Drunken Collection (page 4)

The Concert, 1651/58. Creator: Cornelis de Visscher
The Concert, 1651/58

Beauties of Grease [altered to] Greece — or — Luxuries of the Kremlin. Vide Brighton Vagaries... c
Beauties of Grease [altered to] Greece -- or -- Luxuries of the Kremlin. Vide Brighton Vagaries. A Kitchen Frolic. c. 1819

And What has Brought [sic] Him to This?-The Bottle!!, 1875. Creator: Frederick Barnard
And What has Brought [sic] Him to This?-The Bottle!!, 1875

Two Gentlemen Helping a Drunk, 1880/96. Creator: Frederick Barnard
Two Gentlemen Helping a Drunk, 1880/96

The Day After, 1894. Creator: Edvard Munch
The Day After, 1894

The Day After, 1894. Creator: Edvard Munch
The Day After, 1894

Portrait, 1893. Creator: Anders Leonard Zorn
Portrait, 1893. Gentleman in full beard, fitted with cigar and goggles. In the background four more gentlemen can be seen in the adjoining room

Roman orgy. After the 19th century painting titled The Romans in Their Decadence by French artist Thomas Couture

Comic postcard, Man with hangover sitting on bed Date: 20th century

Stephano in The Tempest by William Shakespeare, at the Theatre Royal, Birmingham, 4 December 1905 for one week, Herbert Beerbohm Trees production which opened at His Majestys Theatre on 14 September

Bronze statue of a drunken faun from the house of the Patrician, Regio IX, Insula VIII. Now in the Museum of Naples. Chromolithograph by J.G

Mondays amusements at a drinking dive, early 19th century (colour litho)
CHT189357 Mondays amusements at a drinking dive, early 19th century (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Night (The Four Times of Day), March 25, 1738. Creator: William Hogarth
Night (The Four Times of Day), March 25, 1738

Seeing the Drunkard Home, 1621-1638. Creator: Unknown
Seeing the Drunkard Home, 1621-1638

Making Merry in a Farm Cottage, 1536-1635. Creator: Adriaen van Ostade
Making Merry in a Farm Cottage, 1536-1635

Est-il permis de revenir de Bercy dans un état pareil.. 1843. Creator: Honore Daumier
Est-il permis de revenir de Bercy dans un etat pareil.. 1843. - Est-il permis de revenir de Bercy dans un etat pareil...un homme etabli...que je suis malheureuse mon Dieu!

Ludvig Holberg's "Jeppe pa Bjerget", act III, scene 3, 1811. Creator: CW Eckersberg
Ludvig Holberg's "Jeppe pa Bjerget", act III, scene 3, 1811. Jeppe pa bjerget (Jeppe on the Hill; Or, The Transformed Peasant in English), was a comedy by Ludvig Holberg

Tabula set DP076633
Dover Castle, Dover, Kent. The distorted reflection of a tabula game board and playing pieces on a table in the Guest Chamber of the castles Great Tower

Drunk young man unable to find the right (real!) keyhole
Italian comic postcard - a young man (rather worse for wear) returns home after a posh (yet boozy) night out only to be befuddled by his less-than-pleased (but pretty cunning) wife

DRUNKARDS AND DEATH C19
Three young men drink their fill until they are merry, little realising that death is close by and ready to strike... Date: early 19th century

A drunken Berliner is removed from public view by a medical team. Date: 1907

Eccles Wakes : Ale-House Interior (oil on canvas)
6315532 Eccles Wakes : Ale-House Interior (oil on canvas) by Parry, Joseph (1744-1826); 71.3x71.3 cm; Manchester Art Gallery, UK; (add.info.: When racing and fighting were all at an end)

Baccanale (oil on canvas)
1108953 Baccanale (oil on canvas) by Poussin, Nicolas (1594-1665); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: by Nicolas Poussin); Photo © Stefano Baldini

Kermesse of the Feast of St. George (oil on panel)
471056 Kermesse of the Feast of St. George (oil on panel) by Brueghel, Pieter III (1589-1639); 103.3x133.2 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The drunkenness of Lot, who is asleep on his daughters lap at center, while his other... ca. 1628
The drunkenness of Lot, who is asleep on his daughters lap at center, while his other daughter points towards the burning city of Sodom at left, ca. 1628

Drunkeness of Bacchus, 1630-77. Creators: Jonas Suyderhoef, Pieter Soutman, Clement De Jonghe
Drunkeness of Bacchus, 1630-77

