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Frederick John Nettlefold Collection

Frederick John Nettlefold, a man of refined taste and appreciation for art, was captivated by the beauty captured in various paintings throughout history

Background imageFrederick John Nettlefold Collection: St. Albans, 1809. Artist: George Sidney Shepherd

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageFrederick John Nettlefold Collection: Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder

Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder
Near Sevenoaks, Kent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederick John Nettlefold Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederick John Nettlefold Collection: A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook

A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook
A Devonshire Stream, 1864, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Near Otford, Kent, 1846, (1935). Artist: Richard Hilder

Near Otford, Kent, 1846, (1935). Artist: Richard Hilder
Near Otford, Kent, 1846, (1935). From the collection of the Bristol Museum & Art Gallery. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Background imageFrederick John Nettlefold Collection: The Green Lane, 19th century, (1935). Artist: Birket Foster

The Green Lane, 19th century, (1935). Artist: Birket Foster
The Green Lane, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Men of War, c1720. Artist: Peter Monamy

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageFrederick John Nettlefold Collection: Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham. From A Catalogue of the Pictures

Background imageFrederick John Nettlefold Collection: St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederick John Nettlefold Collection: A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageFrederick John Nettlefold Collection: Warlock Knowe, 1872. Artist: William Leighton Leitch

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: A Woodmans Cottage, 1820. Artist: Patrick Nasmyth

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Background imageFrederick John Nettlefold Collection: A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson

A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson
A Summer Night: the Terrace, Haddon Hall, 1875, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederick John Nettlefold Collection: Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageFrederick John Nettlefold Collection: Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery. From A Catalogue of the Pictures

Background imageFrederick John Nettlefold Collection: Interrupted, 1875, (1938). Artist: Joseph Wolf

Interrupted, 1875, (1938). Artist: Joseph Wolf
Interrupted, 1875, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: The Lobster Catchers, 1886, (1935). Artist: Colin Hunter

The Lobster Catchers, 1886, (1935). Artist: Colin Hunter
The Lobster Catchers, 1886, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: The Defeat, 1834, (1935). Artist: William Henry Hunt

The Defeat, 1834, (1935). Artist: William Henry Hunt
The Defeat, 1834, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: The Attack, 1834, (1935). Artist: William Henry Hunt

The Attack, 1834, (1935). Artist: William Henry Hunt
The Attack, 1834, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Among the Welsh Hills, 19th century, (1935). Artist: Alfred William Hunt

Among the Welsh Hills, 19th century, (1935). Artist: Alfred William Hunt
Among the Welsh Hills, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: The Road to the Sea, Equihen, 1927, (1935). Artist: Herbert Edwin Pelham Hughes-Stanton

The Road to the Sea, Equihen, 1927, (1935). Artist: Herbert Edwin Pelham Hughes-Stanton
The Road to the Sea, Equihen, 1927, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Sir Henry Bellenden, 1761, (1935). Artist: Thomas Hudson

Sir Henry Bellenden, 1761, (1935). Artist: Thomas Hudson
Sir Henry Bellenden, 1761, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: A Courtyard in Genoa, c1850, (1935). Artist: James Holland

A Courtyard in Genoa, c1850, (1935). Artist: James Holland
A Courtyard in Genoa, c1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Venice, c1850, (1935). Artist: James Holland

Venice, c1850, (1935). Artist: James Holland
Venice, c1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: The Gondola, Venice, 1865, (1935). Artist: James Holland

The Gondola, Venice, 1865, (1935). Artist: James Holland
The Gondola, Venice, 1865, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Greenwich Hospital from the River, 1854, (1935). Artist: James Holland

Greenwich Hospital from the River, 1854, (1935). Artist: James Holland
Greenwich Hospital from the River, 1854, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: A View on the Grand Canal, Venice, with the Rialto in the distance, c1850, (1935)

A View on the Grand Canal, Venice, with the Rialto in the distance, c1850, (1935). Artist: James Holland
A View on the Grand Canal, Venice, with the Rialto in the distance, c1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Background imageFrederick John Nettlefold Collection: The Piazza of St. Marks Venice, 1853, (1935). Artist: James Holland

The Piazza of St. Marks Venice, 1853, (1935). Artist: James Holland
The Piazza of St. Marks Venice, 1853, (1935). From the collection of the Leeds Museums and Galleries. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford

Background imageFrederick John Nettlefold Collection: The Seven Sisters, 1877, (1935). Artist: Henry George Hine

The Seven Sisters, 1877, (1935). Artist: Henry George Hine
The Seven Sisters, 1877, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Landscape with Gipsy Tent, 19th century, (1935). Artist: Richard Hilder

