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Brocade Collection (page 16)

"Brocade: A Tapestry of Elegance and History" Step into the opulent world of brocade, where threads intertwine to create a fabric that exudes luxury and grandeur

Background imageBrocade Collection: Sir John Corbet of Adderley, c. 1676 (oil on canvas)

Sir John Corbet of Adderley, c. 1676 (oil on canvas)
XYC173216 Sir John Corbet of Adderley, c.1676 (oil on canvas) by Wright, John Michael (1617-94); 127x101.6 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Background imageBrocade Collection: Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi

Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi
XAL166337 Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi

Background imageBrocade Collection: A Man and a Woman, possibly of the Missing Family, of Little Park House, Wickham

A Man and a Woman, possibly of the Missing Family, of Little Park House, Wickham
XYC228387 A Man and a Woman, possibly of the Missing Family, of Little Park House, Wickham, Hampshire, 1747 (oil on canvas) by Knapton

Background imageBrocade Collection: Portrait of Countess Anna Sheremetyeva, c. 1768 (oil on canvas)

Portrait of Countess Anna Sheremetyeva, c. 1768 (oil on canvas)
BAL152000 Portrait of Countess Anna Sheremetyeva, c.1768 (oil on canvas) by Argunov, Ivan Petrovich (1727-1803); 89.8x71 cm; Museum of Tropinin and His Contemporaries, Moscow, Russia; Russian

Background imageBrocade Collection: John Dodd, M. P. (oil on canvas)

John Dodd, M. P. (oil on canvas)
XYC151490 John Dodd, M.P. (oil on canvas) by Banck, Johan van der (c.1686-1739); 238.8x146.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBrocade Collection: Portrait of a Lady said to be from the Coudenhouve Family of Flanders, c. 1610-20

Portrait of a Lady said to be from the Coudenhouve Family of Flanders, c. 1610-20
BAL121430 Portrait of a Lady said to be from the Coudenhouve Family of Flanders, c.1610-20 (oil on canvas) (pair of 121431) by Hispano-Flemish School

Background imageBrocade Collection: William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire (1720-64) 1741

William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire (1720-64) 1741
XYC111973 William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire (1720-64) 1741 (oil on canvas) by Hogarth, William (1697-1764); 76x63.5 cm; Yale Center for British Art

Background imageBrocade Collection: Portrait of a Young Woman, 1632 (oil on panel)

Portrait of a Young Woman, 1632 (oil on panel)
XOS1072788 Portrait of a Young Woman, 1632 (oil on panel) by Eliasz, Nicolaes (Pickenoy) (1590-1653); 118.7x90.2 cm; J. Paul Getty Museum, Los Angeles, USA; Dutch, out of copyright

Background imageBrocade Collection: Portrait of Elizabeth I (1533-1603) c. 1575-80 (oil on panel)

Portrait of Elizabeth I (1533-1603) c. 1575-80 (oil on panel)
BAL106934 Portrait of Elizabeth I (1533-1603) c.1575-80 (oil on panel) by English School, (16th century); 65.4x48.3 cm; National Portrait Gallery, London, UK; English, out of copyright

Background imageBrocade Collection: Portrait of Frances Howard (1590-1632) Countess of Somerset, c. 1615 (oil on panel)

Portrait of Frances Howard (1590-1632) Countess of Somerset, c. 1615 (oil on panel)
BAL106928 Portrait of Frances Howard (1590-1632) Countess of Somerset, c.1615 (oil on panel) by Larkin, William (fl.1608-19) (attr)

Background imageBrocade Collection: Portrait of Nancy Fortesque wearing a dark blue riding habit (oil on canvas)

Portrait of Nancy Fortesque wearing a dark blue riding habit (oil on canvas)
XYC158554 Portrait of Nancy Fortesque wearing a dark blue riding habit (oil on canvas) by Hudson, Thomas (1701-79); Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBrocade Collection: Portrait of Jerome Bonaparte (1784-1860) King of Westphalia, 1811 (oil on canvas)

