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Flesh Collection (page 3)

"Flesh: A Multifaceted Tapestry of Life" Exploring the intricate beauty of flesh, we witness a leg adorned in a stiletto shoe, captured through an MRI-style lens

Background imageFlesh Collection: Saint Bartholomew, the apostle (oil on wood)

Saint Bartholomew, the apostle (oil on wood)
LSE3504559 Saint Bartholomew, the apostle (oil on wood) by Matteo di Giovanni di Bartolo, (c.1430-95); Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageFlesh Collection: The late Henry Stacy Marks, RA (litho)

The late Henry Stacy Marks, RA (litho)
1615095 The late Henry Stacy Marks, RA (litho) by Marks, Henry Stacey (1829-98) (after); Private Collection; (add.info.: The late Henry Stacy Marks, RA)

Background imageFlesh Collection: The Wrestlers, 1853 (oil on canvas)

The Wrestlers, 1853 (oil on canvas)
3114347 The Wrestlers, 1853 (oil on canvas) by Courbet, Gustave (1819-77); 252x199 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; French, out of copyright

Background imageFlesh Collection: The Spirit overcoming the flesh or the downfall of my deary (coloured engraving)

The Spirit overcoming the flesh or the downfall of my deary (coloured engraving)
583407 The Spirit overcoming the flesh or the downfall of my deary (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Whither my love, ah! Whither art thou gone)

Background imageFlesh Collection: Fruit and Flowers (oil on canvas)

Fruit and Flowers (oil on canvas)
XKH179529 Fruit and Flowers (oil on canvas) by Bredael, Jan Peter van the Younger (1683-1735); 68x51.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Background imageFlesh Collection: The cafe, c. 1860-65 (oil on tinplate)

The cafe, c. 1860-65 (oil on tinplate)
AIS5355247 The cafe, c. 1860-65 (oil on tinplate) by Balaca y Canseco, Ricardo (1844-80); Museo de Bellas Artes, Bilbao, Spain; eIberfoto; Spanish, out of copyright

Background imageFlesh Collection: In front of the sea. Painting by Ricard CANALS i LLAMBI (1876-1931). Oil on canvas

In front of the sea. Painting by Ricard CANALS i LLAMBI (1876-1931). Oil on canvas
AIS5359612 In front of the sea. Painting by Ricard CANALS i LLAMBI (1876-1931). Oil on canvas. Honduras, Tegucigalpa. Banco Atlantida Collection

Background imageFlesh Collection: 'Return of the tournament 'A young knight hurts is brought back

"Return of the tournament "A young knight hurts is brought back
AIS5358293 " Return of the tournament " A young knight hurts is brought back to the palace, supported by two pages. Painting by Salvador Martinez Cubells (1845-1914) 1881 Valencia

Background imageFlesh Collection: Her little hand stroked tenderly the leg of flesh and blood (engraving)

Her little hand stroked tenderly the leg of flesh and blood (engraving)
6002749 Her little hand stroked tenderly the leg of flesh and blood (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageFlesh Collection: The Butchers Shop (oil on panel)

The Butchers Shop (oil on panel)
RAF132018 The Butchers Shop (oil on panel) by Coveyn or Covyn, Reinier or Reynier (1636-p.1667); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageFlesh Collection: America Painted to the Life: The True History of the Spaniards Proceedings in

America Painted to the Life: The True History of the Spaniards Proceedings in
2610814 America Painted to the Life: The True History of the Spaniards Proceedings in the Conquests of the Indians, by Sir Ferdinando Gorges and others

Background imageFlesh Collection: The Pelican in her Piety, c. 1866 (stained glass)

The Pelican in her Piety, c. 1866 (stained glass)
3474748 The Pelican in her Piety, c.1866 (stained glass) by Heaton, Clement James (1824-82); All Saints, Langton Long, UK; (add.info.: Manufactured by Heaton)

Background imageFlesh Collection: God the Father and God the Son (pencil on paper)

God the Father and God the Son (pencil on paper)
CHT440692 God the Father and God the Son (pencil on paper) by Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82); Location Unknown; eArchives Charmet; French, out of copyright

Background imageFlesh Collection: Arrangement in Flesh Color and Grey: The Chinese Screen (oil on canvas)

Arrangement in Flesh Color and Grey: The Chinese Screen (oil on canvas)
489735 Arrangement in Flesh Color and Grey: The Chinese Screen (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); Private Collection; Photo eChristies Images; American, out of copyright

Background imageFlesh Collection: In the Reading-Room of the British Museum (engraving)

In the Reading-Room of the British Museum (engraving)
1050239 In the Reading-Room of the British Museum (engraving) by English School, (19th century); Private Collection; (add.info.: In the Reading-Room of the British Museum)

Background imageFlesh Collection: Missionary tending to lepers (b / w photo)

Missionary tending to lepers (b / w photo)
1094822 Missionary tending to lepers (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Missionary tending to lepers)

Background imageFlesh Collection: Striped Hyena, from The Natural History of Animals, 1859 (hand-coloured engraving)

