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French Impressionism Collection (page 7)

French Impressionism was a revolutionary art movement that emerged in the late 19th century

Background imageFrench Impressionism Collection: Two Studies of a Jockey, c. 1884 (chalk, charcoal and pastel on brown laid paper)

Two Studies of a Jockey, c. 1884 (chalk, charcoal and pastel on brown laid paper)
3428114 Two Studies of a Jockey, c.1884 (chalk, charcoal and pastel on brown laid paper) by Degas, Edgar (1834-1917); 47x62.2 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: A Rose Garden, 1862 (oil on canvas)

A Rose Garden, 1862 (oil on canvas)
3366993 A Rose Garden, 1862 (oil on canvas) by Pissarro, Camille (1830-1903); 34.9x27.9 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Country Scene with Three Houses and Trees, c. 1900 (oil on canvas)

Country Scene with Three Houses and Trees, c. 1900 (oil on canvas)
3366957 Country Scene with Three Houses and Trees, c.1900 (oil on canvas) by Luce, Maximilien (1858-1941); 46.355x54.928 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Still Life with Bottle, Glass, and Lemons, 1867-9 (oil on canvas)

Still Life with Bottle, Glass, and Lemons, 1867-9 (oil on canvas)
3366954 Still Life with Bottle, Glass, and Lemons, 1867-9 (oil on canvas) by Cezanne, Paul (1839-1906); 35.5x25.4 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Infanta Margarita, 1860-1 (etching and drypoint)

The Infanta Margarita, 1860-1 (etching and drypoint)
3247922 The Infanta Margarita, 1860-1 (etching and drypoint) by Degas, Edgar (1834-1917); 16.9x12.1 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: Portrait of Edgar Degas, 1875 (drypoint)

Portrait of Edgar Degas, 1875 (drypoint)
3247921 Portrait of Edgar Degas, 1875 (drypoint) by Desboutin, Marcellin Gilbert (1823-1902); 8.5x7 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: Danseuse debout, le bras droit leve, c. 1891 (counterproof of drawing on paper)

Danseuse debout, le bras droit leve, c. 1891 (counterproof of drawing on paper)
3247918 Danseuse debout, le bras droit levA©, c.1891 (counterproof of drawing on paper) by Degas, Edgar (1834-1917); 55.2x43.4 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: On Stage III, 1877 (soft ground etching and roulette on paper)

On Stage III, 1877 (soft ground etching and roulette on paper)
3247915 On Stage III, 1877 (soft ground etching and roulette on paper) by Degas, Edgar (1834-1917); 9.9x12.6 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Greek Landscape, or The Anchorage (etching)

Greek Landscape, or The Anchorage (etching)
3247912 Greek Landscape, or The Anchorage (etching) by Degas, Edgar (1834-1917); 7.9x6.6 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: cancelled plate); French, out of copyright

Background imageFrench Impressionism Collection: Seated Woman in Bonnet and Shawl, c. 1879 (etching and aquatint)

Seated Woman in Bonnet and Shawl, c. 1879 (etching and aquatint)
3247911 Seated Woman in Bonnet and Shawl, c.1879 (etching and aquatint) by Degas, Edgar (1834-1917); 32.6x24.7 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: Au Louvre: La Peinture (Mary Cassatt), c. 1879-80 (etching and aquatint)

Au Louvre: La Peinture (Mary Cassatt), c. 1879-80 (etching and aquatint)
3247909 Au Louvre: La Peinture (Mary Cassatt), c.1879-80 (etching and aquatint) by Degas, Edgar (1834-1917); 30.2x12.5 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: Woman Drying Her Hair, c. 1902 (charcoal and pastel)

Woman Drying Her Hair, c. 1902 (charcoal and pastel)
3247908 Woman Drying Her Hair, c.1902 (charcoal and pastel) by Degas, Edgar (1834-1917); 78.7x110 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Self-Portrait, 1857 (etching)

Self-Portrait, 1857 (etching)
3247905 Self-Portrait, 1857 (etching) by Degas, Edgar (1834-1917); 23.2x14.3 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: The False Start, c. 1869-72 (oil on panel)

