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Drapery Collection (page 9)

"Drapery: A Timeless Artistic Element Unveiled" From the ethereal folds adorning the Statue of Nike by Paionios in Olympia, Greece

Background imageDrapery Collection: Washbowl by Andrea Cavalcanti called Buggiano in the Sagrestia Vecchia of the Cathedral of S.Maria

Washbowl by Andrea Cavalcanti called Buggiano in the Sagrestia Vecchia of the Cathedral of S.Maria del Fiore in Florence Florence Cathedral of S.Maria del Fiore, Sagrestia Vecchia Basin, Sink

Background imageDrapery Collection: Sleeping putto, marble sculpture, in the Galleria degli Uffizi, Florence

Sleeping putto, marble sculpture, in the Galleria degli Uffizi, Florence Florence Galleria degli Uffizi Sculpture. Date of Photograph:1890 ca.. Date of Artwork:I-II sec. d.C

Background imageDrapery Collection: A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic)

A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic)
NGW186866 A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic) by Gibson, John (1790-1866); National Museum Wales; National Museums & Galleries of Wales

Background imageDrapery Collection: St Catherine, c. 1520 (limewood)

St Catherine, c. 1520 (limewood)
1217580 St Catherine, c. 1520 (limewood) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Master of the Oertel Madonna)

Background imageDrapery Collection: Study of a figure representing Astronomy (pen & ink with wash)

Study of a figure representing Astronomy (pen & ink with wash)
AII80178 Study of a figure representing Astronomy (pen & ink with wash) by Credi, Lorenzo di (1456-1536); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany

Background imageDrapery Collection: Aurora (marble)

Aurora (marble)
NGW342621 Aurora (marble) by Gibson, John (1790-1866); height:172.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageDrapery Collection: Lesbia (painting)

Lesbia (painting)
CH19601 Lesbia (painting) by Weguelin, John Reinhard (1849-1927); Private Collection; Photo eChristies Images; English, out of copyright

Background imageDrapery Collection: An Angel (pen and brown ink with brown wash on off-white paper)

An Angel (pen and brown ink with brown wash on off-white paper)
1217556 An Angel (pen and brown ink with brown wash on off-white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.7x20.1 cm; Ashmolean Museum, University of Oxford

Background imageDrapery Collection: The Judgement of Paris, 1920-22 (oil on canvas)

The Judgement of Paris, 1920-22 (oil on canvas)
HEH372393 The Judgement of Paris, 1920-22 (oil on canvas) by Sargent, John Singer (1856-1925); diam: 80 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageDrapery Collection: Neglected, c. 1880 (oil on canvas)

Neglected, c. 1880 (oil on canvas)
Ma225425 Neglected, c.1880 (oil on canvas) by Gregory, Edward John (1850-1909); 45.7x35.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageDrapery Collection: The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth

The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth
The Analysis of Beauty, Plate 1, March 5, 1753

Background imageDrapery Collection: The Madonna of Humility by Fra Angelico

The Madonna of Humility by Fra Angelico (1387-1455) - painting on wood panel (painted c.1430-1440) Date: mid-15th century

Background imageDrapery Collection: Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown

Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown
Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Fig 1: Panel of a Screen by Saint-Ange. Figs 2-5

Background imageDrapery Collection: Portrait of George Eliot and Family, c. 1798 (oil on canvas)

Portrait of George Eliot and Family, c. 1798 (oil on canvas)
3330017 Portrait of George Eliot and Family, c.1798 (oil on canvas) by Jonathan Budington (1779-1823); 113.3x141.9 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Background imageDrapery Collection: Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageDrapery Collection: Herse Preparing to Receive Mercury, 1665-1693. Creator: Jan Verkolje

Herse Preparing to Receive Mercury, 1665-1693. Creator: Jan Verkolje
Herse Preparing to Receive Mercury, 1665-1693. Earlier ascribed to Nicolaas Verkolje (1673-1746)

Background imageDrapery Collection: Misses Blount, between c1890 and c1910. Creator: Frances Benjamin Johnston

Misses Blount, between c1890 and c1910. Creator: Frances Benjamin Johnston
Misses Blount, between c1890 and c1910. Two women--one reading, other thinking, both seated on ornamental chairs

Background imageDrapery Collection: Principal Drawing Room, Sandringham, Norfolk, from The English Country House (b/w photo)

Principal Drawing Room, Sandringham, Norfolk, from The English Country House (b/w photo)
CLF306372 Principal Drawing Room, Sandringham, Norfolk, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: house built by A.J)

Background imageDrapery Collection: Northampton The Drapery early 1900s

Northampton The Drapery early 1900s

Background imageDrapery Collection: Farmer's Sydney Advertisement

Farmer's Sydney Advertisement
Advertisement for Farmer and Company, a Drapery business established in 1839 by Joseph and Caroline Farmer which became a retail empire and social institution

Background imageDrapery Collection: Tomb of Pope Alexander VII, by Bernini

Tomb of Pope Alexander VII, by Bernini
Tomb of Pope Alexander VII (1599-1667). Sculptural monument by Gian Lorenzo Bernini (1598-1680), built between 1671-1678. Marble. Commissioned by Pope Alexander VII himself. South transept. St

