Lascivious Collection

Young man in a suit and without shirt lying on a couch

Young man in a suit and without shirt kneeling on a couch

Bare-chested man laughing

Bare-chested young man smiling, portrait

Young man wearing bathing trunks, leaning against a concrete wall

Old man spying through keyhole. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs
1000860 Old man spying through keyhole. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909.; Private Collection.

Young athlete in white briefs

Susannah and the Elders (oil on canvas)
3822231 Susannah and the Elders (oil on canvas) by Lely, Peter (1618-80) (after); 82.3x67 cm; Calderdale Museums Service, West Yorkshire, UK; © Calderdale Borough Council

Joseph and Potiphars Wife (oil on canvas)
862741 Joseph and Potiphars Wife (oil on canvas) by Bassetti, Marcantonio (1586-1630) (studio of); 119.2x154.7 cm; Private Collection; Photo © Christies Images

La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving)
1202216 La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (after); 39x26 cm; Private Collection; Photo © Christies Images

Lilith, 1887 (oil on canvas) (detail of 125798)
483200 Lilith, 1887 (oil on canvas) (detail of 125798) by Collier, John (1850-1934); (add.info.: character in Jewish mythology; first wife of Adam, created from the same clay)

Sensuality, c. 1891 (oil on canvas)
CH416890 Sensuality, c.1891 (oil on canvas) by Stuck, Franz von (1863-1928); 50.5x36.3 cm; Private Collection; (add.info.: Der Sinnlichkeit; ); Photo © Christies Images

Irresolute Virtue (oil on canvas)
490412 Irresolute Virtue (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 48.5x39 cm; Private Collection; (add.info.: La Vertu Irresolue); Photo © Christies Images

Susannah and the Elders (oil on canvas)
3744373 Susannah and the Elders (oil on canvas) by Gentileschi, Artemisia (1597-c.1651) (attr.to); 162.5x121.9 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Lilith, 1887 (oil on canvas)
ATK125798 Lilith, 1887 (oil on canvas) by Collier, John (1850-1934); Atkinson Art Gallery, Southport, Lancashire, UK; (add.info.: character in Jewish mythology; first wife of Adam)

Riches, plate 2 from The Vicissitude of Human Things, 1564 (engraving)
BCC393574 Riches, plate 2 from The Vicissitude of Human Things, 1564 (engraving) by Heemskerck, Maarten van (1498-1574) (after); 22.3x29.6 cm; Private Collection; (add.info)

A Duet, pub. 1792 (hand coloured engraving)
3025380 A Duet, pub. 1792 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Thomas Vanhagen; Turn Fair Clora, turn, ah cruel)

Debauche, 1896 (colour litho)
PNH367147 Debauche, 1896 (colour litho) by Toulouse-Lautrec, Henri de (1864-1901); 23.2x32 cm; Private Collection; (add.info)

The Ill-matched Lovers (oil on panel)
697865 The Ill-matched Lovers (oil on panel) by Oostsanen, Jacob Cornelisz van (1470-1533) (studio of); 49.5x35.9 cm; Private Collection; (add.info)

Penelope and the Suitors, 1900 (oil on canvas)
480810 Penelope and the Suitors, 1900 (oil on canvas) by Robertson, Victor John (fl.1892-1903); 127x11 cm; Private Collection; (add.info.: Wife of Odysseus)

The Laughing Audience, illustration from Hogarth Restored
STC451237 The Laughing Audience, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Cover for Le Parfum de Volupte by Gaston Danville
488990 Cover for Le Parfum de Volupteby Gaston Danville, second edition published 1905 (litho) by Leandre, Charles (1862-1934); Bibliotheque Nationale, Paris

Female Brokers Securing a Customer, illustration from
AQS254845 Female Brokers Securing a Customer, illustration from The Bulls and Bears of New York, by Matthew Hale Smith (1810-79) 1873 (litho) by American School

Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan
BAL42843 Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan, 1796 (hand-coloured engraving) by Gillray, James (1757-1815); O Shea Gallery, London

