Decapitated Collection (page 4)

Decapitated rash Sir Tush (litho)
6004011 Decapitated rash Sir Tush (litho) by Chesterman, Hugh (1884-1941); Private Collection; (add.info.: Decapitated rash Sir Tush)

Initiation of a Sublime Elect (engraving)
3100750 Initiation of a Sublime Elect (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Sublime Elect)

Desires (engraving)
3646360 Desires (engraving) by Burgkmair, Hans (c.1473-1531) (after); Private Collection; (add.info.: Desires. Woodcut from De Remediis Utriusque Fortunae (Remedies for Fortune Fair and Foul)

Pepin the Short, King of the Franks, proving his stature is no impediment on his ability to rule by killing a lion
5229146 Pepin the Short, King of the Franks, proving his stature is no impediment on his ability to rule by killing a lion (engraving) by English School

Scene from the life of Louis VI the Fat, son of Philip I, from the manuscript Chroniques de France, printed by A
IND354804 Scene from the life of Louis VI the Fat, son of Philip I, from the manuscript Chroniques de France, printed by A

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC134126 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho)
2796366 Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho) by Leandre

Les Petits Archers (engraving)
2783378 Les Petits Archers (engraving) by French School, (19th century); Private Collection; (add.info.: Les Petits Archers. Illustration for Journal Des Voyages.); © Look and Learn

The end of a brigand in Algeria (colour litho)
2818231 The end of a brigand in Algeria (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: The end of a brigand in Algeria)

Dans L Asie Centrale (engraving)
2789052 Dans L Asie Centrale (engraving) by French School, (19th century); Private Collection; (add.info.: Dans L Asie Centrale. Illustration for Journal Des Voyages, 31 May 1885)

Anarchy in Morocco (colour litho)
2779351 Anarchy in Morocco (colour litho) by French School, (20th century); Private Collection; (add.info.: Anarchy in Morocco. L anarchie au Maroc. Razzias entre les tribus)

Soldiers of the Sultan returning with severed heads of rebels as trophies after the Battle of Oujda
3097486 Soldiers of the Sultan returning with severed heads of rebels as trophies after the Battle of Oujda, Morocco (colour litho) by French School

The talking head (chromolitho)
1094434 The talking head (chromolitho) by French School, (19th century); Private Collection; (add.info.: The talking head)

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC404058 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Convoy of captured Moroccan insurgents, 1897 (colour litho)
971963 Convoy of captured Moroccan insurgents, 1897 (colour litho) by French School, (19th century); Private Collection; (add.info.: Convoy of captured Moroccan insurgents, 1897)

David carrying in his hand the giants head (engraving)
976544 David carrying in his hand the giants head (engraving) by English School, (19th century); Private Collection; (add.info.: David carrying in his hand the giants head)

All Professionally Made to Order for Quick Shipping

"Decapitated: A Glimpse into the Dark Side of Art and History" Step into a world where heads roll and power is severed. From ancient tales to medieval legends, decapitation has captivated artists throughout history. In Saint Hermione's story, her martyrdom is immortalized in an illustration that portrays her tragic fate at the hands of oppressors. Sweetheart Roland's tale takes a chilling turn as his head becomes a haunting symbol of lost love. Queen Margaret's act of placing a paper crown on the Duke of York's head signifies not only victory but also the brutal reality of war during the 15th century. Brown's artwork transports us back to this tumultuous era. The Horsemen of the Apocalypse ride forth with their terrifying presence, reminding us that death can come swiftly and without mercy. Valentin de Boulogne captures Judith's bravery as she holds Holofernes' severed head, showcasing both her strength and determination. Domenico Fetti brings David's triumph over Goliath to life through his depiction of David clutching the giant's decapitated head – a powerful symbol of overcoming seemingly insurmountable challenges. Nicanor meets his demise after being defeated by Judas Maccabaeus, highlighting the consequences faced by those who oppose righteousness. Death in French Sudan serves as a stark reminder that violence knows no boundaries or borders. Salome gazes upon John the Baptist’s severed head with an eerie fascination – an image that continues to intrigue audiences centuries later. Richard Lionheart’s ruthless execution further exposes humanity’s capacity for brutality during times of conflict. A man holding a skull reminds us all about our own mortality; it forces introspection on what truly matters in life while contemplating our inevitable end. In Judith with Holofernes' Head, we witness another woman taking control amidst chaos - asserting herself against oppressive forces through decisive action.