The False Start, c. 1869-72 (oil on panel)
3247903 The False Start, c.1869-72 (oil on panel) by Degas, Edgar (1834-1917); 32.1x40.3 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Bath (chalk and pastel drawing)

The Bath (chalk and pastel drawing)
3247901 The Bath (chalk and pastel drawing) by Degas, Edgar (1834-1917); 42.7x61.8 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Dancers, c. 1878 (oil and graphite on card)

Dancers, c. 1878 (oil and graphite on card)
3247900 Dancers, c.1878 (oil and graphite on card) by Degas, Edgar (1834-1917); 16.3x10.8 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Portrait of Giulia Bellelli, 1858-9 (graphite)

Portrait of Giulia Bellelli, 1858-9 (graphite)
3247899 Portrait of Giulia Bellelli, 1858-9 (graphite) by Degas, Edgar (1834-1917); 28.5x23.4 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Study of an Arm, c. 1895-90 (brown and white pastel on brownish tracing paper)

Study of an Arm, c. 1895-90 (brown and white pastel on brownish tracing paper)
3247898 Study of an Arm, c.1895-90 (brown and white pastel on brownish tracing paper) by Degas, Edgar (1834-1917); 37.6x19.4 cm; Yale University Art Gallery, New Haven, CT, USA; French

Background imageFrench Impressionism Collection: Dancer in Arabesque (bronze)

Dancer in Arabesque (bronze)
3247897 Dancer in Arabesque (bronze) by Degas, Edgar (1834-1917); 53.3x20.3x34.9 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: Modelled 1896a'1911, cast in 1920s); French

Background imageFrench Impressionism Collection: Young Woman in Black, 1861-5 (oil on wove paper)

Young Woman in Black, 1861-5 (oil on wove paper)
3247775 Young Woman in Black, 1861-5 (oil on wove paper) by Degas, Edgar (1834-1917); 15.5x12.8 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Mademoiselle Becat at the Cafe des Ambassadeurs, c. 1877 (lithograph on India paper)

Mademoiselle Becat at the Cafe des Ambassadeurs, c. 1877 (lithograph on India paper)
3247772 Mademoiselle Becat at the Cafe des Ambassadeurs, c.1877 (lithograph on India paper) by Degas, Edgar (1834-1917); National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Self Portrait, c. 1857 (etching)

Self Portrait, c. 1857 (etching)
3247771 Self Portrait, c.1857 (etching) by Degas, Edgar (1834-1917); 23.2x14.4 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Two Dancers (pastel on paper mounted on cardboard)

Two Dancers (pastel on paper mounted on cardboard)
3247727 Two Dancers (pastel on paper mounted on cardboard) by Degas, Edgar (1834-1917); 63.5x53 cm; Nationalmuseum, Stockholm, Sweden; French, out of copyright

Background imageFrench Impressionism Collection: Lady in Black (oil on canvas)

Lady in Black (oil on canvas)
3247726 Lady in Black (oil on canvas) by Degas, Edgar (1834-1917); 60x51 cm; Nationalmuseum, Stockholm, Sweden; French, out of copyright

Background imageFrench Impressionism Collection: Three Russian Dancers (pastel on paper)

Three Russian Dancers (pastel on paper)
3247725 Three Russian Dancers (pastel on paper) by Degas, Edgar (1834-1917); 62x67 cm; Nationalmuseum, Stockholm, Sweden; (add.info)

Background imageFrench Impressionism Collection: The Daughters of Catulle Mendes at the piano, 1888 (oil on canvas)

The Daughters of Catulle Mendes at the piano, 1888 (oil on canvas)
3106613 The Daughters of Catulle Mendes at the piano, 1888 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 161.9x129.9 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: In the Conservatory, 1879 (oil on canvas)

In the Conservatory, 1879 (oil on canvas)
3106603 In the Conservatory, 1879 (oil on canvas) by Manet, Edouard (1832-83); 115x150 cm; Alte Nationalgalerie, Berlin, Germany; (add.info.: Jules Guillement and his wife, friends of the artist)

