Brocade Collection (page 9)

Portrait of Jasper Schade, 1645 (oil on canvas)
5614478 Portrait of Jasper Schade, 1645 (oil on canvas) by Hals, Frans (1582/3-1666); 114x98 cm; Narodni Galerie, Prague, Czech Republic; (add.info)

Kosem Sultan and her son, the future Sultan Murad IV or Sultan Ibrahim
5911953 KAosem Sultan and her son, the future Sultan Murad IV or Sultan Ibrahim, second quarter 17th century (oil on canvas) by Herrmann, Franz & Gemminger

Several brocade covers woven with gilt thread, with satin and damask (satin, damask
1767184 Several brocade covers woven with gilt thread, with satin and damask (satin, damask, gilt thread) by Russian School (19th century); Private Collection; (add.info)

Portrait of Eritia Aukje Hoppers, nee De Blocq, 1622 (oil on panel) (pair to 1631864)
1631865 Portrait of Eritia Aukje Hoppers, nee De Blocq, 1622 (oil on panel) (pair to 1631864) by Salle, Jan De (c.1599-1626) (attr)

Portrait of a man, possibly Isaac Abrahamsz. Massa, c. 1622 (oil on canvas on wood panel)
3934281 Portrait of a man, possibly Isaac Abrahamsz. Massa, c.1622 (oil on canvas on wood panel) by Hals, Frans (1582/3-1666); 107x85 cm; eThe Devonshire Collections

Giovanni Emo, c. 1475-80 (oil on panel transferred to canvas mounted on panel)
4073434 Giovanni Emo, c.1475-80 (oil on panel transferred to canvas mounted on panel) by Bellini, Giovanni (c.1431-1516) (attr.to); 46.9 x 32.6 cm; National Gallery of Art, Washington DC

Portrait of a Gentleman, said to be the actor James Quin
824167 Portrait of a Gentleman, said to be the actor James Quin, in the Title Role of Addisons Cato, seated three-quarter length, in a Brocade Coat and Green Cloak by a Table with a Wword

Portrait of the Infanta Isabella Eugenia, standing full-length wearing a brocade dress
990075 Portrait of the Infanta Isabella Eugenia, standing full-length wearing a brocade dress, 1593 (oil on canvas) by Sanchez Coello

Celadon silk court dress for an Imperial princess, Jifu, China (silk)
3742658 Celadon silk court dress for an Imperial princess, Jifu, China (silk) by Chinese School, Qing dynasty (18th-19th century); height: 142 cm; Private Collection; (add.info)

Pictorial Carpet with metal wrapped thread, 17th century (silk)
3086874 Pictorial Carpet with metal wrapped thread, 17th century (silk) by Persian School, (17th century); 23.4x172.7 cm; Metropolitan Museum of Art, New York

Art Deco Beauty with a Fan by Coles Phillips, 1924 (colour litho)
3034707 Art Deco Beauty with a Fan by Coles Phillips, 1924 (colour litho) by Coles Phillips, C. (1880-1927); (add.info.: Art Deco illustration of an elegant model in a brocade gown posing in front of)

Portrait of a Woman, c. 1510-15 (oil on linden)
3614074 Portrait of a Woman, c.1510-15 (oil on linden) by Strigel, Bernhard (1460-1528); 38.4x26.7 cm; Metropolitan Museum of Art, New York, USA; German, out of copyright

Portrait of a Woman, c. 1635 (oil on canvas)
3545920 Portrait of a Woman, c. 1635 (oil on canvas) by Hals, Frans (1582/3-1666); 79.5x66.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Possibly Sara Wolphaerts van Diemen)

Fashion dolls mantua (skirt), 1760s (yellow & silver woven brocaded silk)
3576466 Fashion dolls mantua (skirt), 1760s (yellow & silver woven brocaded silk) by English School, (18th century); Fashion Museum Bath; eFashion Museum Bath; English, out of copyright

Yellow, red and blue brocade woven silk closed robe, 1740s (silk)
3100415 Yellow, red and blue brocade woven silk closed robe, 1740s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Portrait of a gentleman, traditionally identified as Alexander Baillie of the First Foot
CH377594 Portrait of a gentleman, traditionally identified as Alexander Baillie of the First Foot, c.1761-62 (oil on canvas) by Wright of Derby

Lady with a plume, 1636 (oil on canvas)
HEH416436 Lady with a plume, 1636 (oil on canvas) by Flinck, Govaert (1615-60) (attr. to); 64.8x50.8 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Waistcoat decorated with gold metal thread, blue chenille and sequins, c. 1750-70 (silk)
HMP409866 Waistcoat decorated with gold metal thread, blue chenille and sequins, c.1750-70 (silk) by European School, (18th century); Harris Museum and Art Gallery, Preston, Lancashire

Prince Albert Victor, Duke of Clarence and Avondale, 1885 (b / w photo)
JHL392620 Prince Albert Victor, Duke of Clarence and Avondale, 1885 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Side view of a sack back dress, 1760s (brocaded silk)
FMB393622 Side view of a sack back dress, 1760s (brocaded silk) by English School, (18th century); Fashion Museum Bath; (add.info)

Chairs from a set of fourteen, possibly French, in the Regence style (giltwood & textile)
488322 Chairs from a set of fourteen, possibly French, in the Regence style (giltwood & textile) by European School, (19th century); Private Collection; Photo eChristies Images; European

Portrait of the Duque de Agrada, c. 1805 (oil on canvas)
487787 Portrait of the Duque de Agrada, c.1805 (oil on canvas) by Spanish School, (19th century); 111.4x92.7 cm; Minneapolis Institute of Arts, MN