Striped Hyena, from The Natural History of Animals, 1859 (hand-coloured engraving)
2629946 Striped Hyena, from The Natural History of Animals, 1859 (hand-coloured engraving) by American School, (19th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Background imageFlesh Collection: The Three Shades, detail of the torso and arms, 1881 (bronze) (detail of 108012)

The Three Shades, detail of the torso and arms, 1881 (bronze) (detail of 108012)
SBH108014 The Three Shades, detail of the torso and arms, 1881 (bronze) (detail of 108012) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; eSally Fitch; French, out of copyright

Background imageFlesh Collection: Mammoths (litho)

Mammoths (litho)
5210977 Mammoths (litho) by Johnston, Harry Hamilton (1858-1927) (after); Private Collection; (add.info.: Mammoths. Illustration for Marvels of the Universe (Hutchinson)

Background imageFlesh Collection: Wenzel of Bohemia, 'The Good King Wenceslaus'(litho)

Wenzel of Bohemia, "The Good King Wenceslaus"(litho)
6005059 Wenzel of Bohemia, " The Good King Wenceslaus" (litho) by English School, (20th century); Private Collection; (add.info.: Wenzel of Bohemia)

Background imageFlesh Collection: A Group of Flesh-feeding Plants (engraving)

A Group of Flesh-feeding Plants (engraving)
966582 A Group of Flesh-feeding Plants (engraving) by English School, (19th century); Private Collection; (add.info.: A Group of Flesh-feeding Plants)

Background imageFlesh Collection: The Tree of Evil (engraving)

The Tree of Evil (engraving)
2800249 The Tree of Evil (engraving) by English School, (19th century); Private Collection; (add.info.: The Tree of Evil. Illustration for Religious Emblems and Allegories by William Holmes)

Background imageFlesh Collection: Christ Flagellated, c. 1560 (oil on canvas)

Christ Flagellated, c. 1560 (oil on canvas)
704168 Christ Flagellated, c.1560 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageFlesh Collection: Selection of miniatures by Rosalba Carriera and Cornelius Hozer (fl. 1766-67)

Selection of miniatures by Rosalba Carriera and Cornelius Hozer (fl. 1766-67)
BAL44915 Selection of miniatures by Rosalba Carriera and Cornelius Hozer (fl.1766-67) by Carriera, Rosalba Giovanna (1675-1757); Private Collection; Italian, out of copyright

Background imageFlesh Collection: Interior of a farm in Valencia in Spain. Painting by Ignacio PINAZO CAMARLENCH

Interior of a farm in Valencia in Spain. Painting by Ignacio PINAZO CAMARLENCH
AIS5358923 Interior of a farm in Valencia in Spain. Painting by Ignacio PINAZO CAMARLENCH, (1849-1916), 1899. Oil on canvas Valencia. Museum of Bellas Artes San Pio V

Background imageFlesh Collection: Still Life with Pigs Head, Pigs Knuckles and Sausage, c. 1650 (oil on panel)

Still Life with Pigs Head, Pigs Knuckles and Sausage, c. 1650 (oil on panel)
3704071 Still Life with Pigs Head, Pigs Knuckles and Sausage, c.1650 (oil on panel) by Monogrammist JVR (fl.1650); 55x72 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: ); Dutch

Background imageFlesh Collection: The Bones of a Hand photographed through the Flesh by means of the New Process (litho)

The Bones of a Hand photographed through the Flesh by means of the New Process (litho)
1041902 The Bones of a Hand photographed through the Flesh by means of the New Process (litho) by English School, (19th century); Private Collection; (add.info)

Background imageFlesh Collection: Variations in Flesh Colour and Green, The Balcony, c. 1870-79 (oil on wood panel)

Variations in Flesh Colour and Green, The Balcony, c. 1870-79 (oil on wood panel)
877011 Variations in Flesh Colour and Green, The Balcony, c.1870-79 (oil on wood panel) by Whistler, James Abbott McNeill (1834-1903); 61.4x48.8 cm; Freer Gallery of Art, Smithsonian Institution

Background imageFlesh Collection: Garden Cucumber, plate 4 from A Curious Herbal

Garden Cucumber, plate 4 from A Curious Herbal
STC176417 Garden Cucumber, plate 4 from A Curious Herbal, published 1782 (colour engraving) by Blackwell, Elizabeth (1707-1758); Private Collection; The Stapleton Collection; Scottish

Background imageFlesh Collection: Leg of Mutton (oil on canvas)

Leg of Mutton (oil on canvas)
XKH205609 Leg of Mutton (oil on canvas) by Jacobsz, Juriaen (c.1625-85); 51.5x88 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish, out of copyright

Background imageFlesh Collection: The Flesh of Others, 1883 / cast c. 1890-1895. Creator: Medardo Rosso

The Flesh of Others, 1883 / cast c. 1890-1895. Creator: Medardo Rosso
The Flesh of Others, 1883/cast c. 1890-1895

Background imageFlesh Collection: Melon

Melon
Frank Smout Images

Background imageFlesh Collection: Fig fruit, X-ray

Fig fruit, X-ray

Background imageFlesh Collection: The Fall of Man, 1616. Creator: Hendrik Goltzius