Portrait of Jerome Bonaparte (1784-1860) King of Westphalia, 1811 (oil on canvas)
XIR104876 Portrait of Jerome Bonaparte (1784-1860) King of Westphalia, 1811 (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); 218x143 cm; Chateau de Fontainebleau, Seine-Et-Marne

Background imageBrocade Collection: Portrait of Gaston d Orleans (1608-60) (oil on canvas)

Portrait of Gaston d Orleans (1608-60) (oil on canvas)
XIR104862 Portrait of Gaston d Orleans (1608-60) (oil on canvas) by French School, (17th century); Musee de Blois, Blois, France; French, out of copyright

Background imageBrocade Collection: Portrait of Charles Augustin Sainte-Beuve (1804-69) 1856 (chalk on paper) (b / w photo)

Portrait of Charles Augustin Sainte-Beuve (1804-69) 1856 (chalk on paper) (b / w photo)
XIR102696 Portrait of Charles Augustin Sainte-Beuve (1804-69) 1856 (chalk on paper) (b/w photo) by Heim, Francois Joseph (1787-1865); 382x252 cm; Louvre, Paris, France; French, out of copyright

Background imageBrocade Collection: Portrait of Elizabeth I when Princess (1533-1603) c. 1546 (oil on panel)

Portrait of Elizabeth I when Princess (1533-1603) c. 1546 (oil on panel)
XJF100259 Portrait of Elizabeth I when Princess (1533-1603) c.1546 (oil on panel) by Flemish School, (16th century); 108.5x81.8 cm; Private Collection; Flemish, out of copyright

Background imageBrocade Collection: 1262576; out of copyright

1262576; out of copyright

Background imageBrocade Collection: An Unknown Man Signed and dated, lower right: Ph. Mercier [Pn?] | anu 1746'

An Unknown Man Signed and dated, lower right: Ph. Mercier [Pn?] | anu 1746"
An Unknown Man Signed and dated, lower right: " Ph. Mercier [Pn?] | an 1746", Philippe Mercier, 1689 or 1691-1760, Franco-German

Background imageBrocade Collection: Rinaldo and Armida Signed and dated lower right: Angelica Kaufafmann 1771'

Rinaldo and Armida Signed and dated lower right: Angelica Kaufafmann 1771"
Rinaldo and Armida Signed and dated lower right: " Angelica Kaufafmann 1771", Angelica Kauffmann, 1741-1807, Swiss

Background imageBrocade Collection: Dan Cunningham, Mason Chamberlin, 1722-1787, British

Dan Cunningham, Mason Chamberlin, 1722-1787, British

Background imageBrocade Collection: Catherine Killigrew, Lady Jermyn Dated in yellow paint, upper right: AEtatis

Catherine Killigrew, Lady Jermyn Dated in yellow paint, upper right: AEtatis
Catherine Killigrew, Lady Jermyn Dated in yellow paint, upper right: " AEtatis Suae 35 | Anni 1614", Marcus Gheeraerts the Younger, 1561-1635, Flemish

Background imageBrocade Collection: Mary of Modena Signed, center left: S, VE. J~[monogram], Simon Verelst

Mary of Modena Signed, center left: S, VE. J~[monogram], Simon Verelst
Mary of Modena Signed, center left: " S, VE. J~[monogram]", Simon Verelst, 1644-1710, Dutch

Background imageBrocade Collection: Sir William Drury, of Hawstead, Suffolk Inscribed, lower right, in one kind of red paint

Sir William Drury, of Hawstead, Suffolk Inscribed, lower right, in one kind of red paint: " Sir William Drury K." ; below in another, older paint: " Marshall of B[

Background imageBrocade Collection: Portrait of a Man, probably Sir Francis Godolphin Sir Francis Godolphin Signed and dated

Portrait of a Man, probably Sir Francis Godolphin Sir Francis Godolphin Signed and dated, lower left: " CJ Fecit | 1633", Cornelius Johnson, 1593-1661, British

Background imageBrocade Collection: Shuja-ud-daula, Nawab of Oudh Shuja-ud-Daulah, Nawab of Awadh, holding a bow, Tilly