Background imageDrapery Collection: The sitting room, Kelmscott Manor, Oxfordshire, from The English Manor House (b/w photo)

The sitting room, Kelmscott Manor, Oxfordshire, from The English Manor House (b/w photo)
CLF294539 The sitting room, Kelmscott Manor, Oxfordshire, from The English Manor House (b/w photo) by English Photographer

Background imageDrapery Collection: View of the parlour, Beckley Park, Oxfordshire, from The English Manor House (b/w photo)

View of the parlour, Beckley Park, Oxfordshire, from The English Manor House (b/w photo)
CLF309157 View of the parlour, Beckley Park, Oxfordshire, from The English Manor House (b/w photo) by English Photographer

Background imageDrapery Collection: St Maurice (or St Victor) with a Donor, c. 1500-05 (oil on panel)

St Maurice (or St Victor) with a Donor, c. 1500-05 (oil on panel)
5673685 St Maurice (or St Victor) with a Donor, c.1500-05 (oil on panel) by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); 58.4x49.5 cm; Glasgow Museums, UK; (add.info.: An ecclesiastic)

Background imageDrapery Collection: Artemis, Goddess of the Hunt, 2nd century BC (marble)

Artemis, Goddess of the Hunt, 2nd century BC (marble)
PWI94617 Artemis, Goddess of the Hunt, 2nd century BC (marble) by Leochares (c.370-330 BC); height: 200 cm; Louvre, Paris, France; (add.info.: Also known as the Diana of Versailles)

Background imageDrapery Collection: The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)

The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)
MAN62956 The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 33.6x76.5 cm; Manchester Art Gallery

Background imageDrapery Collection: Portrait of William Cowdroy, c. 1810 (wax)

Portrait of William Cowdroy, c. 1810 (wax)
4071945 Portrait of William Cowdroy, c.1810 (wax) by Percy, Samuel (1750-1820); Manchester Art Gallery, UK; (add.info.: Portrait of William Cowdroy made in high relief stained waxes)

Background imageDrapery Collection: Jane Hamilton, Wife of 9th Lord Cathcart, and Her Daughter Jane, Later Duchess of Atholl

Jane Hamilton, Wife of 9th Lord Cathcart, and Her Daughter Jane, Later Duchess of Atholl, 1754-55 (oil on canvas)
6269104 Jane Hamilton, Wife of 9th Lord Cathcart, and Her Daughter Jane, Later Duchess of Atholl, 1754-55 (oil on canvas) by Reynolds, Joshua (1723-92); 124x99 cm; Manchester Art Gallery

Background imageDrapery Collection: Seated nude (oil on canvas)

Seated nude (oil on canvas)
MAN443315 Seated nude (oil on canvas) by Renoir, Pierre Auguste (1841-1919); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageDrapery Collection: Mother and Child, 1873 (oil on canvas)

Mother and Child, 1873 (oil on canvas)
2560291 Mother and Child, 1873 (oil on canvas) by Hicks, George Elgar (1824-1914); 125x104 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageDrapery Collection: Diana and Endymion, 1901 (oil on canvas)

Diana and Endymion, 1901 (oil on canvas)
5642830 Diana and Endymion, 1901 (oil on canvas) by Poynter, Edward John (1836-1919); 77.5x57.1 cm; Manchester Art Gallery

Background imageDrapery Collection: Still Life, 1917 (oil on canvas)

Still Life, 1917 (oil on canvas)
576392 Still Life, 1917 (oil on canvas) by Gertler, Mark (1891-1939); 64x76.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageDrapery Collection: Portrait of William Cowdroy, c. 1810 (wax)

Portrait of William Cowdroy, c. 1810 (wax)
4071691 Portrait of William Cowdroy, c.1810 (wax) by Percy, Samuel (1750-1820); Manchester Art Gallery, UK; (add.info.: Portrait of William Cowdroy made in high relief stained waxes)

Background imageDrapery Collection: Mercury Instructing the Nymphs in Dance, 1848 (oil on panel)

Mercury Instructing the Nymphs in Dance, 1848 (oil on panel)
MAN368390 Mercury Instructing the Nymphs in Dance, 1848 (oil on panel) by Pickersgill, Frederick Richard (1820-1900); 58.3x91.7 cm; Manchester Art Gallery

Background imageDrapery Collection: Charles, 9th Lord Cathcart, c. 1753-55 (oil on canvas)

Charles, 9th Lord Cathcart, c. 1753-55 (oil on canvas)
1725795 Charles, 9th Lord Cathcart, c.1753-55 (oil on canvas) by Reynolds, Joshua (1723-92); 124x99 cm; Manchester Art Gallery, UK; (add.info.: Lieutenant-General Charles Schaw Cathcart)

Background imageDrapery Collection: Love's Whispers, 1896 (oil on canvas)

