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Decapitated Collection (page 7)

"Decapitated: A Glimpse into the Dark Side of Art and History" Step into a world where heads roll and power is severed

Background imageDecapitated Collection: Head of John the Baptist, late 1500s (oil on canvas)

Head of John the Baptist, late 1500s (oil on canvas)
491467 Head of John the Baptist, late 1500s (oil on canvas) by Titian, Tiziano Vecelli (c.1488-1576) (follower); 50x75.2 cm; Cleveland Museum of Art, OH

Background imageDecapitated Collection: Gorgons Head, copy of an original antique greek vase, early 19th century (colour litho)

Gorgons Head, copy of an original antique greek vase, early 19th century (colour litho)
CHT163398 Gorgons Head, copy of an original antique greek vase, early 19th century (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageDecapitated Collection: Arii Matamoe (The Royal End), 1892 (oil on coarse fabric)

Arii Matamoe (The Royal End), 1892 (oil on coarse fabric)
1077626 Arii Matamoe (The Royal End), 1892 (oil on coarse fabric) by Gauguin, Paul (1848-1903); 45. x74.3 cm; J. Paul Getty Museum, Los Angeles, USA

Background imageDecapitated Collection: Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen)

Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen)
XIR183145 Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageDecapitated Collection: Arminius, Prince of Saxony, from The Origin of the First Twelve Old Kings

Arminius, Prince of Saxony, from The Origin of the First Twelve Old Kings and Princes of the German Nation
STC143564 Arminius, Prince of Saxony, from The Origin of the First Twelve Old Kings and Princes of the German Nation, 1543 (coloured engraving) by German School

Background imageDecapitated Collection: Blackbeard the pirate killed in combat 1718 (coloured engraving)

Blackbeard the pirate killed in combat 1718 (coloured engraving)
PNP269594 Blackbeard the pirate killed in combat 1718 (coloured engraving) by American School, (19th century); Private Collection; (add.info.: Edward Teach or Blackbeard (1680-1718)

Background imageDecapitated Collection: Wrath, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Wrath, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Wrath, from the Seven Deadly Sins, ca. 1550-55

Background imageDecapitated Collection: Melpomene, ca. 1540-45. Creator: Leon Davent

Melpomene, ca. 1540-45. Creator: Leon Davent
Melpomene, ca. 1540-45

Background imageDecapitated Collection: Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w / c, ink & gold on paper)

Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w / c, ink & gold on paper)
3742877 Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w/c, ink & gold on paper) by Hasan, Abu l (fl.1605-27); 38x26 cm; Freer Gallery of Art, Smithsonian Institution

Background imageDecapitated Collection: The courage of a mother

The courage of a mother
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Background imageDecapitated Collection: Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Background imageDecapitated Collection: Winged Gorgon, c. 1915-18 (chalk)

Winged Gorgon, c. 1915-18 (chalk)
5862561 Winged Gorgon, c.1915-18 (chalk) by Merello, Rubaldo (1872-1922); 36x8x8 cm; Private Collection; Luisa Ricciarini

Background imageDecapitated Collection: The Feast of Herod, detail from the chapel of St. Jean, 1347 (fresco) (detail of 87131)

The Feast of Herod, detail from the chapel of St. Jean, 1347 (fresco) (detail of 87131)
XJL87124 The Feast of Herod, detail from the chapel of St. Jean, 1347 (fresco) (detail of 87131) by Giovanetti, Matteo (fl.1343-66); Palais des Papes, Avignon, France; (add.info.: St)

Background imageDecapitated Collection: Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483)

Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483)
XIR341927 Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483) by Francken, Frans the Elder (1542-1616); Musee Municipal, Dunkirk

Background imageDecapitated Collection: Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face

Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas)
1767906 Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas) by Gogh

Background imageDecapitated Collection: St George with the Dragons head, illustration from Chap-books of the Eighteenth Century by John

St George with the Dragons head, illustration from Chap-books of the Eighteenth Century by John Ashton, pub
489624 St George with the Dragons head, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageDecapitated Collection: Winged Gorgon, c. 1915-18 (chalk)

Winged Gorgon, c. 1915-18 (chalk)
5862562 Winged Gorgon, c.1915-18 (chalk) by Merello, Rubaldo (1872-1922); 36x8x8 cm; Private Collection; Luisa Ricciarini

Background imageDecapitated Collection: Perseus and the Gorgon, 1872 (litho)

Perseus and the Gorgon, 1872 (litho)
5322220 Perseus and the Gorgon, 1872 (litho) by Marqueste, Laurent-Honore (1848-1920); Private Collection; Prismatic Pictures

Background imageDecapitated Collection: Sketch for a painting: Au Plus Vaillant, la Plus Belle (To the Bravest)

Sketch for a painting: Au Plus Vaillant, la Plus Belle (To the Bravest, the Most Beautiful) (colour litho)
6031119 Sketch for a painting: Au Plus Vaillant, la Plus Belle (To the Bravest, the Most Beautiful) (colour litho) by Metivet



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"Decapitated: A Glimpse into the Dark Side of Art and History" Step into a world where heads roll and power is severed. From ancient tales to medieval legends, decapitation has captivated artists throughout history. In Saint Hermione's story, her martyrdom is immortalized in an illustration that portrays her tragic fate at the hands of oppressors. Sweetheart Roland's tale takes a chilling turn as his head becomes a haunting symbol of lost love. Queen Margaret's act of placing a paper crown on the Duke of York's head signifies not only victory but also the brutal reality of war during the 15th century. Brown's artwork transports us back to this tumultuous era. The Horsemen of the Apocalypse ride forth with their terrifying presence, reminding us that death can come swiftly and without mercy. Valentin de Boulogne captures Judith's bravery as she holds Holofernes' severed head, showcasing both her strength and determination. Domenico Fetti brings David's triumph over Goliath to life through his depiction of David clutching the giant's decapitated head – a powerful symbol of overcoming seemingly insurmountable challenges. Nicanor meets his demise after being defeated by Judas Maccabaeus, highlighting the consequences faced by those who oppose righteousness. Death in French Sudan serves as a stark reminder that violence knows no boundaries or borders. Salome gazes upon John the Baptist’s severed head with an eerie fascination – an image that continues to intrigue audiences centuries later. Richard Lionheart’s ruthless execution further exposes humanity’s capacity for brutality during times of conflict. A man holding a skull reminds us all about our own mortality; it forces introspection on what truly matters in life while contemplating our inevitable end. In Judith with Holofernes' Head, we witness another woman taking control amidst chaos - asserting herself against oppressive forces through decisive action.