Shuja-ud-daula, Nawab of Oudh Shuja-ud-Daulah, Nawab of Awadh, holding a bow, Tilly Kettle, 1735-1786, British

Background imageBrocade Collection: Dr. Charles Chauncey, M. D. Signed, lower right : F HAYMAN pinx[t]? [maybe

Dr. Charles Chauncey, M. D. Signed, lower right : F HAYMAN pinx[t]? [maybe
Dr. Charles Chauncey, M.D. Signed, lower right : " F HAYMAN pinx[t]?" [maybe dated 1747 under frame], Francis Hayman, 1707/8-1776, British

Background imageBrocade Collection: The Grand Vizier giving Audience to the English Ambassador, Francis Smith, active

The Grand Vizier giving Audience to the English Ambassador, Francis Smith, active 1763-1780, British

Background imageBrocade Collection: Sir John Corbet of Adderley, John Michael Wright, 1625-1700, British

Sir John Corbet of Adderley, John Michael Wright, 1625-1700, British

Background imageBrocade Collection: Mary of Modena Signed, center left: W. Wissing: fecit, Willem Wissing, ca

Mary of Modena Signed, center left: W. Wissing: fecit, Willem Wissing, ca
Mary of Modena Signed, center left: " W. Wissing: fecit", Willem Wissing, ca. 1656-1687, Dutch

Background imageBrocade Collection: Elizabeth Jones, Countess of Kildare Elizabeth, Countess of Kildare, as a Shepherdess

Elizabeth Jones, Countess of Kildare Elizabeth, Countess of Kildare, as a Shepherdess Inscribed, bottom right: " The Countess of | Killdare", Willem Wissing, ca. 1656-1687, Dutch

Background imageBrocade Collection: Portrait of a Man on Horseback An Unknown Man on Horseback, John Wootton, 1682-1764

Portrait of a Man on Horseback An Unknown Man on Horseback, John Wootton, 1682-1764, British

Background imageBrocade Collection: John Poulett, 1st Earl Poulett John, 1st Earl Poulett, of Hinton St

John Poulett, 1st Earl Poulett John, 1st Earl Poulett, of Hinton St. George, Somerset John, 1st Earl Poulett, as a boy Inscribed in ocher-color paint

Background imageBrocade Collection: SIR FRANK SWETTENHAM (1850-1946). English colonial administrator. Oil on canvas

SIR FRANK SWETTENHAM (1850-1946). English colonial administrator. Oil on canvas, 1904, by John Singer Sargent

Background imageBrocade Collection: Portrait of a Young Woman, c1475. Oil on panel. Antonioi Pollaiuolo (Pollaiolo

Portrait of a Young Woman, c1475. Oil on panel. Antonioi Pollaiuolo (Pollaiolo 1429/1433-1498) Italian painter, sculptor, engraver and painter

Background imageBrocade Collection: View of the Sleeping Car in the Popular Challenger

View of the Sleeping Car in the Popular Challenger
interior view of the Challenger s" sleeping car shows people sitting in large green brocade banquette seats

Background imageBrocade Collection: Great Brocade (Eurois occulta) adult, resting on stone, Cannobina Valley, Italian Alps, Piedmont

Great Brocade (Eurois occulta) adult, resting on stone, Cannobina Valley, Italian Alps, Piedmont, Northern Italy, July

Background imageBrocade Collection: Embossed votive lamina with Paleovenetian inscription, from Lagole, Veneto region, Italy

Embossed votive lamina with Paleovenetian inscription, from Lagole, Veneto region, Italy
Prehistory, Italy. Embossed votive lamina with Paleovenetian inscription. From Lagole, Veneto region, Italy

Background imageBrocade Collection: Margaret Austria / Parma

Margaret Austria / Parma
MARGARET OF AUSTRIA also known as MARGARET OF PARMA Regent of the Netherlands Date: 1522 - 1586

Background imageBrocade Collection: Ito nishiki brocade, commonly called anhera-ori (weave)

