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Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w / c and bodycolour on paper)
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Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w / c and bodycolour on paper)
XYC151477 Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w/c and bodycolour on paper) by Dighton, Robert (1752-1814); 32.8x25.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: tentative d assassinat; roi Georges d Angleterre; folie; fou; folle; voiture a cheval; caleche; hallebardier; chapeau; poignard; femme; )
Media ID 25461468
© Bridgeman Images
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EDITORS COMMENTS
The captivating print titled "Margaret Nicholson Attempting to Assassinate His Majesty, George III" depicts a dramatic moment in history that unfolded on August 2nd, 1786. Created by the talented artist Robert Dighton, this artwork showcases the chaotic scene at the Garden Entrance of St. James's Palace. In vivid detail, we see Margaret Nicholson, a troubled woman driven by madness and delusion, making a daring attempt on the life of King George III. With pencil and pen strokes combined with black ink and watercolor techniques on paper, Dighton masterfully captures the intensity of this historical event. As our eyes wander through the composition, we notice elements such as a horse-drawn carriage and a hallebardier standing guard nearby. Margaret herself is depicted wearing a hat and holding a dagger poised for action. The atmosphere is charged with tension as she lunges towards her target. This image serves as an intriguing glimpse into an era marked by political unrest and mental instability within society's ranks. It reminds us of how even those in positions of power were not immune to threats from individuals plagued by their own demons. Preserved within Yale Center for British Art's Paul Mellon Collection in the USA, this artwork offers viewers an opportunity to reflect upon both historical events and human nature itself – showcasing how one person's actions can reverberate throughout time.
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