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"There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
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"There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
LLM386709 " There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn
Media ID 25463874
© Look and Learn / Bridgeman Images
Absurd Casual Childrens Dagger Deathbed Humourous Knife Limerick Limericks Macabre Married Morbid Operation Rhyme Rhymes Severed Suicidal Suicide Throat Vein Dying Verse
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EDITORS COMMENTS
This print captures a satirical drawing from the renowned "A Book of Nonsense" by Edward Lear, published in London around 1875. The illustration depicts an absurd scene featuring an Old Person of Tartary who has taken a rather macabre course of action by dividing his jugular artery. With its vibrant colors and intricate details, this color lithograph showcases Lear's unique blend of humor and dark wit. The image portrays a married couple, with the husband holding a knife to his own throat while his wife looks on casually. The limerick accompanying the drawing adds another layer of morbid humor to the composition. This visual representation challenges societal norms and conventions through its playful yet thought-provoking narrative. Lear's work is known for its clever wordplay and whimsical illustrations that appeal to both children and adults alike. His poems often explore unconventional themes, pushing boundaries within Victorian literature. Through this particular piece, Lear invites us into a world where deathbed scenarios are transformed into absurd situations filled with unexpected twists. As we delve into this intriguing artwork, we are reminded that art can be both entertaining and thought-provoking simultaneously. It serves as a testament to Edward Lear's creative genius and his ability to captivate audiences through imaginative storytelling combined with visually striking imagery.
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