Landscape with Gipsy Tent, 19th century, (1935). Artist: Richard Hilder
Landscape with Gipsy Tent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: A Chalk Pit on the Downs, near Eastbourne, 1871, (1935). Artist: Henry George Hine

A Chalk Pit on the Downs, near Eastbourne, 1871, (1935). Artist: Henry George Hine
A Chalk Pit on the Downs, near Eastbourne, 1871, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Near Cranbrook, Kent, 19th century, (1935). Artist: Richard Hilder

Near Cranbrook, Kent, 19th century, (1935). Artist: Richard Hilder
Near Cranbrook, Kent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Okehampton, 19th century, (1935). Artist: Richard Hilder

Okehampton, 19th century, (1935). Artist: Richard Hilder
Okehampton, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: View Near Sevenoaks, Kent, with man on white horse, 19th century, (1935). Artist: Richard Hilder

View Near Sevenoaks, Kent, with man on white horse, 19th century, (1935). Artist: Richard Hilder
View Near Sevenoaks, Kent, with man on white horse, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C

Background imageFrederick John Nettlefold Collection: Near Henley-on-Thames, 19th century, (1935). Artist: Richard Hilder

Near Henley-on-Thames, 19th century, (1935). Artist: Richard Hilder
Near Henley-on-Thames, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: A Storm Cloud, 19th century, (1935). Artist: Richard Hilder

A Storm Cloud, 19th century, (1935). Artist: Richard Hilder
A Storm Cloud, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Eton from the River, 19th century, (1935). Artist: John Hilder

Eton from the River, 19th century, (1935). Artist: John Hilder
Eton from the River, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Repairing the Fence, Suffolk Marshes, 20th century, (1935). Artist: Robert J Hewitt

Repairing the Fence, Suffolk Marshes, 20th century, (1935). Artist: Robert J Hewitt
Repairing the Fence, Suffolk Marshes, 20th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: On a Northumberland Road, 20th century, (1935). Artist: Robert J Hewitt

On a Northumberland Road, 20th century, (1935). Artist: Robert J Hewitt
On a Northumberland Road, 20th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Sleeping Dog, 1850, (1935). Artist: John Frederick Hering

Sleeping Dog, 1850, (1935). Artist: John Frederick Hering
Sleeping Dog, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: A Rift in the Gloom, 19th century, (1935). Artist: George Edwards Hering

A Rift in the Gloom, 19th century, (1935). Artist: George Edwards Hering
A Rift in the Gloom, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageFrederick John Nettlefold Collection: Edinburgh from Arthurs Seat, 1778, (1935). Artist: Thomas Hearne

Edinburgh from Arthurs Seat, 1778, (1935). Artist: Thomas Hearne
Edinburgh from Arthurs Seat, 1778, (1935). From the collection of the Tate Modern, London. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Background imageFrederick John Nettlefold Collection: Italian Lake Scene, 1853, (1935). Artist: George Edwards Hering

Italian Lake Scene, 1853, (1935). Artist: George Edwards Hering
Italian Lake Scene, 1853, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageFrederick John Nettlefold Collection: Riverside, 19th century, (1935). Artist: William Havell

Riverside, 19th century, (1935). Artist: William Havell
Riverside, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd



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Frederick John Nettlefold, a man of refined taste and appreciation for art, was captivated by the beauty captured in various paintings throughout history. From the serene Brinkburn Priory in Northumberland, depicted by JMW Turner in 1830, to the bustling streets of St. Albans painted by George Sidney Shepherd in 1809, Nettlefold found solace and inspiration within these masterpieces. One particular painting that caught his eye was "A Woodmans Cottage" by Patrick Nasmyth from 1820. The rustic charm and tranquility emanating from this artwork resonated deeply with Nettlefold's love for nature. Similarly, James Clarke Hook's "A Devonshire Stream" transported him to a peaceful countryside scene in 1864. Nettlefold's fascination extended beyond landscapes as he admired Richard Hilder's depictions of Kentish villages such as Otford and Sevenoaks during the 19th century. These quaint settings evoked a sense of nostalgia within him. In addition to English landscapes, Nettlefold also appreciated maritime scenes like Peter Monamy's "Men of War" from around 1720. The power and grandeur displayed on canvas fascinated him. Amongst his collection were also architectural marvels like David Cox the elder's portrayal of Ulverston in "Crossing the Sands. " This painting showcased not only Cox's skill but also Nettlefold's admiration for historical structures. Religious architecture held a special place in Frederick John Nettlefold’s heart too; he cherished John Varley I’s depiction of St. Alkmunds Church in Shrewsbury from 1801 as well as JMW Turner’s portrayal of Beeston Castle in Cheshire circa 1839. Lastly, Patrick Nasmyth’s masterpiece titled “A View of Thames: Greenwich” allowed Nettlefold to immerse himself into London life during the early nineteenth century.