Dagger Collection (page 10)

The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)
WLT218475 The Martyrdom of the Blessed Signoretto Alliata, c.1794-6 (oil on canvas) by Cades, Giuseppe (1750-99); 50.6x50.6 cm; Walters Art Museum, Baltimore

Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho)
STC323900 Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

"There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense
LLM386709 " There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense, published by Frederick Warne and Co

Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c
LLM438677 Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho)
STC308588 Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St
XYC151477 Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink)

Prince Yamato and Takeru, illustration from The Myths and Legends of Japan by F Hadland Davis, 1918 (colour litho)
STC323780 Prince Yamato and Takeru, illustration from The Myths and Legends of Japan by F Hadland Davis, 1918 (colour litho) by Paul

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Scandal in Constantinople, Two Young Muslim Ladies Escaping from a Harem, illustration from Le Petit Journal
XIR217544 Scandal in Constantinople, Two Young Muslim Ladies Escaping from a Harem, illustration from Le Petit Journal, 4th February 1906 (coloured engraving) by French School

The Sacrifice of Abraham (fresco)
ALG192828 The Sacrifice of Abraham (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Palazzo Arcivescovile, Udine, Italy

Man & drum
Ziyad AL Maashari

Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)
XIR336937 Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich, Germany

The actor Nakamura Utaemon IV as the fisherman Fukashichi, actually Kanawa Goro... c. 1847/52
The actor Nakamura Utaemon IV as the fisherman Fukashichi, actually Kanawa Goro Imakuni (Ryoshi Fukashichi jitsu wa Kanawa Goro Imakuni), c. 1847/52

Tarquin and Lucrece, Oil painting on wood by Jan Massys or Metsys or Matsijs (1509-1575), illustrating Sextus Tarquin
YOU4420040 Tarquin and Lucrece, Oil painting on wood by Jan Massys or Metsys or Matsijs (1509-1575), illustrating Sextus Tarquin, son of King Tarquin the Superb and Lucrece, wife of Tarquin Collatin

Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415
FLO4570235 Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose

Charles I, Duke of Bourbon and Auvergne, son of Jean I and Marie de Berry, 1401-1456
FLO4570528 Charles I, Duke of Bourbon and Auvergne, son of Jean I and Marie de Berry, 1401-1456. He wears a long scarlet coat over a pourpoint with fleur-de-lis and pink hose

Lucreces death: Lucrece (Lucrezia, Lucretia, Roman lady of the 6th century BC)
XEE4192602 Lucreces death: Lucrece (Lucrezia, Lucretia, Roman lady of the 6th century BC) was the victim of violence by his cousin Sextus Tarquin, the son of Tarquin the Superb

Lucretia (oil on canvas, 1580)
LRI4574997 Lucretia (oil on canvas, 1580) by Veronese, (Paolo Caliari) (1528-88); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Lucrece Lucrece (Lucrezia, Lucretia)

The Death of Lucretia, Detail. 15th century (Tempera on wood)
LRI4607538 The Death of Lucretia, Detail. 15th century (Tempera on wood) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence, Tuscany

History of Ancient Rome: Lucrece, Brutus and Collatinus. Lucrece (Lucrezia, Lucretia)
XEE4404669 History of Ancient Rome: Lucrece, Brutus and Collatinus. Lucrece (Lucrezia, Lucretia, Roman lady) was the victim of violence by his cousin Sextus Tarquin, the son of Tarquin the Superb

The suicide of Lucretia, 1657 (oil on canvas)
JLJ4574651 The suicide of Lucretia, 1657 (oil on canvas) by Cagnacci, Guido (1601-63); 87x66 cm; Musee des Beaux-Arts, Lyon

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"Dagger: A Symbol of Power, Betrayal, and Romance" From Lawrence of Arabia's iconic dagger to Lady Macbeth's haunting soliloquy about daggers, this weapon has left an indelible mark on history and literature. Clan Macpherson proudly displays their ancestral daggers as a testament to their heritage and bravery. Just like Romeo declaring his love for Juliet from beneath her balcony, the dagger represents passion and sacrifice in the name of love. Intriguingly, there are two famous daggers that captivate our imagination – one with a blade of gold symbolizing wealth and opulence while the other crafted from iron embodies strength and resilience. Anny Ondra's thrilling performance in Alfred Hitchcock's "Blackmail" showcases how a simple they are evoke fear and suspense. Venturing into uncharted depths, deep-sea divers wield daggers as tools to navigate treacherous waters with precision. Meanwhile, gladiators donning elaborate costumes brandish their deadly blades in epic battles that capture our fascination. Even cartoons have immortalized the dagger; Cinque-Tetes or the Paris Monster depicts France's ruling Directory demanding money at daggers point during the XYZ Affair in 1798. The Royal Treasure boasts exquisite swords adorned with gold, silver, lapis lazuli, and obsidian – each telling its own story throughout history. Traveling back to ancient times during the Bronze Age when civilizations flourished, warriors relied on these sharp weapons for protection. On Flag Day in 1916 Lemon Street Truro Cornwall witnessed a poignant moment between a lady and soldier where patriotism was displayed alongside a symbolic dagger. Whether it signifies power dynamics or serves as an instrument of betrayal or romance -the dagger continues to hold sway over our collective imagination across cultures and centuries.