Drunken Collection (page 5)

Bacchus and Ariadne (oil on canvas)
XIR384521 Bacchus and Ariadne (oil on canvas) by French School, (18th century); Musee des Beaux-Arts, Arras, France; (add.info)

The Fight Between the Lapiths and the Centaurs, (detail of Centaurs attacking the Lapiths) c. 1490 s, (oil on wood)
BAL99400 The Fight Between the Lapiths and the Centaurs, (detail of Centaurs attacking the Lapiths) c.1490 s, (oil on wood) by Cosimo, Piero di (c.1462-1521); National Gallery, London

The tree of intemperance, published by N. Currier, New York, 1849 (colour litho)
AQS336768 The tree of intemperance, published by N. Currier, New York, 1849 (colour litho) by Currier, Nathaniel (1813-88); 33.9x22.5 cm; American Antiquarian Society, Worcester, Massachusetts

Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Moun... September 1887
Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Mount Godai (Rochishin ransui Godaisan Kongojin o uchikowasu no zu), September 1887

Drunkenness, 1851. Creator: Charles Rambert
Drunkenness, 1851

On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print)
STC227545 On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho)
STC194695 The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho) by Lobel-Riche

Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper)
CTS366772 Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper) by Procaccini, Camillo (c.1560-1629); 24.6x32.2 cm; The Devonshire Collections

Frederick disapproves of his Heir (engraving)
2788274 Frederick disapproves of his Heir (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Frederick disapproves of his Heir)

Drinking and Dancing Before the Tribal Chief, China, Qing dynasty (644-1911), late 17th to early 18th century

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints, c. 1708

The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune... c
The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune Koshigoe Jo (Yoshitsunes Koshigoe Petition), Performed at the Ichimura Theater from the Ninth Day of the Ninth Month

The Actor Asao Tamejuro I as Drunken Gotobei in the Play Yoshitsune Koshigoe Jo... c
The Actor Asao Tamejuro I as Drunken Gotobei in the Play Yoshitsune Koshigoe Jo, Performed at the Ichimura Theater in the Ninth Month, 1790, c. 1790

Judge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa di, about 1550

Five Sketches for the Triumph of Silenus, n. d. Creator: Sir James Thornhill
Five Sketches for the Triumph of Silenus, n.d

Drunken Man, n. d. Creator: Philip William May
Drunken Man, n.d

Drunken Clown Puppet, c. 1937. Creator: Verna Tallman
Drunken Clown Puppet, c. 1937

The Parsonage, c1780-1825. Creator: Thomas Rowlandson
The Parsonage, c1780-1825. This drawing of The Parsonage is vigorous, emphatic, and one might say brilliant in Rowlandsons best manner

Bacchante with Infant Faun, Modeled 1894, cast after 1894. Creator: Jaboeuf et Rouard
Bacchante with Infant Faun, Modeled 1894, cast after 1894. Cast by Jaboeuf et Rouard

Bar-room Scene, 1835. Creator: William Sidney Mount
Bar-room Scene, 1835. Drinkers clap as a man in ragged clothes dances, his back to the viewer. An African American watches from a distance

Merrymakers in an Inn, 1674. Creator: Adriaen van Ostade
Merrymakers in an Inn, 1674

Portrait of a Man in Costume, 1768 / 70. Creator: Jean-Honore Fragonard
Portrait of a Man in Costume, 1768/70

Bacchus and drunken Silenus, 1640-60. Creator: Frans van den Wyngaerde
Bacchus and drunken Silenus, 1640-60

Medley Print: Sots Paradise, 1706-7. Creator: George Bickham
Medley Print: Sots Paradise, 1706-7. [Sots Paradise: or, The Humours of a Derby-Ale-House with a Satire Upon the Ale by Edward Ward

Drunken poets, Ming dynasty, 1368-1644. Creator: Unknown
Drunken poets, Ming dynasty, 1368-1644

A sake bout, late 18th-early 19th century. Creator: Hokusai
A sake bout, late 18th-early 19th century

Summer sake sippers, late 18th-early 19th century. Creator: Hokusai
Summer sake sippers, late 18th-early 19th century

The Wine, 1840. Creator: Francois-Joseph-Aimede Lemud
The Wine, 1840. In vino veritas, (In wine, there is truth)

Circe, 1881
CH27398 Circe, 1881 by Hermans, Charles (1839-1924); Private Collection; Photo eChristies Images; Belgian, out of copyright

The quarrel, c. 1515-20 (oil on canvas)
6336941 The quarrel, c.1515-20 (oil on canvas) by Dossi, Dosso (c.1479-1542); Galleria di Palazzo Cini, Venice, Italy; Photo eFine Art Images; Italian, out of copyright

The Drunkenness of Noah, 1509 (fresco)
6334488 The Drunkenness of Noah, 1509 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Photo eFine Art Images; Italian, out of copyright

