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Embracing Collection (page 13)

"Embracing the Beauty of Art: A Journey Through Time and Emotion" In Rembrandt's masterpiece, "The Return of the Prodigal Son

Background imageEmbracing Collection: The Kiss, Modeled circa 1881-1882, cast at a later date (bronze)

The Kiss, Modeled circa 1881-1882, cast at a later date (bronze)
7082162 The Kiss, Modeled circa 1881-1882, cast at a later date (bronze) by Rodin, Auguste (1840-1917); 86.4x43.2x55.9 cm; North Carolina Museum of Art, Raleigh

Background imageEmbracing Collection: Blackware Spouted Vessel in the Form of a Couple in an Erotic Embrace, 100 B. C. / A. D. 500

Blackware Spouted Vessel in the Form of a Couple in an Erotic Embrace, 100 B. C. / A. D. 500
Blackware Spouted Vessel in the Form of a Couple in an Erotic Embrace, 100 B.C./A.D. 500

Background imageEmbracing Collection: Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 B. C

Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 B. C
Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 B.C./A.D. 500

Background imageEmbracing Collection: Handle Spout Vessel Depicting a Couple in an Erotic Embrace, 100 B. C. / A. D. 500

Handle Spout Vessel Depicting a Couple in an Erotic Embrace, 100 B. C. / A. D. 500
Handle Spout Vessel Depicting a Couple in an Erotic Embrace, 100 B.C./A.D. 500

Background imageEmbracing Collection: Spout Vessel Depicting Two Skeletal Figures in Erotic Scene Attached to Handle, 100 B. C

Spout Vessel Depicting Two Skeletal Figures in Erotic Scene Attached to Handle, 100 B. C
Spout Vessel Depicting Two Skeletal Figures in Erotic Scene Attached to Handle, 100 B.C./A.D. 500

Background imageEmbracing Collection: Triptych of the Virgin and Child with Scenes from the Life of Christ, 1310 / 30

Triptych of the Virgin and Child with Scenes from the Life of Christ, 1310 / 30
Triptych of the Virgin and Child with Scenes from the Life of Christ, 1310/30

Background imageEmbracing Collection: Virgin and Child with Angels, c. 1610. Creator: Giulio Cesare Procaccini

Virgin and Child with Angels, c. 1610. Creator: Giulio Cesare Procaccini
Virgin and Child with Angels, c. 1610

Background imageEmbracing Collection: The Infants Christ and Saint John the Baptist Embracing, 1520 / 25

The Infants Christ and Saint John the Baptist Embracing, 1520 / 25
The Infants Christ and Saint John the Baptist Embracing, 1520/25

Background imageEmbracing Collection: Madonna and Child, 1490 / 1500. Creator: Workshop of Neroccio de Landi

Madonna and Child, 1490 / 1500. Creator: Workshop of Neroccio de Landi
Madonna and Child, 1490/1500

Background imageEmbracing Collection: Virgin and Child with an Angel, 1475 / 85. Creator: Sandro Botticelli

Virgin and Child with an Angel, 1475 / 85. Creator: Sandro Botticelli
Virgin and Child with an Angel, 1475/85

Background imageEmbracing Collection: Children Embracing (Enfantss embrassant), Modeled about 1881, cast before 1916

Children Embracing (Enfantss embrassant), Modeled about 1881, cast before 1916

Background imageEmbracing Collection: Cupid and Psyche, 1828. Creator: Jean-Baptiste Regnault

Cupid and Psyche, 1828. Creator: Jean-Baptiste Regnault
Cupid and Psyche, 1828

Background imageEmbracing Collection: Yamauba Playing with the Young Kintoki, ca. 1795. Creator: Kitagawa Utamaro

Yamauba Playing with the Young Kintoki, ca. 1795. Creator: Kitagawa Utamaro
Yamauba Playing with the Young Kintoki, ca. 1795

Background imageEmbracing Collection: Venus mourning Adonis, seated beneath a tree and embracing him, with Cupid at right, c

Venus mourning Adonis, seated beneath a tree and embracing him, with Cupid at right, ca. 1786

Background imageEmbracing Collection: A young man embracing a girl, 1743. Creator: Giovanni Cattini

A young man embracing a girl, 1743. Creator: Giovanni Cattini
A young man embracing a girl, 1743. After Giovanni Battista Piazzetta. Plate 6 from Icones ad vivum expressae

Background imageEmbracing Collection: Palais de Karnak, Pilier Devant le Sanctuaire de Granit;Thebes, 1849 / 51

Palais de Karnak, Pilier Devant le Sanctuaire de Granit;Thebes, 1849 / 51
Palais de Karnak, Pilier Devant le Sanctuaire de Granit; Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 38 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageEmbracing Collection: The Tearful Parting of Su Wu and Li Ling, Ming dynasty, 16th century. Creator: Unknown