Drunken Silenus, 1630-57. Creators: Jonas Suyderhoef, Pieter Soutman
Drunken Silenus, 1630-57

The Triumph of Bacchus, 1633-63. Creator: Jan Popels
The Triumph of Bacchus, 1633-63

The Wake, - or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, pub
3090267 The Wake, - or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving) by Cruikshank

A Dutch Merrymaking, 1622 (oil on copper)
3822429 A Dutch Merrymaking, 1622 (oil on copper) by Ostade, Adriaen Jansz. van (1610-85) (attr. to); 31x44.3 cm; Calderdale Museums Service, West Yorkshire, UK; © Calderdale Borough Council

A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878)
5310759 A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878)
5310764 A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

Drunk Husband, 1894 (oil on canvas)
BAL347494 Drunk Husband, 1894 (oil on canvas) by Lemoch, Kirill Vikentievich (1841-1910); Art Gallery of Taganrog, Russia

The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy
STC255135 The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London

Drunkard terrorising his family, cover of a school exercise book. c. 1900 (colour litho)
CHT225199 Drunkard terrorising his family, cover of a school exercise book. c.1900 (colour litho) by French School, (20th century); Private Collection; (add.info)

Bacchus and Ariadne (oil on canvas)
XIR384521 Bacchus and Ariadne (oil on canvas) by French School, (18th century); Musee des Beaux-Arts, Arras, France; (add.info)

The Fight Between the Lapiths and the Centaurs, (detail of Centaurs attacking the Lapiths) c. 1490 s, (oil on wood)
BAL99400 The Fight Between the Lapiths and the Centaurs, (detail of Centaurs attacking the Lapiths) c.1490 s, (oil on wood) by Cosimo, Piero di (c.1462-1521); National Gallery, London

The tree of intemperance, published by N. Currier, New York, 1849 (colour litho)
AQS336768 The tree of intemperance, published by N. Currier, New York, 1849 (colour litho) by Currier, Nathaniel (1813-88); 33.9x22.5 cm; American Antiquarian Society, Worcester, Massachusetts

Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Moun... September 1887
Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Mount Godai (Rochishin ransui Godaisan Kongojin o uchikowasu no zu), September 1887

Drunkenness, 1851. Creator: Charles Rambert
Drunkenness, 1851

On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print)
STC227545 On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho)
STC194695 The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho) by Lobel-Riche

Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper)
CTS366772 Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper) by Procaccini, Camillo (c.1560-1629); 24.6x32.2 cm; The Devonshire Collections

Frederick disapproves of his Heir (engraving)
2788274 Frederick disapproves of his Heir (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Frederick disapproves of his Heir)

Drinking and Dancing Before the Tribal Chief, China, Qing dynasty (644-1911), late 17th to early 18th century

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints, c. 1708

The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune... c
The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune Koshigoe Jo (Yoshitsunes Koshigoe Petition), Performed at the Ichimura Theater from the Ninth Day of the Ninth Month

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"His Master's Breath - A Satirical Take on Drunkenness" Step into the world of inebriation with "His Master's Breath, " a satirical exploration of the joys and follies of drunkenness. From George Studdy's iconic illustration, "His Master's Vice, " to the bustling London Gin Palace scene in 1820, this collection captures the essence of a drunken party. Influenced by Hogarth's masterpiece, "Drunken Party, " we delve into the depths of human indulgence and excess. Witness firsthand how alcohol becomes His Master’s Vice, blurring lines between reality and illusion. "Is that You, Daddy?" echoes Egan's famous work, "Life in London. " It portrays moments when intoxication leads to unexpected encounters and hilarious situations. Mary Casson immortalizes Sir Gerald du Maurier in Barrie’s play "Dear Brutus, " where his character finds solace amidst a ghostly presence within a brothel. As you stroll through these captivating scenes, you'll encounter a staggering man about to collide with a lamp post – an all too familiar sight for those who have experienced such nights themselves. And let us not forget the poignant depiction captured in "After the Bacchanal. " This oil on canvas artwork from 1898 reminds us that even after wild revelry subsides, remnants of our intoxicated escapades linger. Finally, gaze upon Roman sculpture inspired by an original piece dating back centuries ago – portraying a drunken old woman frozen in time. This ancient representation serves as both cautionary tale and testament to humanity’s long-standing relationship with alcohol-induced merriment. Join us on this journey through history as we explore the highs and lows of intoxication. Whether it be laughter or reflection evoked by these artworks, one thing is certain: drunkenness has left an indelible mark on our collective consciousness throughout time.