Love's Whispers, 1896 (oil on canvas)
MAN370305 Love's Whispers, 1896 (oil on canvas) by Davies, Norman Prescott (1862-1915); 45.8x45.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageDrapery Collection: Monsignor Antonio Cerri, c. 1630-40 (marble)

Monsignor Antonio Cerri, c. 1630-40 (marble)
3060067 Monsignor Antonio Cerri, c.1630-40 (marble) by Algardi, Alessandro (1598-54); 86x65x28 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageDrapery Collection: The Victory of Apollo, c. 1716 (oil on canvas)

The Victory of Apollo, c. 1716 (oil on canvas)
MAN443320 The Victory of Apollo, c.1716 (oil on canvas) by Thornhill, James (1675-1734); Manchester Art Gallery, UK; (add.info)

Background imageDrapery Collection: National Gallery, London, UK

National Gallery, London, UK
Passing the oil, detail from Extreme Unction (oil on canvas) (Photo by Art Images via Getty Images)

Background imageDrapery Collection: Portrait of Mrs Alfred C. Osler, 1917-18 (oil on canvas)

Portrait of Mrs Alfred C. Osler, 1917-18 (oil on canvas)
2959558 Portrait of Mrs Alfred C. Osler, 1917-18 (oil on canvas) by Harper, Edward Steel (1878-1951); Birmingham Museums and Art Gallery

Background imageDrapery Collection: Demeter, restored as Hera (marble)

Demeter, restored as Hera (marble)
2561940 Demeter, restored as Hera (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: After a greek original from the 5th century BC, attributed to Agoracritus); Photo © Stefano Baldini

Background imageDrapery Collection: Statue of a muse (marble)

Statue of a muse (marble)
2562025 Statue of a muse (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: M.C. inv 898 Roman copy after the original Greek sculpture from mid-fifth century BC)

Background imageDrapery Collection: Muse, restored as Flora (marble)

Muse, restored as Flora (marble)
2561942 Muse, restored as Flora (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: After a Greek original of the 4th century BC); Photo © Stefano Baldini

Background imageDrapery Collection: Saint Jerome Enthroned (tempera on panel)

Saint Jerome Enthroned (tempera on panel)
868037 Saint Jerome Enthroned (tempera on panel) by Santi or Sanzio, Giovanni (c.1435-94); Vatican Museums and Galleries, Vatican City; (add.info.: Saint Jerome (c. 347 - 30 September 420), priest

Background imageDrapery Collection: Female statue with Chiton (marble)

Female statue with Chiton (marble)
2562012 Female statue with Chiton (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: M.C. inv.1122 Parian marble)

Background imageDrapery Collection: Ancient marble statue after the goddess Athena (marble)

Ancient marble statue after the goddess Athena (marble)
2561964 Ancient marble statue after the goddess Athena (marble) by Roman; Musei Capitolini, Rome, Italy; Photo © Stefano Baldini

Background imageDrapery Collection: Venus Felix, c. 170 AD (marble)

Venus Felix, c. 170 AD (marble)
SBL426304 Venus Felix, c.170 AD (marble) by Roman, (2nd century); Vatican Museums and Galleries, Vatican City; (add.info)

Background imageDrapery Collection: Ancient marble statue after the goddess Athena (marble)

Ancient marble statue after the goddess Athena (marble)
2561963 Ancient marble statue after the goddess Athena (marble) by Roman; Musei Capitolini, Rome, Italy; Photo © Stefano Baldini



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"Drapery: A Timeless Artistic Element Unveiled" From the ethereal folds adorning the Statue of Nike by Paionios in Olympia, Greece, to the graceful movements captured in the Dance of Apollo with the Nine Muses, it has long been an essential element in art. It weaves a story and adds depth to masterpieces like Madonna Child Infant Saint John Baptist upper left and The Visitation of St. Elizabeth to the Virgin Mary. Intricate details come alive as seen in Evening Dress 1922, where delicate fabrics cascade elegantly around a woman's silhouette. Jane Fleming, later Countess of Harrington, exudes regal charm as her dress billows gracefully in c. 1778-79 oil on canvas portrait. Drapery takes on mythical dimensions too; Leda and the Swan portrays Salomon Gessner's interpretation with flowing fabric enveloping their entwined bodies. Sir Edward Coley Burne-Jones' Sponsa De Libano transports us to another era with its enchanting portrayal enhanced by carefully crafted draperies. Even stage designs are not immune to its allure - Stage model for the opera Tristan and Isolde showcases Richard Wagner's vision brought to life through intricately draped backdrops that set scenes alight. The interplay between love and time is beautifully depicted in Time Vanquished by Love, Venus and Hope; here drapery becomes a metaphorical representation that transcends mere fabric. Meanwhile, The Lute Player captivates viewers with its harmonious blend of music and flowing garments that seem almost animated. And finally, Phaedra, Theseus and Hippolytus illustrate Act III Scene 5 from Phedré—drapery heightens emotions as it wraps around figures caught up in tragic circumstances. Throughout history, artists have harnessed drapery's power to evoke emotions, tell stories, and create timeless beauty.