Bacchanal, 1871 (oil on canvas)
1262846 Bacchanal, 1871 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 42.5x82.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Couple at a Table (Self Portrait with Maschka - Absinthe Drinker)
826129 Couple at a Table (Self Portrait with Maschka - Absinthe Drinker); Paar am Tisch (Selbstbildnis mit Maschka; Absinthtrinkerin) (Karsch 155 III)

The Drunken Silenus, (oil on canvas)
659369 The Drunken Silenus, (oil on canvas) by Coypel, Antoine (1661-1722); 99x81.3 cm; Private Collection; (add.info.: The Drunken Silenus. Charles-Antoine Coypel (1694-1752). Oil on canvas

In a Tavern, (oil on board)
823151 In a Tavern, (oil on board) by Melchers, Julius Gari (1860-1932); 62.3x75.5 cm; Private Collection; (add.info.: In a Tavern. Julius Gari Melchers (1860-1932). Oil on board

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Merry Company on a Terrace, c. 1673-5 (oil on canvas)
3615928 Merry Company on a Terrace, c.1673-5 (oil on canvas) by Steen, Jan Havicksz. (1625/26-79); 141x131.4 cm; Metropolitan Museum of Art, New York

Mammon, 1906 (oil on canvas) [LDUCS-5260]
5853933 Mammon, 1906 (oil on canvas) [LDUCS-5260] by Adams, Elinor Proby (active from c.1908-d.1945); 128.8x153.7 cm; UCL Art Museum, University College London, UK; eUCL Art Museum

The Triumphant Procession of Dionysos, detail of Seilenos riding his donkey
696755 The Triumphant Procession of Dionysos, detail of Seilenos riding his donkey. House of Aion, Paphos, Cyprus (mosaic) by Roman, (3rd century AD); House of Aion, Kato Paphos

An Election Entertainment, 1755 (engraving)
1071396 An Election Entertainment, 1755 (engraving) by Hogarth, William (1697-1764); 43.2x53.7 cm; Dallas Museum of Art, Texas

A Bacchanal (recto) (pen & black ink)
880381 A Bacchanal (recto) (pen & black ink) by Lafage, Raymond (1656-84); Minneapolis Institute of Arts, MN, USA; (add.info.: 6 1/16 x 12 1/16 in. (15.4 x 30.64 cm) (sight) 12 7/16 x 18 1/8 in

Peasant Dance (oil on panel)
XIR420043 Peasant Dance (oil on panel) by Wildens, Jan (1586-1653); 55.4x93.3 cm; Musee des Beaux-Arts, Caen, France; (add.info.: previously titled Bacchanale; ); Flemish, out of copyright

Rich couple speak to a pair of drunken carpenters cooking & eating in the street
468798 Rich couple speak to a pair of drunken carpenters cooking & eating in the street, 1843 (colour litho) by Jukowsky, Rudolf (19th century) (after); Private Collection; (add.info)

A Midnight Modern Conversation, illustration from Hogarth Restored
STC451178 A Midnight Modern Conversation, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Bacchanalian Group, from a Very Old Vase, illustration from The Comic History of Rome by Gilbert Abbott a Beckett
LLM438623 Bacchanalian Group, from a Very Old Vase, illustration from The Comic History of Rome by Gilbert Abbott a Beckett, published c.1850 (digitally enhanced image) by English School

Comic postcard, Man with hangover after drunken evening Date: 20th century

Comic postcard, Drunken man with water spout Date: 20th century

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"His Master's Breath - A Satirical Take on Drunkenness" Step into the world of inebriation with "His Master's Breath, " a satirical exploration of the joys and follies of drunkenness. From George Studdy's iconic illustration, "His Master's Vice, " to the bustling London Gin Palace scene in 1820, this collection captures the essence of a drunken party. Influenced by Hogarth's masterpiece, "Drunken Party, " we delve into the depths of human indulgence and excess. Witness firsthand how alcohol becomes His Master’s Vice, blurring lines between reality and illusion. "Is that You, Daddy?" echoes Egan's famous work, "Life in London. " It portrays moments when intoxication leads to unexpected encounters and hilarious situations. Mary Casson immortalizes Sir Gerald du Maurier in Barrie’s play "Dear Brutus, " where his character finds solace amidst a ghostly presence within a brothel. As you stroll through these captivating scenes, you'll encounter a staggering man about to collide with a lamp post – an all too familiar sight for those who have experienced such nights themselves. And let us not forget the poignant depiction captured in "After the Bacchanal. " This oil on canvas artwork from 1898 reminds us that even after wild revelry subsides, remnants of our intoxicated escapades linger. Finally, gaze upon Roman sculpture inspired by an original piece dating back centuries ago – portraying a drunken old woman frozen in time. This ancient representation serves as both cautionary tale and testament to humanity’s long-standing relationship with alcohol-induced merriment. Join us on this journey through history as we explore the highs and lows of intoxication. Whether it be laughter or reflection evoked by these artworks, one thing is certain: drunkenness has left an indelible mark on our collective consciousness throughout time.