Drunken Collection (page 7)

Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus

The merry homecoming, 1670-79 (oil on canvas)
3709941 The merry homecoming, 1670-79 (oil on canvas) by Steen, Jan Havicksz. (1625/26-79); 68x99 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The cheerful homestores)

Festival at Piedigrotta, 1895 (oil on canvas)
3497557 Festival at Piedigrotta, 1895 (oil on canvas) by Migliaro, Vincenzo (1858-1938); 240x160 cm; Fondazione Cariplo, Milan, Lombardy

Illustration, Scene at the Cock and Punch Bowl - a drunken party. 19th century

The Miller, from The Canterbury Tales, 1878 (oil on canvas)
CH400976 The Miller, from The Canterbury Tales, 1878 (oil on canvas) by Marks, Henry Stacey (1829-98); 200x175.2 cm; Private Collection; (add.info)

In the Tavern, (oil on canvas)
658465 In the Tavern, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 36x47 cm; Private Collection; (add.info.: In the Tavern. Jose Benlliure y Gil (1855-1937). Oil on canvas

The Smokers, c. 1636 (oil on wood)
3493095 The Smokers, c.1636 (oil on wood) by Brouwer, Adriaen (1605/6-38); 46.4x36.8 cm; Metropolitan Museum of Art, New York, USA; Flemish, out of copyright

Drunken revels of Heracles (engraving)
670521 Drunken revels of Heracles (engraving) by English School, (19th century); Private Collection; (add.info.: Drunken revels of Heracles. Scene from a Satyric Drama)

A Singer and a Drinker (oil on canvas)
704462 A Singer and a Drinker (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610) (style of); Galleria Spada, Rome, Lazio, Italy; Italian, out of copyright

The Temple of Bacchus, 1881 (oil on canvas)
703048 The Temple of Bacchus, 1881 (oil on canvas) by Muzioli, Giovanni (1854-94); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

The Toast, from Foxhunting, engraved by Thomas Sutherland (1785-1838
BSA266483 The Toast, from Foxhunting, engraved by Thomas Sutherland (1785-1838) (colour litho) by Alken, Henry Thomas (1785-1851) (after); 45.5x54 cm; Private Collection; (add.info)

The Wedding of Peleus and Thetis, 1612 (oil on copper)
CLK339829 The Wedding of Peleus and Thetis, 1612 (oil on copper) by Wtewael or Utewael, Joachim (c.1566-1638); 36.5x42 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Champagne & Love, an amorous couple fallen asleep after their sixth bottle of
CHT189351 Champagne & Love, an amorous couple fallen asleep after their sixth bottle of champagne, engraved by Bettannier Freres, Paris, 1852 (colour litho) by French School

The Hunt Ball, c. 1820 (pen & sepia ink and wash on paper)
BOU202914 The Hunt Ball, c.1820 (pen & sepia ink and wash on paper) by Grant, James (fl.1820); 15.2x25.4 cm; Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

The Midshipmans Berth, c. 1820 (oil on canvas) (see 216825)
PEM216826 The Midshipmans Berth, c.1820 (oil on canvas) (see 216825) by DeBerenger, Charles Random (19th Century); Peabody Essex Museum, Salem, Massachusetts, USA; ePeabody Essex Museum; English

Dutch Courtship, c. 1661 (oil on panel)
450130 Dutch Courtship, c.1661 (oil on panel) by Sorgh, Hendrik Martensz (1611-70); 29.8x25.4 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Dutch, out of copyright

Three peasant scenes (pen & ink on paper)
449297 Three peasant scenes (pen & ink on paper) by Rubens, Peter Paul (1577-1640); 24.7x19.8 cm; eThe Devonshire Collections

Bob Sawyer, illustration from Character Sketches from Charles Dickens, c. 1890 (colour litho)
LLM405123 Bob Sawyer, illustration from Character Sketches from Charles Dickens, c.1890 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info)

