Decapitated Collection (page 6)

Then Perseus held aloft the Gorgons head, illustration for How Perseus came Home again
IL193703 Then Perseus held aloft the Gorgons head, illustration for How Perseus came Home again, from The Heroes of Greek Fairy Tales, by Charles Kingsley (1819-75) (colour litho) by Davie

The Capture of Sontay (chromolitho)
667689 The Capture of Sontay (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Capture of Sontay. French educational card, c 1900.); © Look and Learn

The head of John the Baptist (oil on pinewood)
BFM284225 The head of John the Baptist (oil on pinewood) by Cranach, Lucas the Elder (1472-1553); 32.3x57 cm; Schlossmuseum, Schloss Friedenstein, Gotha

Battle Scene, c. 1890 (oil on canvas)
PNH468083 Battle Scene, c.1890 (oil on canvas) by Royer, Lionel Noel (1852-1926); 70x80 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London

Ancient Celtic warriors on a foray encounter a couple out hunting, c. 1800-18 (coloured engraving)
468772 Ancient Celtic warriors on a foray encounter a couple out hunting, c.1800-18 (coloured engraving) by Italian School, (19th century); Private Collection; (add.info.: The topknot hairstyle)

Herods Feast, scene from The Life of St. John the Baptist Cycle in the Chapel of St. Jean, 1346-48 (fresco)
XIR199194 Herods Feast, scene from The Life of St. John the Baptist Cycle in the Chapel of St. Jean, 1346-48 (fresco) by Matteo di Giovanetto da Viterbo (fl.1343-66); Palais des Papes, Avignon, France

The Triumph of Mercury: June, from the Room of the Months, c. 1467-70 (fresco) (detail)
ALG243415 The Triumph of Mercury: June, from the Room of the Months, c.1467-70 (fresco) (detail) by Cossa, Francesco del (1435/6-c.1477); Palazzo Schifanoia, Ferrara, Emilia Romagna, Italy; Italian

Our Artists Notes at Rustchuk, Rasgrad, Shumla, Kavarna, on the River Lom, and in Asia (engraving)
1049849 Our Artists Notes at Rustchuk, Rasgrad, Shumla, Kavarna, on the River Lom, and in Asia (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info)

With the Russians, the Fighting in the Shipka Pass (engraving)
1049847 With the Russians, the Fighting in the Shipka Pass (engraving) by English School, (19th century); Private Collection; (add.info.: With the Russians, the Fighting in the Shipka Pass)

Dinos depicting (top) Medusa beheaded (bottom) and Hoplites Fighting, c. 580 BC (ceramic) (see also 438877)
XIR173180 Dinos depicting (top) Medusa beheaded (bottom) and Hoplites Fighting, c.580 BC (ceramic) (see also 438877) by Gorgon Painter (fl.c.600-580 BC); Louvre, Paris

Head of John the Baptist (painted wood)
MAE176969 Head of John the Baptist (painted wood) by Nunez Delgado, Gaspar (fl.1581-1615); Museo de Bellas Artes, Seville, Spain; © Paul Maeyaert. All rights reserved 2022

La Gran Nusta Mania Occollo
BON78185 La Gran Nusta Mania Occollo by Mexican School, (18th century); 46.3x38.8 cm; Private Collection; Photo © Bonhams, London, UK

Head of John the Baptist, late 1500s (oil on canvas)
491467 Head of John the Baptist, late 1500s (oil on canvas) by Titian, Tiziano Vecelli (c.1488-1576) (follower); 50x75.2 cm; Cleveland Museum of Art, OH

Gorgons Head, copy of an original antique greek vase, early 19th century (colour litho)
CHT163398 Gorgons Head, copy of an original antique greek vase, early 19th century (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Arii Matamoe (The Royal End), 1892 (oil on coarse fabric)
1077626 Arii Matamoe (The Royal End), 1892 (oil on coarse fabric) by Gauguin, Paul (1848-1903); 45. x74.3 cm; J. Paul Getty Museum, Los Angeles, USA

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"Decapitated: A Glimpse into the Dark Side of Art and History" Step into a world where heads roll and power is severed. From ancient tales to medieval legends, decapitation has captivated artists throughout history. In Saint Hermione's story, her martyrdom is immortalized in an illustration that portrays her tragic fate at the hands of oppressors. Sweetheart Roland's tale takes a chilling turn as his head becomes a haunting symbol of lost love. Queen Margaret's act of placing a paper crown on the Duke of York's head signifies not only victory but also the brutal reality of war during the 15th century. Brown's artwork transports us back to this tumultuous era. The Horsemen of the Apocalypse ride forth with their terrifying presence, reminding us that death can come swiftly and without mercy. Valentin de Boulogne captures Judith's bravery as she holds Holofernes' severed head, showcasing both her strength and determination. Domenico Fetti brings David's triumph over Goliath to life through his depiction of David clutching the giant's decapitated head – a powerful symbol of overcoming seemingly insurmountable challenges. Nicanor meets his demise after being defeated by Judas Maccabaeus, highlighting the consequences faced by those who oppose righteousness. Death in French Sudan serves as a stark reminder that violence knows no boundaries or borders. Salome gazes upon John the Baptist’s severed head with an eerie fascination – an image that continues to intrigue audiences centuries later. Richard Lionheart’s ruthless execution further exposes humanity’s capacity for brutality during times of conflict. A man holding a skull reminds us all about our own mortality; it forces introspection on what truly matters in life while contemplating our inevitable end. In Judith with Holofernes' Head, we witness another woman taking control amidst chaos - asserting herself against oppressive forces through decisive action.