Ito nishiki brocade, commonly called anhera-ori (weave). Drawing shows floral and vine designs for kimonos. Date between ca. 1750 and 1900

Background imageBrocade Collection: Nishike brocade with paulownia arabesque, with red backgroun

Nishike brocade with paulownia arabesque, with red background. Drawing shows bright floral, leaf, and vine designs for kimonos. Date between ca. 1750 and 1900

Background imageBrocade Collection: Brocade parade of the eastern capital: a view of Hachiman Sh

Brocade parade of the eastern capital: a view of Hachiman Sh

Background imageBrocade Collection: Nishiki brocade with Amaterasu Kotai Jingu Shinto shrine Nis

Nishiki brocade with Amaterasu Kotai Jingu Shinto shrine Nishike brocade with wheelbarrow. Drawings show stylized designs for kimonos of a Shinto shrine and a wheelbarrow. Date between ca

Background imageBrocade Collection: Kara nishiki (Chinese brocade) with red background Kinran (g

Kara nishiki (Chinese brocade) with red background Kinran (gold brocade) with hollyhock on blue background. Drawings show stylized floral designs for kimonos. Date between ca. 1750 and 1900

Background imageBrocade Collection: Nishiki brocade with cherry blossoms and wave designs on red

Nishiki brocade with cherry blossoms and wave designs on red background. Drawing shows stylized flower (cherry blossom) designs for kimonos. Date between ca. 1750 and 1900

Background imageBrocade Collection: Kyogen: the brocade tapestry

Kyogen: the brocade tapestry. Date 1857

Background imageBrocade Collection: Ito nishiki (yarn brocade)

Ito nishiki (yarn brocade). Print shows stylized designs, possibly of rabbits, for kimonos. Date between ca. 1750 and 1900

Background imageBrocade Collection: Henry, Prince of Wales

Henry, Prince of Wales
Henry Frederick Stuart, Prince of Wales, elder son of King James I of England (VI of Scotland). He died of typhoid fever. Date: 1594 - 1612

Background imageBrocade Collection: Queen Elizabeth I of England

Queen Elizabeth I of England (reigned 1558-1603). Date: 1533 - 1603

Background imageBrocade Collection: Royal Wedding 1934 - wedding dress fabric

Royal Wedding 1934 - wedding dress fabric
A silver bride - the design of Princess Marinas wedding dress. A reproduction of the fabric design used for the wedding dress of Princess Marina of Greece for her marriage to Prince George



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"Brocade: A Tapestry of Elegance and History" Step into the opulent world of brocade, where threads intertwine to create a fabric that exudes luxury and grandeur. From Marie Antoinette's lavish courtly attire to the Art Deco weddings of the roaring twenties, it has adorned countless moments in history. Intricately woven with rich patterns and vibrant colors, brocade captured the essence of regality. Isabella of Portugal donned a resplendent gown, immortalized in an enchanting colored engraving. Princess Marina of Greece radiated beauty in her wedding gown on Tatler's front cover, epitomizing grace and sophistication. But brocade is not limited to royal occasions alone; it weaves its way through various aspects of life. Lieutenant Andrew Finucane proudly wore his 10th Light Dragoons uniform, showcasing the military's appreciation for this exquisite fabric. John Cassin's portrait by Charles Balthazar Julien Fevret de Saint-Memin depicted him in a distinguished coat embellished with delicate brocaded details. Even advertisements couldn't resist the allure of brocade. Rayne shoes' 1953 campaign showcased how these luxurious fabrics complemented fashionable footwear flawlessly. Goochs Jurna enticed customers with their captivating advertisement featuring stunning designs interwoven with golden threads. It also found its place beyond clothing – Akaki kinran displayed gold-threaded red background fabric at an archery contest, adding splendor to traditional events. Victorian scraps portrayed women draped in red brocades, capturing both fashion trends and societal norms from that era. As time passes, one thing remains constant –brocade continues to captivate hearts worldwide as a symbol of elegance and refinement. Its intricate patterns tell stories from centuries past while still inspiring modern designers today.