What came of mocking a drunken dog (colour litho)
2812068 What came of mocking a drunken dog (colour litho) by English School, (19th century); Private Collection; (add.info.: What came of mocking a drunken dog)

The Kermesse, detail of peasants, c. 1635-38 (oil on panel) (detail of 24954)
PWI91447 The Kermesse, detail of peasants, c.1635-38 (oil on panel) (detail of 24954) by Rubens, Peter Paul (1577-1640); Louvre, Paris, France; ePeter Willi; Flemish, out of copyright

The Idlers
MEL48983 The Idlers by Steen, Jan Havicksz. (1625/26-79); State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

Alehouse Politicians, c. 1785-90 (pen and w / c over pencil on paper)
BIR115506 Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper) by Rowlandson, Thomas (1756-1827); 22.8x30.7 cm; Birmingham Museums and Art Gallery; English, out of copyright

How merrily we live that Soldiers be, c. 1828 (colour litho)
2975465 A How merrily we live that Soldiers beA, c.1828 (colour litho) by English School, (19th century); National Army Museum, London; (add.info.: Published by A Sharpe. Associated with the Hussars)

The Drunk Bacchus, c. 1520 (woodcut)
5858425 The Drunk Bacchus, c.1520 (woodcut) by Grien, Hans Baldung (1484/5-1545); 22A--15.1 cm; German, out of copyright

A Bacchanalian Revel (oil on canvas)
869419 A Bacchanalian Revel (oil on canvas) by Etty, William (1787-1849); 111x143.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Noahs Sacrifice and Noahs Drunkenness, Green Cloister, 1447-48 (fresco)
875229 Noahs Sacrifice and Noahs Drunkenness, Green Cloister, 1447-48 (fresco) by Uccello, Paolo (1397-1475); 277x540 cm; Museo di Santa Maria Novella, Florence, Italy; eGiuliano Valsecchi; Italian

Do not laugh at that drunken Man (engraving)
3625210 Do not laugh at that drunken Man (engraving) by English School, (19th century); Private Collection; (add.info.: Do not laugh at that drunken Man. Illustration for Chatterbox (1879)

The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529381 The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives

"Listen", said Fix in an under-tone
3501799 " Listen", said Fix in an under-tone, from Around the World in Eighty Days by Jules Verne (1828-1905) engraved by Henri-Theophile Hildebrand (1824-97), 1873 (engraving) by Benett

The Way Of Death, Gin (engraving)
3643749 The Way Of Death, Gin (engraving) by English School, (19th century); Private Collection; (add.info.: The Way Of Death, Gin)

Sparkling Moselle Galop (colour litho)
729946 Sparkling Moselle Galop (colour litho) by English School, (19th century); Private Collection; (add.info.: Sparkling Moselle Galop.); Look and Learn / Valerie Jackson Harris Collection

The Coffin Makers Carousal (engraving)
725531 The Coffin Makers Carousal (engraving) by Franklin, John (c.1800-c.1868); Private Collection; (add.info.: The Coffin Makers Carousal)

Christopher Sly, Taming of the Shrew, c. 1880 (engraving)
702467 Christopher Sly, Taming of the Shrew, c.1880 (engraving) by Orchardson, William Quiller (1832-1910); Private Collection; (add.info)

The Parable of the Prodigal Son - The Prodigal Son Dissipating his Patrimony
711592 The Parable of the Prodigal Son - The Prodigal Son Dissipating his Patrimony (oil on canvas) (see also 711591-4) by Janssens

The Alcoholic, Father Mathias; A la Boutique, Chateau du Bosc: Le Buveur, Le Pere Mathias
652515 The Alcoholic, Father Mathias; A la Boutique, Chateau du Bosc: Le Buveur, Le Pere Mathias, 1882 (oil on canvas) by Toulouse-Lautrec

Dionysus and the Bacchantes, c. 1900
REY77727 Dionysus and the Bacchantes, c.1900 by Richmond, William Blake (1842-1921); 47x89 cm; Private Collection; English, out of copyright

