Embracing Collection (page 9)

The Betrothed in the Forest of Bavaria, 1923 (charcoal on paper)
1547559 The Betrothed in the Forest of Bavaria, 1923 (charcoal on paper) by Gestel, Leo (1881-1941); 119x88 cm; Private Collection; (add.info)

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Saints Theodore Tyron and Theodore Stratelates (oil & gold on panel)
1147582 Saints Theodore Tyron and Theodore Stratelates (oil & gold on panel) by Greek School, (17th century); 43.5x33 cm; Private Collection; Photo eChristies Images; Greek, out of copyright

Idyll, 1851-52 (oil on canvas)
989561 Idyll, 1851-52 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 84.5x63.5 cm; Private Collection; (add.info.: Idyll; Idylle. William Adolphe Bouguereau (1825-1905). Oil on canvas

A young lady called Madame de Genlis, embracing her young son (w / c on ivory)
2907978 A young lady called Madame de Genlis, embracing her young son (w/c on ivory) by Fabre, Louis-Andre (1750-1814); diam: 7.7 cm; Private Collection; (add.info.: She)

Madonna and child (oil on board)
3435386 Madonna and child (oil on board) by Mantegna, Andrea (1431-1506) (follower of); 44.5x31.5 cm; Private Collection; (add.info.: Dedicated to Sig)

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

The Return from Egypt (oil on canvas)
3121786 The Return from Egypt (oil on canvas) by Zurbaran, Francisco de (1598-1664) (studio of); 192.1x247.9 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Two Sisters; Les Deux Soeurs, (oil on canvas)
659268 Two Sisters; Les Deux Soeurs, (oil on canvas) by Boilly, Louis Leopold (1761-1845); 45x37.5 cm; Private Collection; (add.info.: Two Sisters; Les Deux Soeurs. Louis Leopold Boilly (1761-1845)

A Dear Friend; Una Cara Compagna, (oil on canvas)
659036 A Dear Friend; Una Cara Compagna, (oil on canvas) by Irolli, Vicenzo (1860-1945); 35.5x25.4 cm; Private Collection; (add.info.: A Dear Friend; Una Cara Compagna. Vincenzo Irolli (1860-1942)

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
824261 Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond, c.1817-1824 (oil on canvas) by Lawrence

Off for the honeymoon (colour litho)
3641743 Off for the honeymoon (colour litho) by English School, (20th century); Private Collection; (add.info.: Off for the honeymoon. Postcard, early 20th century.); © Look and Learn

Strictly confidential (colour photo)
3641732 Strictly confidential (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Strictly confidential. Postcard, early 20th century.); © Look and Learn

Off for the honeywoon (colour litho)
3641671 Off for the honeywoon (colour litho) by English School, (20th century); Private Collection; (add.info.: Off for the honeywoon. Postcard, early 20th century.); © Look and Learn

Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving)
3622618 Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Zut pour Matassin! Cabassol, c est toi que j aime!)

The Flight into Egypt, 1862 (stained glass)
3474729 The Flight into Egypt, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Bramcote, UK; (add.info.: Manufactured by Morris, Marshall)

Maternal Affection (oil on canvas)
3822312 Maternal Affection (oil on canvas) by Goodall, Frederick (1822-1904); 44.5x36 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Pan embracing Venus watched by Cupid (pen & brown ink on paper)
3740819 Pan embracing Venus watched by Cupid (pen & brown ink on paper) by Testa, Pietro (Il Lucchesino) (1611-50); 23.2x18.1 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Celadon and Amelia in a Storm, 1840-49 (oil on canvas)
3744503 Celadon and Amelia in a Storm, 1840-49 (oil on canvas) by Wood, John (1801-70); 238.1x145.4 cm; Nottingham City Museums and Galleries (Nottingham Castle)

The engaged couple (The farewell), 1914
6071560 The engaged couple (The farewell), 1914 by Oppi, Ubaldo (1889-1942); Private Collection; Italian, out of copyright

Love among the Ruins (w / c, bodycolour & gum arabic on paper)
5972420 Love among the Ruins (w/c, bodycolour & gum arabic on paper) by Burne-Jones, Edward Coley (1833-98); 96.5x152.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Couple kissing (chromolitho)
5996034 Couple kissing (chromolitho) by English School, (20th century); Private Collection; (add.info.: Couple kissing. Postcard, early 20th century.); © Look and Learn

Psyche Revived by Cupids Kiss, c. 1860 (marble)
6331011 Psyche Revived by Cupids Kiss, c.1860 (marble) by Canova, Antonio (1757-1822) (after); 72x89 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

King Edward VII embracing his son, the Prince of Wales, at the kings coronation, Westminster Abbey, London
5207157 King Edward VII embracing his son, the Prince of Wales, at the kings coronation, Westminster Abbey, London, 1902 (litho) by Sheldon

The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi
5889638 The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi, 1788 (stipple engraving) by Rigaud, John Francis (1742-1810); 43.2A--33.6 cm; Rijksmuseum, Amsterdam