A Duet: Turn Fair Clora, turn, ah cruel, turn again
NCO191752 A Duet: Turn Fair Clora, turn, ah cruel, turn again published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Lust in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
STC227389 Lust in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c.1850 (colour litho) by Boilly, Louis Leopold (1761-1845) (after); Private Collection; (add.info)

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862

DANCING WITH BEAR - 1
A lady dances with a lascivious bear. Date: circa 1900

Asiatic black / Moon bear (Ursus thibetanus) head portrait with tongue hanging out, captive

Athletic man, chest, front, chest, abdomen

Young man smiling, portrait, bare-chested

Lascivious Dance
At a sabbat in the Basque country, two witches enjoy a lascivious dance while others enjoy the embraces of demons and the sound of bagpipes

Old Man Spying Through Keyhole. From Illustrierte Sittengeschichte Vom Mittelalter Bis Zur Gegenwart By Eduard Fuchs, Published 1909

Bare-chested young man, portrait

Smiling man with a spoon in the mouth, snacking

Man in underwear lying on the floor in front of a leather sofa

Het Lusthuys Van Pater Peters, En De Jesuwijten En Munniken, Ontdekt Door, Sic Itur Ad Astra, Scilicet, [1681ja], 1 Print (broadside) : Etching With Letterpress

Sic Itur Ad Astra Scilicet, Hooghe, Romeyn De, 1645-1708, Artist, 1681. 1 Print : Etching. Print Shows Scene In A Bawdy House Of Pleasure Frequented By Father Petre And Other Jesuits Where They

Falconer Lady series Scenes Daily Life ca 1495
Artokoloro

Sic itur ad astra scilicet, Hooghe, Romeyn de, 1645-1708, artist, 1681. 1 print : etching. Print shows scene in a bawdy house of pleasure frequented by Father Petre

Het lusthuys van Pater Peters, en de Jesuwijten en Munniken, ontdekt door, Sic itur ad astra, scilicet, [1681?], 1 print (broadside) : etching with letterpress

The Laughing Audience, 1733 (engraving) (b / w photo)
XJF142897 The Laughing Audience, 1733 (engraving) (b/w photo) by Hogarth, William (1697-1764); Private Collection; English, out of copyright

Portrait of a young man leaning on a wall in the sunlightPortrait of a young man leaning on a wall in the sunlight

Portrait of a young man leaning on a wall in the sunlight

Portrait of a young man leaning on a wall

Young rebel in cool clothes on a roof at dusk

Woman Dances with Bear
Young woman in peasant costume dances with a lascivious- looking bear

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"Exploring the Allure: A Captivating Glimpse into Lascivious Temptations" In a world where desire intertwines with sophistication, this young man in a suit and without a shirt reclines on a plush couch, exuding an irresistible charm. His gaze hints at secrets untold, inviting you to delve deeper into his captivating allure. Kneeling on the same luxurious couch, another young man in a suit and bare-chested captivates with his enigmatic presence. The juxtaposition of power and vulnerability creates an alluring tension that leaves you yearning for more. A bare-chested man bursts into laughter, his carefree spirit contagious. In this moment of uninhibited joy, he embodies the essence of sensuality that lies beneath every smile. Leaning against a concrete wall, a young man wearing bathing trunks emanates confidence and magnetism. His sculpted physique is both enticing and mysterious as he effortlessly commands attention from all who pass by. With an enchanting smile that could melt hearts, another bare-chested young man gazes directly into your soul through the portrait's frame. It's as if he holds the key to unlocking hidden desires within yourself. From timeless masterpieces like "Susannah and the Elders" to provocative engravings such as "Satyr undresses a Nymph, " art has long explored lascivious themes throughout history. These works capture moments of forbidden passion or seductive encounters that have fascinated generations with their raw intensity. "Dans l'Escalier de la Rue des Moulins" transports us to 1893 Paris—a city pulsating with unspoken desires—where oil paints blend seamlessly with pastels on cardboard to depict scenes shrouded in secrecy. Each stroke whispers tales of clandestine rendezvous and stolen glances down dimly lit staircases. The biblical tale comes alive in "Joseph and Potiphar's Wife, " where temptation weaves a dangerous web.