A Scene in the Holy Land, 17th March 1829 (colour litho)
TPG327454 A Scene in the Holy Land, 17th March 1829 (colour litho) by English School, (19th century); Private Collection; (add.info)

A dream in absinthe, 1890 (pen & ink with w / c on paper)
FIT412139 A dream in absinthe, 1890 (pen & ink with w/c on paper) by Conder, Charles Edward (1868-1909); 24x25.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Sairey Gamp, from Martin Chuzzlewit, 1923 (colour litho)
KDC465753 Sairey Gamp, from Martin Chuzzlewit, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Sairey or Sarah Gamp; drunken and dissolute nurse)

Group of drunken peasant men singing as they go home on a cart, 1843 (colour litho)
468799 Group of drunken peasant men singing as they go home on a cart, 1843 (colour litho) by Jukowsky, Rudolf (19th century) (after); Private Collection; (add.info)

Buying a substitute in the North during the war, c. 1880-90 (etching)
497524 Buying a substitute in the North during the war, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.8 cm; Gilder Lehrman Collection, New York

An Election Entertainment, illustration from Hogarth Restored
STC451233 An Election Entertainment, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Merry Company, c. 1667-69 (oil on oak panel)
ALM283488 Merry Company, c.1667-69 (oil on oak panel) by Steen, Jan Havicksz. (1625/26-79); 44.8x37.2 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; R.T. Miller, Jr. Fund & Mrs. F.F

The Triumphant Procession of Dionysos, House of Aion, Paphos, Cyprus (mosaic)
696741 The Triumphant Procession of Dionysos, House of Aion, Paphos, Cyprus (mosaic) by Roman, (3rd century AD); House of Aion, Kato Paphos

Studies of Two Men, (red chalk)
659232 Studies of Two Men, (red chalk) by Lancret, Nicolas (1690-1743); 18.6x25.3 cm; Private Collection; (add.info.: Studies of Two Men. Nicolas Lancret (1690-1743). Red chalk

Peasants Merrymaking Outside the Swan Inn in a Village Street, 1630 (oil on panel)
659308 Peasants Merrymaking Outside the Swan Inn in a Village Street, 1630 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 56x75 cm; Private Collection; (add.info)

Pillars of the Consitution: Three o Clock & a Cloudy Morning
BAL42764 Pillars of the Consitution: Three o Clock & a Cloudy Morning, 1809 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

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"His Master's Breath - A Satirical Take on Drunkenness" Step into the world of inebriation with "His Master's Breath, " a satirical exploration of the joys and follies of drunkenness. From George Studdy's iconic illustration, "His Master's Vice, " to the bustling London Gin Palace scene in 1820, this collection captures the essence of a drunken party. Influenced by Hogarth's masterpiece, "Drunken Party, " we delve into the depths of human indulgence and excess. Witness firsthand how alcohol becomes His Master’s Vice, blurring lines between reality and illusion. "Is that You, Daddy?" echoes Egan's famous work, "Life in London. " It portrays moments when intoxication leads to unexpected encounters and hilarious situations. Mary Casson immortalizes Sir Gerald du Maurier in Barrie’s play "Dear Brutus, " where his character finds solace amidst a ghostly presence within a brothel. As you stroll through these captivating scenes, you'll encounter a staggering man about to collide with a lamp post – an all too familiar sight for those who have experienced such nights themselves. And let us not forget the poignant depiction captured in "After the Bacchanal. " This oil on canvas artwork from 1898 reminds us that even after wild revelry subsides, remnants of our intoxicated escapades linger. Finally, gaze upon Roman sculpture inspired by an original piece dating back centuries ago – portraying a drunken old woman frozen in time. This ancient representation serves as both cautionary tale and testament to humanity’s long-standing relationship with alcohol-induced merriment. Join us on this journey through history as we explore the highs and lows of intoxication. Whether it be laughter or reflection evoked by these artworks, one thing is certain: drunkenness has left an indelible mark on our collective consciousness throughout time.