The Arrival of H I M the German Emperor at Sigmaringen, the Emperor embracing Prince Leopold, the Wedding Ceremony
1038659 The Arrival of H I M the German Emperor at Sigmaringen, the Emperor embracing Prince Leopold, the Wedding Ceremony, according to the Rites of the Church of England

Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite
1217805 Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite on pale cream paper) by Millais, John Everett (1829-96); 33.7x22 cm; Ashmolean Museum, University of Oxford

The Knitting Lesson, published by Currier & Ives, 1868 (colour litho)
PNP383862 The Knitting Lesson, published by Currier & Ives, 1868 (colour litho) by American School, (19th century); Private Collection; American, out of copyright

The actress Rejane and her dog, c. 1885 (oil on panel)
NUL386996 The actress Rejane and her dog, c.1885 (oil on panel) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Gabrielle Charlotte Reju (1856-1920) French actress; ); Italian

Fishermen of the Holy Spirit (oil on canvas)
702941 Fishermen of the Holy Spirit (oil on canvas) by Oppi, Ubaldo (1889-1942); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Henry IV, Part 2 (etching)
969210 Henry IV, Part 2 (etching) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Henry IV, Part 2, Act IV, Part ii)

L embarras des capotes (coloured engraving)
968916 L embarras des capotes (coloured engraving) by French School, (19th century); Private Collection; (add.info.: L embarras des capotes)

The Wish Fulfilled (engraving)
972701 The Wish Fulfilled (engraving) by French School, (19th century); Private Collection; (add.info.: The Wish Fulfilled)

A couple embrace on a terrace, c. 1835 (opaque w / c, lacquer, gold & glass on paper)
874534 A couple embrace on a terrace, c.1835 (opaque w/c, lacquer, gold & glass on paper) by Indian School, (19th century); 56.2 x40.5 cm; San Diego Museum of Art

Satyr and Faun Embracing (black chalk on paper)
880408 Satyr and Faun Embracing (black chalk on paper) by Robert, Hubert (1733-1808); 20.6x17.3 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of the Joseph F

Joachim Embracing St. Anne (woodcut)
880330 Joachim Embracing St. Anne (woodcut) by Altdorfer, Albrecht (c.1480-1538); Minneapolis Institute of Arts, MN, USA; (add.info.: 2 7/8 x 1 7/8 in)

Peasant Dance (oil on panel)
XIR420043 Peasant Dance (oil on panel) by Wildens, Jan (1586-1653); 55.4x93.3 cm; Musee des Beaux-Arts, Caen, France; (add.info.: previously titled Bacchanale; ); Flemish, out of copyright

Sketch of Two Children, c. 1852 (w / c on paper)
STC468946 Sketch of Two Children, c.1852 (w/c on paper) by Redgrave, Richard (1804-88); Private Collection; The Stapleton Collection; English, out of copyright

Souls on the bank of the Styx (pencil on paper)
PNH452502 Souls on the bank of the Styx (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.1x16.5 cm; Private Collection; (add.info)

German man and woman kissing in a boat, postcard sent on 10 September 1913 (chromolitho)
660379 German man and woman kissing in a boat, postcard sent on 10 September 1913 (chromolitho) by German School, (20th century); Private Collection; © Look and Learn

All Professionally Made to Order for Quick Shipping

"Embracing the Beauty of Art: A Journey Through Time and Emotion" In Rembrandt's masterpiece, "The Return of the Prodigal Son, " we witness a poignant embrace that symbolizes forgiveness and redemption. The artist captures the essence of human connection, reminding us to embrace compassion in our own lives. Moving forward to Parisian Lovers, we are transported to a romantic rendezvous where two souls intertwine in an intimate embrace. Love knows no boundaries as these lovers surrender themselves to passion and affection. Hungary's enigmatic painting, "The Green Donkey (Metaphysics), " invites us into a realm of mystery and contemplation. Here, we learn to embrace the unknown and delve into the depths of our imagination. In "Twixt Love and Duty, " painted during World War I, love is torn between duty and sacrifice. This emotional piece urges us to find balance in our own lives by embracing both responsibilities and matters of the heart. An Icon on wood panel speaks volumes about faith and spirituality. As we gaze upon this sacred image, let us open our hearts to divine guidance while embracing the power of belief. Abelard and Heloise's tragic tale unfolds through their passionate embrace. Their forbidden love teaches us about longing, sacrifice, but also reminds us that sometimes it is worth risking everything for true happiness. Agnolo Bronzino's allegorical masterpiece portrays Venus embracing Cupid with tenderness. It serves as a reminder that love can conquer all obstacles when embraced wholeheartedly. The iconic Public Statue of a Sailor Kissing a Nurse immortalizes an exuberant moment at the end of World War II—a celebration not only for victory but also for unity among nations. Let this statue inspire us all to embrace peace and harmony wherever we may be. Humor takes center stage with comic postcard "How We Are Enjoying Ourselves at Bognor.