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Lilith, 1887 (oil on canvas)
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Lilith, 1887 (oil on canvas)
ATK125798 Lilith, 1887 (oil on canvas) by Collier, John (1850-1934); Atkinson Art Gallery, Southport, Lancashire, UK; (add.info.: character in Jewish mythology; first wife of Adam, created from the same clay, who refused to accept that she was not equal to him; ); eThe Atkinson; English, out of copyright
Media ID 23816758
© The Atkinson / Bridgeman Images
Alluring Caressing Coiling Embracing Erotic Evil Femme Fatale First Woman Lascivious Long Hair Lust Seductive Sensual Tangled Temptress Tresses Pre Raphaelite Serpent Snakes
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The captivating painting "Lilith, 1887" by John Collier takes us back to the realm of Jewish mythology. This oil on canvas masterpiece, housed at the Atkinson Art Gallery in Southport, Lancashire, UK, depicts Lilith as a seductive and powerful figure. Collier's portrayal of Lilith challenges traditional notions of femininity and submission. As Adam's first wife, created from the same clay as him, she refuses to accept her inferiority. With long tangled tresses cascading down her naked body and an alluring gaze that pierces through the viewer's soul, Lilith exudes sensuality and confidence. The presence of a snake coiling around her adds an element of danger and temptation to the composition. Often associated with evil and temptation in various mythologies, snakes symbolize both wisdom and deceitfulness here. This Pre-Raphaelite artwork showcases Collier's mastery in capturing intricate details such as Lilith's lascivious expression and caressing touch upon the serpent. The artist skillfully portrays Lilith as a femme fatale who embraces her nakedness without shame or apology. "Lilith, 1887" is not just a painting; it is an exploration of female power and sexuality within religious narratives. It invites viewers to question societal norms surrounding gender roles while celebrating the allure and complexity of women throughout history.
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