The Fall of Man, 1616. Creator: Hendrik Goltzius
The Fall of Man, 1616

Background imageFlesh Collection: Tityus Punished in Hell, 1566. Creator: Cornelis Cort

Tityus Punished in Hell, 1566. Creator: Cornelis Cort
Tityus Punished in Hell, 1566

Background imageFlesh Collection: 40S AUSSIE BEACH BABE

40S AUSSIE BEACH BABE
A skirtless bathing costume composed of a transparent blue lace or net lined with a flesh-coloured jersey. Lightweight, its guaranteed not to hamper the swimmer. Date: 1940

Background imageFlesh Collection: MANDAN HANGING CUSTOM

MANDAN HANGING CUSTOM
NATIVE AMERICANS The cutting of young warriors of the Mandan people, hanging from strips of flesh which slowly and painfully tear... Date: 1830s

Background imageFlesh Collection: EyeUbiquitous_20106076

EyeUbiquitous_20106076
Thailand, Bangkok, Thai man selling Durian fruit from cart

Background imageFlesh Collection: Food, Fruit, Pear, Sliced section on lightbox showing stalk, core and pips

Food, Fruit, Pear, Sliced section on lightbox showing stalk, core and pips

Background imageFlesh Collection: watermelon, citrulus lanatus

watermelon, citrulus lanatus
Turkey, Aydin Province, Kusadasi, Fresh watermelon on sale at town produce market with central fruit cut open to show red flesh and seeds

Background imageFlesh Collection: The Bathers, 1894, (1937). Creator: Paul Cezanne

The Bathers, 1894, (1937). Creator: Paul Cezanne
The Bathers, 1894, (1937). Oil on canvas. From " French Painting and the Nineteenth Century", by James Laver. [B. T. Batsford Ltd, London, 1937]

Background imageFlesh Collection: The Soul and Evil, late 19th-early 20th century, (1914). Creator: James Clark

The Soul and Evil, late 19th-early 20th century, (1914). Creator: James Clark
The Soul and Evil, late 19th-early 20th century, (1914). Spiritus Adversus Carnem, allegorical scene depicting a winged soul or spirit being grappled with by the personification of Evil or the flesh

Background imageFlesh Collection: Wrestlers, 1899 (oil on canvas)

Wrestlers, 1899 (oil on canvas)
3432806 Wrestlers, 1899 (oil on canvas) by Eakins, Thomas Cowperthwait (1844-1916); 22.87u152.4 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: Half nelson and crotch hold); American

Background imageFlesh Collection: Dr. Atkinsons Frost-Bitten Hand, 5 July 1911, (1913). Artist: Herbert Ponting

Dr. Atkinsons Frost-Bitten Hand, 5 July 1911, (1913). Artist: Herbert Ponting
Dr. Atkinsons Frost-Bitten Hand, 5 July 1911, (1913). Frostbite-affected hand of Dr Edward Atkinson (1881-1929). The final expedition of British Antarctic explorer Captain Robert Falcon Scott

Background imageFlesh Collection: Petty Officer Evans Binding Up Dr. Atkinsons Hand, 5 July 1911, (1913). Artist

Petty Officer Evans Binding Up Dr. Atkinsons Hand, 5 July 1911, (1913). Artist
Petty Officer Evans Binding Up Dr. Atkinsons Hand. The marks on Atkinsons face are frost-bites, 5 July 1911, (1913). Edgar Evans (1876-1912)

Background imageFlesh Collection: The Thorn in the Flesh, 1921 (wood engraving)

The Thorn in the Flesh, 1921 (wood engraving)



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"Flesh: A Multifaceted Tapestry of Life" Exploring the intricate beauty of flesh, we witness a leg adorned in a stiletto shoe, captured through an MRI-style lens, revealing the hidden wonders within. Julien Bougle's artistic vision brings forth a captivating image - the human body overlaid with vibrant colored plates, showcasing the complex layers that make up our very own flesh. In a prehistoric scene, we observe nature's cycle as a Tyrannosaurus Rex feasts upon the carrion of a fallen Triceratops, reminding us of flesh's role in sustaining life throughout history. Delving deeper into anatomy, we are presented with an awe-inspiring view of the human foot - its skin, veins, arteries, muscles and bones intricately intertwined to support our every step. Phasianus colchicus decollatus stands before us; its common yet enchanting plumage highlights how even creatures possess their own unique manifestation of flesh. Transported back to 1620s kitchen scenes by Peter Wtewael's brush strokes, we witness cooks skillfully preparing meals using various cuts of succulent flesh – an art form passed down through generations. Amidst the Everglades' serene landscape emerges an Everglade Snail Kite meticulously extracting tender morsels from within a snail shell – demonstrating nature's resourcefulness when it comes to nourishing on fleshy sustenance. The lesser hill myna known as Gracula religiosa indica captivates with its melodious calls and striking plumage – another testament to how diverse forms exist across species boundaries. Through "Modern Athenians" plate 8 artwork depicting Edinburgh society at play during Victorian times; one can't help but ponder over societal perceptions and expectations surrounding physical appearances and exposed flesh. From the vibrant streets of Singapore, we encounter the Purple Mangosteen.