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Gipsy Beggars, c1795. Artist: Julius Caesar Ibbetson
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Gipsy Beggars, c1795. Artist: Julius Caesar Ibbetson
Gipsy Beggars, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd. London & Derby, 1937]
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Media ID 14970224
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Beggar Beggars Begging Bemrose And Bemrose And Sons C Reginald Grundy Catalogue Catalogue Of The Pictures Cecil Reginald Cecil Reginald Grundy Ebetson F Gordon Roe Frederic Gordon Frederic Gordon Roe Frederick John Frederick John Nettlefold Frederick John Nettleford Frederick Nettlefold Gipsies Gipsy Grundy Gypsies Gypsy Ibbertson Ibbetson Ibbettson Ibbotson Ibbottson Ibbstson Ibetson Ibitson J Ibbetson Julius Caesar Julius Caesar Ibbetson Julius Ibbetson Nettleford Sons
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EDITORS COMMENTS
This print titled "Gipsy Beggars" takes us back to the late 18th century, capturing a scene of poverty and struggle. Created by the talented artist Julius Caesar Ibbetson, this watercolour portrait showcases a group of gypsies begging on horseback in an outdoor setting. The composition is filled with vivid colors that bring life to the image. The central focus is on a female beggar accompanied by her children, both girls and boys. They are surrounded by horses and a loyal dog, emphasizing their nomadic lifestyle. Ibbetson's attention to detail allows us to witness the hardships faced by these individuals during this era. Their worn-out clothing and tired expressions reflect their daily battle against poverty. The print comes from "A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford". Volume III - I to S, compiled by C. Reginald Grundy and F. Gordon Roe in 1937. As we delve into history through this artwork, it serves as a reminder of the struggles endured by marginalized communities throughout centuries past. This thought-provoking piece invites contemplation about societal inequality while highlighting Ibbetson's skillful portrayal of human emotion within his subjects.
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