Background imageFrench Impressionism Collection: Self-portrait, 1857-8 (oil on paper, laid down on canvas)

Self-portrait, 1857-8 (oil on paper, laid down on canvas)
3077101 Self-portrait, 1857-8 (oil on paper, laid down on canvas) by Degas, Edgar (1834-1917); 21x16.2 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imageFrench Impressionism Collection: Albert Cahen d Anvers, 1881 (oil on canvas)

Albert Cahen d Anvers, 1881 (oil on canvas)
3077077 Albert Cahen d Anvers, 1881 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 80x63.8 cm; J. Paul Getty Museum, Los Angeles

Background imageFrench Impressionism Collection: Portrait of Anthony Valabregue, 1869-71 (oil on canvas)

Portrait of Anthony Valabregue, 1869-71 (oil on canvas)
3077051 Portrait of Anthony ValabrAšgue, 1869-71 (oil on canvas) by Cezanne, Paul (1839-1906); 60x50.2 cm; J. Paul Getty Museum, Los Angeles

Background imageFrench Impressionism Collection: Houses at Bougival, 1870 (oil on canvas)

Houses at Bougival, 1870 (oil on canvas)
3077037 Houses at Bougival, 1870 (oil on canvas) by Pissarro, Camille (1830-1903); 88.9x116.2 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Houses at Bougival (Autumn) ); French

Background imageFrench Impressionism Collection: Poplars, c. 1883-4 (conte crayon on michalett paper)

Poplars, c. 1883-4 (conte crayon on michalett paper)
1766125 Poplars, c.1883-4 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 24.3x31 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imageFrench Impressionism Collection: Picking Flowers, 1875 (oil on canvas)

Picking Flowers, 1875 (oil on canvas)
1765943 Picking Flowers, 1875 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 54.3x65.2 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: William James Glackens Self-Portrait 1908 Oil

William James Glackens Self-Portrait 1908 Oil
William James Glackens: Self-Portrait, William James Glackens, 1908, Oil on canvas, Philadelphia native William Glackens was one of the most important American painters

Background imageFrench Impressionism Collection: 1765889; out of copyright

1765889; out of copyright

Background imageFrench Impressionism Collection: 1765883; out of copyright

1765883; out of copyright

Background imageFrench Impressionism Collection: 1765887; out of copyright

1765887; out of copyright

Background imageFrench Impressionism Collection: 1765888; out of copyright

1765888; out of copyright

Background imageFrench Impressionism Collection: 1765884; out of copyright

1765884; out of copyright



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French Impressionism was a revolutionary art movement that emerged in the late 19th century, challenging traditional artistic conventions and capturing fleeting moments of everyday life with vibrant brushstrokes and vivid colors. Artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas sought to depict the essence of their subjects rather than focusing on precise details. In "Madame Cezanne in a Red Dress, " Paul Cezanne portrays his wife with loose brushwork and bold red tones, showcasing his mastery of color. Similarly, Vincent van Gogh's "The House of Dr. Gachet" captures the picturesque beauty of Auvers-sur-Oise through expressive brushstrokes. Edgar Degas' "Four Jockeys" showcases his fascination with movement as he skillfully depicts horses racing across the canvas. Meanwhile, Camille Pissarro's "Spring (Fruit Trees in Bloom)" transports viewers to a blossoming orchard filled with delicate pink flowers. "The Parc Monceau" by Gustave Caillebotte invites us into an elegant Parisian park where people stroll leisurely amidst lush greenery. Henri de Toulouse-Lautrec's "The Riders" offers a glimpse into horse races, highlighting his unique ability to capture energy and excitement. Berthe Morisot's intimate portrait titled "The Gardener" reveals her sensitivity towards domestic scenes while also emphasizing her technical prowess. In contrast, Édouard Manet's self-portrait exudes confidence as he gazes directly at the viewer. Impressionist artists were not limited to painting; they also experimented with other mediums such as etching and aquatint. Mary Cassatt's "Loges daActrices (Actressesa Dressing Rooms)" provides an insider view into theater life during that era while Edgar Degas' "At the Ambassadeurs" captures the lively atmosphere of a bustling cabaret.