Flesh Collection (page 7)

A Concavenator kills a young iguanodon dinosaur
A Concavenator kills a young iguanodon, jumping on his back and breaking his neck

A group of carnivorous Cynognathus prey on a Placerias dicynodont
A group of carnivorous Cynognathus (Cynognathus crateronotus) therapsids prey on a Placerias dicynodont during the Late Triassic of Africa

A T-Rex returns to his kill and finds some poaching raptors
The late Cretaceous circa 66 million years ago. Tyranosaurus Rex returning to his kill and finding some poaching Dromaeosaurid (raptor) type of dinosaurs

Two T. Rex dinosaurs feed on the remains of a dead sauropod
A pair of juvenile T. Rex dinosaurs from the same family, feeding on the remains of a dead sauropod dinosaur

Smilodon (Dirk Sabertooth) killing a Platygonus (peccary), Pleistocene Epoch (Ice Age) of North America

A pair of Yangchuanosaurus about to eat the remains of a dead Omeisaurus dinosaur

Yangchuanosaurus eats the carrion of a dead animal
Yangchuanosaurus shangyouensis eats the carrion of a dead animal as Angustinaripterus longicephalus scavenge in the background

A Carnotaurus eating the flesh of a dead Chubutisaurus

A family of T. Rex dinosaurs feed on the carcass of a sauropod
An adult female T. Rex with three of her young, feeding on the carcass of a dead sauropod dinosaur

Deinonychus antirrhopus preys on a fish

A pack of Deinonychus dinosaurs attack a Tenontosaurus during the Cretaceous Period of North America

The Body of the Dead Christ, detail of the feet (and signature and date of the work)
XIR897277 The Body of the Dead Christ, detail of the feet (and signature and date of the work), 1521 (tempera on limewood) by Holbein the Younger, Hans (1497/8-1543); 30.5x200 cm; Kunstmuseum, Basel

Netherlandish 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial " O" on an illuminated vellum sheet

French 15th Century, The Man of Sorrows with a Franciscan, 1490-1500, woodcut, hand-colored in red, blue, green-yellow, gray, and flesh

Josephs bloody coat brought to Jacob, detail the servant on the left-hand side
XIR439258 Josephs bloody coat brought to Jacob, detail the servant on the left-hand side, 1630 (oil on canvas) (detail of 55705) by Velazquez

Flayed Pig (oil on panel)
XIR420040 Flayed Pig (oil on panel) by Ostade, Adriaen Jansz. van (1610-85); 46.5x39.5 cm; Musee des Beaux-Arts, Caen, France; (add.info.: Le Cochon Ecorche; ); Dutch, out of copyright

Album of the Siege of Paris, Maison Debos, boulevard Haussmann (pen & brown ink wash
XIR414940 Album of the Siege of Paris, Maison Debos, boulevard Haussmann (pen & brown ink wash & pencil on paper) by Dore, Gustave (1832-83); 16.9x23.1 cm; Musee de la Ville de Paris

The Slaughtered Ox, 1655 (oil on canvas)
XIR34886 The Slaughtered Ox, 1655 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 94x68 cm; Louvre, Paris, France; Dutch, out of copyright

Luxury, 1557 (engraving) (b / w photo)
XIR345963 Luxury, 1557 (engraving) (b/w photo) by Bruegel, Pieter the Elder (c.1525-69); Bibliotheque Royale de Belgique, Brussels, Belgium; (add.info.: La Luxure; Brueghel; ); Flemish

Diana and her Nymphs Bathing, 1747 (fresco)
XPH324150 Diana and her Nymphs Bathing, 1747 (fresco) by Pesne, Antoine (1683-1747); Schloss Sanssouci, Potsdam, Brandenburg, Germany; (add.info.: Diana und ihre Nymphen; Wandgemaelde; Diana)

Three Boulders (pencil & w / c on paper)
XBP390749 Three Boulders (pencil & w/c on paper) by Rodin, Auguste (1840-1917); Rodin Museum, Philadelphia, USA; Photo eBoltin Picture Library; French, out of copyright

Portrait of Daniel Souterius, print maker: Jacob Matham, 1623

Portrait of Daniel Souterius, Jacob Matham, 1621-1623

Personified soul speaks against the Flesh, Jan Luyken, Pieter Arentsz (II), 1678 - 1687