The Tearful Parting of Su Wu and Li Ling, Ming dynasty, 16th century. Creator: Unknown
The Tearful Parting of Su Wu and Li Ling, Ming dynasty, 16th century. Formerly attributed to Liu Guandao

Background imageEmbracing Collection: Georgia O Keeffe - Hands and Horse Skull, 1931. Creator: Alfred Stieglitz

Georgia O Keeffe - Hands and Horse Skull, 1931. Creator: Alfred Stieglitz
Georgia O Keeffe - Hands and Horse Skull, 1931. A work made of gelatin silver print

Background imageEmbracing Collection: A group of angels embracing in flight, framed by clouds, ca. 1607. ca. 1607

A group of angels embracing in flight, framed by clouds, ca. 1607. ca. 1607
A group of angels embracing in flight, framed by clouds, ca. 1607

Background imageEmbracing Collection: Lovers on a garden terrace; musicians and attendants, 18th century. Creator: Unknown

Lovers on a garden terrace; musicians and attendants, 18th century. Creator: Unknown
Lovers on a garden terrace; musicians and attendants, 18th century

Background imageEmbracing Collection: Old Schoolfellows, from 'Illustrated London News', July 7, 1855

Old Schoolfellows, from "Illustrated London News", July 7, 1855
Old Schoolfellows, from " Illustrated London News", July 7, 1855

Background imageEmbracing Collection: Octavie, from The Songs of Beranger, 1829. Creator: Melchior Peronard

Octavie, from The Songs of Beranger, 1829. Creator: Melchior Peronard
Octavie, from The Songs of Beranger, 1829

Background imageEmbracing Collection: The Parable of the Prodigal Son, No. III: The Return, 1882. Creator: James Tissot

The Parable of the Prodigal Son, No. III: The Return, 1882. Creator: James Tissot
The Parable of the Prodigal Son, No. III: The Return, 1882

Background imageEmbracing Collection: Lilith, 1887 (oil on canvas)

Lilith, 1887 (oil on canvas)
ATK125798 Lilith, 1887 (oil on canvas) by Collier, John (1850-1934); Atkinson Art Gallery, Southport, Lancashire, UK; (add.info.: character in Jewish mythology; first wife of Adam)

Background imageEmbracing Collection: Eternal Spring, early 1900s (marble)

Eternal Spring, early 1900s (marble)
BAL16103 Eternal Spring, early 1900s (marble) by Rodin, Auguste (1840-1917); State Hermitage Museum, St. Petersburg, Russia; (add.info.: for the Gates of Hell)

Background imageEmbracing Collection: Venus and Adonis (oil)

Venus and Adonis (oil)
RAF45662 Venus and Adonis (oil) by Vallin, Jacques Antoine (1760-p.1831) (circle of); Private Collection; Photo eRafael Valls Gallery, London, UK; French, out of copyright

Background imageEmbracing Collection: The Virgin with the Dead Christ, c. 1480 (tempera on panel)

The Virgin with the Dead Christ, c. 1480 (tempera on panel)
BAL53580 The Virgin with the Dead Christ, c.1480 (tempera on panel) by Montagnana, Jacopo da (1440/43-1508); 76x50.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; Italian

Background imageEmbracing Collection: Couple embracing on sandy beach

Couple embracing on sandy beach
UNITED STATES - CIRCA 1920s: Couple embracing on sandy beach

Background imageEmbracing Collection: The Madonna and Child with the Young Saint John the Baptist and an Angel

The Madonna and Child with the Young Saint John the Baptist and an Angel
1065245 The Madonna and Child with the Young Saint John the Baptist and an Angel (oil & gold on panel) by Albertinelli, Mariotto (1474-1515) & Buigardini

Background imageEmbracing Collection: The Betrothed in the Forest of Bavaria, 1923 (charcoal on paper)

The Betrothed in the Forest of Bavaria, 1923 (charcoal on paper)
1547559 The Betrothed in the Forest of Bavaria, 1923 (charcoal on paper) by Gestel, Leo (1881-1941); 119x88 cm; Private Collection; (add.info)

Background imageEmbracing Collection: A Prelude by Bach, 1868 (pencil and w / c on paper)

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageEmbracing Collection: Saints Theodore Tyron and Theodore Stratelates (oil & gold on panel)

Saints Theodore Tyron and Theodore Stratelates (oil & gold on panel)
1147582 Saints Theodore Tyron and Theodore Stratelates (oil & gold on panel) by Greek School, (17th century); 43.5x33 cm; Private Collection; Photo eChristies Images; Greek, out of copyright

Background imageEmbracing Collection: Idyll, 1851-52 (oil on canvas)

Idyll, 1851-52 (oil on canvas)
989561 Idyll, 1851-52 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 84.5x63.5 cm; Private Collection; (add.info.: Idyll; Idylle. William Adolphe Bouguereau (1825-1905). Oil on canvas

Background imageEmbracing Collection: A young lady called Madame de Genlis, embracing her young son (w / c on ivory)