Coronation of the Virgin Polyptych (detail of centre panel) (see also 66540 & 66541)
BAT66542 Coronation of the Virgin Polyptych (detail of centre panel) (see also 66540 & 66541) by Giotto, Ambrogio Bondone (c.1266-1337) (workshop); Baroncelli Chapel, Church of Santa Croce, Florence

Portrait of George III in his Coronation Robes, c. 1760 (oil on canvas)
CPB90787 Portrait of George III in his Coronation Robes, c.1760 (oil on canvas) by Ramsay, Allan (1713-84); 130.8x102. cm; Private Collection; (add.info)

Hesperia, 1887 (oil on canvas)
HMP90740 Hesperia, 1887 (oil on canvas) by Dicksee, Frank (1853-1928); 201x122.3 cm; Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English, out of copyright

Dwarf and other courtiers from the group portrait of the family
BEN78464 Dwarf and other courtiers from the group portrait of the family and court of Marchese Ludovico Gonzaga III of Mantua, from the Camera degli Sposi or Camera Picta

Dress, woven by Mr. Vantier from a fabric design by Anne Maria Garthwaite (1690-1763
SC6641 Dress, woven by Mr.Vantier from a fabric design by Anne Maria Garthwaite (1690-1763) 1747 (silk brocade) by English School, (18th century); Victoria & Albert Museum, London, UK; English

The Knight of Cups, facsimile of a tarot card from the Visconti deck
AGD336594 The Knight of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

Spencer household footmans liveries, late 19th - early 20th century (textile)
CH438370 Spencer household footmans liveries, late 19th - early 20th century (textile) by English School; Private Collection; (add.info.: uniform of a footman at Spencer House, St)

Robert Devereux (1566-1601) Earl of Essex, 1594 (oil on canvas)
GRH242126 Robert Devereux (1566-1601) Earl of Essex, 1594 (oil on canvas) by Hilliard, Nicholas (1547-1619); Private Collection; English, out of copyright

An officer, 18th Regiment of Dragoons, 1840 (oil on canvas)
NAM237690 An officer, 18th Regiment of Dragoons, 1840 (oil on canvas) by Allan, William (1782-1850); 24.3x20.5 cm; National Army Museum, London; eNational Army Museum; Scottish, out of copyright

Portrait of a young man, possibly a self portrait, c. 1520 (panel)
XAM74808 Portrait of a young man, possibly a self portrait, c.1520 (panel) by Orley, Bernard van (c.1488-1541); 60x45 cm; Kunsthistorisches Museum, Vienna, Austria; Netherlandish, out of copyright

Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO190143 Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799
NCO190166 Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Portrait of a Man, c. 1520 (oil on wood)
5667203 Portrait of a Man, c.1520 (oil on wood) by Massys or Metsys, Quentin (c.1466-1530); 46 x 34.3 cm); painted surface 15 5/8 x 11 1/4 in

Miniature of Anne Lister of Shibden Hall (w / c on paper)
5905678 Miniature of Anne Lister of Shibden Hall (w/c on paper) by English School, (19th century); Calderdale Museums Service, West Yorkshire, UK; (add.info.: Anne Lister (1791-1840) was a diarist

A Buddhist monks robe, patched;kesa eAoe£s, Edo period, 1615-1868 (silk)
3960745 A Buddhist monks robe, patched; kesa eoe£ s, Edo period, 1615-1868 (silk) by Japanese School; 186x112.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Ducks (ink, color and gold leaf on paper)
1766506 Ducks (ink, color and gold leaf on paper) by Japanese School, (18th century); 154.5x170 cm; Private Collection; (add.info.: Ducks. One of a pair of two-panel screens)

A prayer arch of red satin, embroidered in gilt and silver threads
1767217 A prayer arch of red satin, embroidered in gilt and silver threads and applique with brocades (satin, giland silver thread) by Turkish School

A tent panel or Kanat composed of Mehrabs of brightly coloured brocades
1767178 A tent panel or Kanat composed of Mehrabs of brightly coloured brocades by North African School, (19th century); 380x151 cm; Private Collection; (add.info)

Yellow brocaded open robe and petticoat, c. 1750 (silk)
940350 Yellow brocaded open robe and petticoat, c.1750 (silk) by English School, (18th century); Fashion Museum Bath; eFashion Museum Bath; English, out of copyright

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"Brocade: A Tapestry of Elegance and History" Step into the opulent world of brocade, where threads intertwine to create a fabric that exudes luxury and grandeur. From Marie Antoinette's lavish courtly attire to the Art Deco weddings of the roaring twenties, it has adorned countless moments in history. Intricately woven with rich patterns and vibrant colors, brocade captured the essence of regality. Isabella of Portugal donned a resplendent gown, immortalized in an enchanting colored engraving. Princess Marina of Greece radiated beauty in her wedding gown on Tatler's front cover, epitomizing grace and sophistication. But brocade is not limited to royal occasions alone; it weaves its way through various aspects of life. Lieutenant Andrew Finucane proudly wore his 10th Light Dragoons uniform, showcasing the military's appreciation for this exquisite fabric. John Cassin's portrait by Charles Balthazar Julien Fevret de Saint-Memin depicted him in a distinguished coat embellished with delicate brocaded details. Even advertisements couldn't resist the allure of brocade. Rayne shoes' 1953 campaign showcased how these luxurious fabrics complemented fashionable footwear flawlessly. Goochs Jurna enticed customers with their captivating advertisement featuring stunning designs interwoven with golden threads. It also found its place beyond clothing – Akaki kinran displayed gold-threaded red background fabric at an archery contest, adding splendor to traditional events. Victorian scraps portrayed women draped in red brocades, capturing both fashion trends and societal norms from that era. As time passes, one thing remains constant –brocade continues to captivate hearts worldwide as a symbol of elegance and refinement. Its intricate patterns tell stories from centuries past while still inspiring modern designers today.