Personified soul no longer tastes the flesh, Jan Luyken, Pieter Arentsz II, 1678-1687

Woman pointing to the Soul and the Flesh walking hand in hand, Jan Luyken, Pieter Arentsz (II), 1687

The Incredulity of St. Thomas (oil on canvas)
XIR175026 The Incredulity of St. Thomas (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Head of a Boy (recto), Figure Studies (verso); Federico Barocci, Italian, about 1535 - 1612; about 1586 - 1589; Black, red

AD: BRUSH, 1888. American advertisement for Bailey's Rubber Bath and Flesh Brush for exfoliation and improving circulation, 1888

Picture No. 10880443
African Elephant - Community Maasai scouts working for the Mara Conservancy trim the flesh off a confiscated tusk (Loxodonta africana) Date:

Picture No. 10872634
Bushman - squeezing flesh of plant and drinking extracted moisture Date:

The Deluge. The last frantic attempts to cling to life. And all flesh died that moved upon the earth.... Genesis 7.22. Illustration by Gustave Dore French painter and illustrator for The Bible

Barge Haulers on the Volga, 1873. Oil on canvas. Ilya Repin (1844-1930) Russian artist. Peasants in rags used as beasts of burden

Hunting Walrus. Walrus (Odobenus rosmarus), large semi-aquatic mammal native to Arctic regions was hunted for its flesh, hide and its ivory tusks

Portia, disguised as an advocate Balthazar, defends Antonio against Shylock s
Portia, disguised as an advocate Balthazar, defends Antonio against Shylocks claim for a pound of flesh in settlement of his debt. The Merchant of Venice Act IV, Scene I

Flesh fly, Sarcophaga carnaria, adult fly

Watermelon split into imperfect halves, close up

Baked sweet potato containing a knob of melting butter, served on white plate with knife and fork, close up, tilted view

A selection of partly sliced tropical fruit, including mango, avocado, tamarillo, prickly pear, pitahaya, kiwano

Tomato skin being peeled off flesh with with a sharp knife, side view

Cucurbita pepo, Acorn Squash, whole and sliced

Person coring apples

Malus pumila, two Apples, one cut in half showing flesh and core

Prunus sp. four Plum halves, pitted and unpitted

Raw lamb meat being scraped away from the leg bone with knife, view from above

Cucurbita peop, West Indian Pumpkin, with a slice cut off to reveal core

An orange cut in half and three segments

Kiwi fruit cut in half to display green flesh and seeds

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"Flesh: A Multifaceted Tapestry of Life" Exploring the intricate beauty of flesh, we witness a leg adorned in a stiletto shoe, captured through an MRI-style lens, revealing the hidden wonders within. Julien Bougle's artistic vision brings forth a captivating image - the human body overlaid with vibrant colored plates, showcasing the complex layers that make up our very own flesh. In a prehistoric scene, we observe nature's cycle as a Tyrannosaurus Rex feasts upon the carrion of a fallen Triceratops, reminding us of flesh's role in sustaining life throughout history. Delving deeper into anatomy, we are presented with an awe-inspiring view of the human foot - its skin, veins, arteries, muscles and bones intricately intertwined to support our every step. Phasianus colchicus decollatus stands before us; its common yet enchanting plumage highlights how even creatures possess their own unique manifestation of flesh. Transported back to 1620s kitchen scenes by Peter Wtewael's brush strokes, we witness cooks skillfully preparing meals using various cuts of succulent flesh – an art form passed down through generations. Amidst the Everglades' serene landscape emerges an Everglade Snail Kite meticulously extracting tender morsels from within a snail shell – demonstrating nature's resourcefulness when it comes to nourishing on fleshy sustenance. The lesser hill myna known as Gracula religiosa indica captivates with its melodious calls and striking plumage – another testament to how diverse forms exist across species boundaries. Through "Modern Athenians" plate 8 artwork depicting Edinburgh society at play during Victorian times; one can't help but ponder over societal perceptions and expectations surrounding physical appearances and exposed flesh. From the vibrant streets of Singapore, we encounter the Purple Mangosteen.