A young lady called Madame de Genlis, embracing her young son (w / c on ivory)
2907978 A young lady called Madame de Genlis, embracing her young son (w/c on ivory) by Fabre, Louis-Andre (1750-1814); diam: 7.7 cm; Private Collection; (add.info.: She)

Background imageEmbracing Collection: Madonna and child (oil on board)

Madonna and child (oil on board)
3435386 Madonna and child (oil on board) by Mantegna, Andrea (1431-1506) (follower of); 44.5x31.5 cm; Private Collection; (add.info.: Dedicated to Sig)

Background imageEmbracing Collection: The Huguenot, 1852 (oil on canvas)

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Background imageEmbracing Collection: The Return from Egypt (oil on canvas)

The Return from Egypt (oil on canvas)
3121786 The Return from Egypt (oil on canvas) by Zurbaran, Francisco de (1598-1664) (studio of); 192.1x247.9 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageEmbracing Collection: Two Sisters; Les Deux Soeurs, (oil on canvas)

Two Sisters; Les Deux Soeurs, (oil on canvas)
659268 Two Sisters; Les Deux Soeurs, (oil on canvas) by Boilly, Louis Leopold (1761-1845); 45x37.5 cm; Private Collection; (add.info.: Two Sisters; Les Deux Soeurs. Louis Leopold Boilly (1761-1845)

Background imageEmbracing Collection: A Dear Friend; Una Cara Compagna, (oil on canvas)

A Dear Friend; Una Cara Compagna, (oil on canvas)
659036 A Dear Friend; Una Cara Compagna, (oil on canvas) by Irolli, Vicenzo (1860-1945); 35.5x25.4 cm; Private Collection; (add.info.: A Dear Friend; Una Cara Compagna. Vincenzo Irolli (1860-1942)

Background imageEmbracing Collection: Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
824261 Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond, c.1817-1824 (oil on canvas) by Lawrence

Background imageEmbracing Collection: Off for the honeymoon (colour litho)

Off for the honeymoon (colour litho)
3641743 Off for the honeymoon (colour litho) by English School, (20th century); Private Collection; (add.info.: Off for the honeymoon. Postcard, early 20th century.); © Look and Learn

Background imageEmbracing Collection: Strictly confidential (colour photo)

Strictly confidential (colour photo)
3641732 Strictly confidential (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Strictly confidential. Postcard, early 20th century.); © Look and Learn

Background imageEmbracing Collection: Off for the honeywoon (colour litho)

Off for the honeywoon (colour litho)
3641671 Off for the honeywoon (colour litho) by English School, (20th century); Private Collection; (add.info.: Off for the honeywoon. Postcard, early 20th century.); © Look and Learn

Background imageEmbracing Collection: Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving)

Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving)
3622618 Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Zut pour Matassin! Cabassol, c est toi que j aime!)

Background imageEmbracing Collection: The Flight into Egypt, 1862 (stained glass)

The Flight into Egypt, 1862 (stained glass)
3474729 The Flight into Egypt, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Bramcote, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageEmbracing Collection: Maternal Affection (oil on canvas)

Maternal Affection (oil on canvas)
3822312 Maternal Affection (oil on canvas) by Goodall, Frederick (1822-1904); 44.5x36 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright



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"Embracing the Beauty of Art: A Journey Through Time and Emotion" In Rembrandt's masterpiece, "The Return of the Prodigal Son, " we witness a poignant embrace that symbolizes forgiveness and redemption. The artist captures the essence of human connection, reminding us to embrace compassion in our own lives. Moving forward to Parisian Lovers, we are transported to a romantic rendezvous where two souls intertwine in an intimate embrace. Love knows no boundaries as these lovers surrender themselves to passion and affection. Hungary's enigmatic painting, "The Green Donkey (Metaphysics), " invites us into a realm of mystery and contemplation. Here, we learn to embrace the unknown and delve into the depths of our imagination. In "Twixt Love and Duty, " painted during World War I, love is torn between duty and sacrifice. This emotional piece urges us to find balance in our own lives by embracing both responsibilities and matters of the heart. An Icon on wood panel speaks volumes about faith and spirituality. As we gaze upon this sacred image, let us open our hearts to divine guidance while embracing the power of belief. Abelard and Heloise's tragic tale unfolds through their passionate embrace. Their forbidden love teaches us about longing, sacrifice, but also reminds us that sometimes it is worth risking everything for true happiness. Agnolo Bronzino's allegorical masterpiece portrays Venus embracing Cupid with tenderness. It serves as a reminder that love can conquer all obstacles when embraced wholeheartedly. The iconic Public Statue of a Sailor Kissing a Nurse immortalizes an exuberant moment at the end of World War II—a celebration not only for victory but also for unity among nations. Let this statue inspire us all to embrace peace and harmony wherever we may be. Humor takes center stage with comic postcard "How We Are Enjoying Ourselves at Bognor.