepherd
London, from Hampstead, 1834. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Hillside with Tramps reposing, c1793. Artist: George Morland
A Hillside with Tramps reposing, c1793. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Shooting Sea Fowl, 1795. Artist: George Morland
Shooting Sea Fowl, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Gipsies resting with Donkey, 1795. Artist: George Morland
Gipsies resting with Donkey, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Morning, Higglers Preparing for Market, 1791. Artist: George Morland
Morning, Higglers Preparing for Market, 1791. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Silver Light on a Golden Bar, Ambleteuse, c1901. Artist: George Hillyard Swinstead
Silver Light on a Golden Bar, Ambleteuse, c1901. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

The Fishing Smack, 1835. Artist: George Chambers
The Fishing Smack, 1835. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Portsmouth, 1839. Artist: George Chambers
Portsmouth, 1839. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Blowing Hard-Off Cowes, 1834. Artist: George Chambers
Blowing Hard-Off Cowes, 1834. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Sunset with Cattle, 1841. Artist: George Barret Junior
Sunset with Cattle, 1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

View near Crediton, Devon, 1843. Artist: Frederick Richard Lee
View near Crediton, Devon, 1843. Plymouth City Council: Museum and Art Gallery, Plymouth. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Brighton Beach, Haze clearing off, c1820. Artist: Frederick Nash
Brighton Beach, Haze clearing off, c1820. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Lions Head, c1896. Artist: Frank Paton
Lions Head, c1896. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

High Force, Teesdale, c1807. Artist: Francis Nicholson
High Force, Teesdale, c1807. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

None but the Brave deserve the Fair, c1854. Artist: Edwin Henry Landseer
None but the Brave deserve the Fair, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Recollection, 1836. Artist: Edward William Cooke
A Recollection, 1836. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

From Mulgrave Woods, near Whitby, 1860. Artist: Edmund John Niemann
From Mulgrave Woods, near Whitby, 1860. Painting held at the Kirklees Museums and Galleries, Huddersfield. From A Catalogue of the Pictures

Windsor, c1857. Artist: Edmund Bristow
Windsor, c1857. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Eton, c1822. Artist: Edmund Bristow
Eton, c1822. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Off to Market, 1828. Artist: Edmund Bristow
Off to Market, 1828. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The End of the Chapter, 1822. Artist: Edmund Bristow
The End of the Chapter, 1822. Painting held at the Towneley Hall Art Gallery & Museum, Lancashire. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

The Eel Catcher, 1812. Artist: Edmund Bristow
The Eel Catcher, 1812. Painting at the Ferens Art Gallery, Kingston upon Hull. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Drakes Island, Plymouth, 1773. Artist: Dominic Serres
Drakes Island, Plymouth, 1773. Painting held at the National Maritime Museum, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Tower of the Church of San Nicolas de la Villa, Cordoba, 1834. Artist: David Roberts
The Tower of the Church of San Nicolas de la Villa, Cordoba, 1834. Painting held at The Hepworth Wakefield, West Yorkshire

On the Lledr, c1844. Artist: David Cox the elder
On the Lledr, c1844. Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

In the Park, Bolton Bridge, c1852. Artist: David Cox the elder
In the Park, Bolton Bridge, c1852. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Mountain Road with Sleep, c1838. Artist: David Cox the elder
Mountain Road with Sleep, c1838. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Water Wheel, c1839. Artist: David Cox the elder
The Water Wheel, c1839. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Rokeby on the Tees, c1841. Artist: David Cox the elder
Rokeby on the Tees, c1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Black Jacks Cottage, Bettws-y-Coed, c1846. Artist: David Cox the elder
Black Jacks Cottage, Bettws-y-Coed, c1846. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

The Pont des Arts and the Louvre from the Quai Conti, c1849. Artist: David Cox the elder
The Pont des Arts and the Louvre from the Quai Conti, c1849. Painting held at the Victoria And Albert Museum, London. From A Catalogue of the Pictures

A Worcestershire Farm, c1848. Artist: David Cox the elder
A Worcestershire Farm, c1848. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Haymaking, near Conway, c1852. Artist: David Cox the elder
Haymaking, near Conway, c1852. Painting held at the Manchester City Galleries, Manchester From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Flying the Kite, A Windy Day, 1851. Artist: David Cox the elder
Flying the Kite, A Windy Day, 1851. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Bolton Abbey, 1850. Artist: David Cox the elder
Bolton Abbey, 1850. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Cross Road, 1850. Artist: David Cox the elder
The Cross Road, 1850. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

All Professionally Made to Order for Quick Shipping

"Exploring the Artistic Tapestry of Grundy: A Journey Through Time" Step into the enchanting world of Grundy, a captivating place that spans centuries and landscapes. Brinkburn Priory in Northumberland, circa 1830, comes alive with JMW Turner's brushstrokes, transporting us to a bygone era where history whispers through its ancient walls. George Sidney Shepherd takes us to St. Albans in 1809, capturing the essence of this historic city with his masterful strokes. The scene unfolds before our eyes as we immerse ourselves in the architectural marvels and bustling streets of yesteryears. Joseph Highmore introduces us to Mary Rossam from c1734, an enigmatic figure whose story remains shrouded in mystery. Her portrait evokes curiosity and invites us to delve deeper into her intriguing tale. Patrick Nasmyth's "A Woodmans Cottage" transports us to a tranquil countryside retreat in 1820. We can almost hear the rustling leaves and feel the gentle breeze as we imagine ourselves strolling along its idyllic pathways. Henry Edridge captures Rue De La Grosse Horloge in Rouen during 1821—a snapshot frozen in time that showcases both architectural grandeur and everyday life intertwining harmoniously on these historic streets. Lady Hamilton graces our presence as the Goddess of Health through George Romney's masterpiece from around 1790. Her ethereal beauty radiates vitality and reminds us of the timeless pursuit for well-being throughout history. James Clarke Hook paints "A Devonshire Stream" in 1864—an exquisite portrayal that immerses us into nature's embrace. The babbling brook becomes our sanctuary as we find solace amidst its serene surroundings. Richard Hilder guides our gaze towards Otford and Sevenoaks—two picturesque locations captured during different periods but united by their scenic charm. These artworks transport us back to simpler times, where the beauty of nature was cherished and celebrated.