Fraud Blocker Skip to main content

Brocade Collection (page 8)

"Brocade: A Tapestry of Elegance and History" Step into the opulent world of brocade, where threads intertwine to create a fabric that exudes luxury and grandeur

Background imageBrocade Collection: Portrait of a lady (oil on canvas)

Portrait of a lady (oil on canvas)
CH440581 Portrait of a lady (oil on canvas) by Sustermans, Justus (1597-1681) (circle of); 137.5x99.7 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Background imageBrocade Collection: Cope of Charles Borromeo, detail

Cope of Charles Borromeo, detail
3708707 Cope of Charles Borromeo, detail by Italian School, (16th century); Milan Cathedral, Milan, Italy; (add.info.: Duomo, Sacristy)

Background imageBrocade Collection: Fashion dolls mantua (detail), 1760s (yellow & silver woven brocaded silk)

Fashion dolls mantua (detail), 1760s (yellow & silver woven brocaded silk)
3576465 Fashion dolls mantua (detail), 1760s (yellow & silver woven brocaded silk) by English School, (18th century); Fashion Museum Bath; eFashion Museum Bath; English, out of copyright

Background imageBrocade Collection: Lieut-General Sir Percy H. N. Lake, 1914-19 (b / w photo)

Lieut-General Sir Percy H. N. Lake, 1914-19 (b / w photo)
STC359676 Lieut-General Sir Percy H. N. Lake, 1914-19 (b/w photo) by Elliott & Fry Studio (fl.1860-90); Private Collection; (add.info)

Background imageBrocade Collection: Major-General Sir G. J. Younghusband, 1914-19 (b / w photo)

Major-General Sir G. J. Younghusband, 1914-19 (b / w photo)
STC359655 Major-General Sir G. J. Younghusband, 1914-19 (b/w photo) by Elliott & Fry Studio (fl.1860-90); Private Collection; (add.info.: (1859-1944); in command of the troops in Egypt; ); English

Background imageBrocade Collection: Ceremonial costume, 1821 (textile)

Ceremonial costume, 1821 (textile)
FMB329178 Ceremonial costume, 1821 (textile) by English School, (19th century); Fashion Museum Bath; (add.info.: this outfit was worn at the coronation of King George IV by William)

Background imageBrocade Collection: Captain David Leighton (1774-1860) 4th Regiment Native Infantry, c. 1804 (oil on board)

Captain David Leighton (1774-1860) 4th Regiment Native Infantry, c. 1804 (oil on board)
NAM237659 Captain David Leighton (1774-1860) 4th Regiment Native Infantry, c.1804 (oil on board) by English School, (19th century); 43.2x33.3 cm; National Army Museum

Background imageBrocade Collection: Brocade and Lustring Mercers (engraving)

Brocade and Lustring Mercers (engraving)
587148 Brocade and Lustring Mercers (engraving) by English School, (18th century); Private Collection; (add.info.: Facade of brocade & lustring mercers, London)

Background imageBrocade Collection: Gown and petticoat in ivory or beige brocaded Spitalfields silk, c. 1740-60 (silk)

Gown and petticoat in ivory or beige brocaded Spitalfields silk, c. 1740-60 (silk)
HMP409870 Gown and petticoat in ivory or beige brocaded Spitalfields silk, c.1740-60 (silk) by Garthwaite, Anna Maria (1690-1763) (attr)

Background imageBrocade Collection: Back view of a court dress, 1760s (French silk & gold and coloured thread)

Back view of a court dress, 1760s (French silk & gold and coloured thread)
FMB393624 Back view of a court dress, 1760s (French silk & gold and coloured thread) by French School, (18th century); Fashion Museum Bath; (add.info)

Background imageBrocade Collection: Portrait of John VIII Paleologus (oil on panel)

Portrait of John VIII Paleologus (oil on panel)
2562901 Portrait of John VIII Paleologus (oil on panel) by Bellini, Gentile (1429-1507) (school of); 23.2x17.3 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageBrocade Collection: Costume for Venus in several operas, engraved by the artist, c. 1780 (engraving)

Costume for Venus in several operas, engraved by the artist, c. 1780 (engraving)
STC94436 Costume for Venus in several operas, engraved by the artist, c.1780 (engraving) by Martin, Jean Baptiste (18th century); Private Collection; The Stapleton Collection; French, out of copyright

Background imageBrocade Collection: Portrait of Pavel A. Stroganov, before 1825 (oil on canvas)

Portrait of Pavel A. Stroganov, before 1825 (oil on canvas)
MEL50996 Portrait of Pavel A. Stroganov, before 1825 (oil on canvas) by Dawe, George (1781-1829); 70x62.5 cm; State Hermitage Museum, St

Background imageBrocade Collection: Portrait of Thomas Fortescue, M. P. Standing, three quarter length

Portrait of Thomas Fortescue, M. P. Standing, three quarter length
652175 Portrait of Thomas Fortescue, M.P. Standing, three quarter length, Wearing a Green Coat and Waistcoat, Leaning His Right Arm on a Pedestal and Holding a Tricorn Hat in His Left Hand

Background imageBrocade Collection: Self Portrait, 1667 (oil on canvas)

Self Portrait, 1667 (oil on canvas)
BEN123496 Self Portrait, 1667 (oil on canvas) by Baciccio, Il (Giovanni B. Gaulli) (1639-1709); 67x51 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian

Background imageBrocade Collection: John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings

John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings
BEN70626 John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) (detail of 70625) by Gozzoli

Background imageBrocade Collection: John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings

John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings
BAT158942 John VII Palaeologus (1391-1448), Eastern Roman Emperor, as one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli

Background imageBrocade Collection: Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi cycle

Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi cycle
BAT158941 Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi

Background imageBrocade Collection: Portrait of Miss Elizabeth Hemyng, c. 1738-42 (oil on canvas)

Portrait of Miss Elizabeth Hemyng, c. 1738-42 (oil on canvas)
JEF144610 Portrait of Miss Elizabeth Hemyng, c.1738-42 (oil on canvas) by Devis, Arthur (1712-87); 53x41 cm; The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English, out of copyright

Background imageBrocade Collection: Mouth cover for tea-leaf storage jar (kuchioi), 15th century

Mouth cover for tea-leaf storage jar (kuchioi), 15th century
5932442 Mouth cover for tea-leaf storage jar (kuchioi), 15th century (silk with gold brocade and plain-weave silk) by Japanese School, (15th century); 34.5x34.5 cm; Freer Gallery of Art

Background imageBrocade Collection: Venetian noblewoman, 16th century

Venetian noblewoman, 16th century
5855309 Venetian noblewoman, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Venetian noblewoman, 16th century, bronze and purple brocade dress, lace collar, brown overdress)

Background imageBrocade Collection: Design for fabric for making kimonos using the Nishike method of wood block printing

Design for fabric for making kimonos using the Nishike method of wood block printing
2646265 Design for fabric for making kimonos using the Nishike method of wood block printing (hand-coloured woodblock print) by Japanese School

Background imageBrocade Collection: Fashion dolls mantua (bodice), 1760s (yellow & silver woven brocaded silk)

Fashion dolls mantua (bodice), 1760s (yellow & silver woven brocaded silk)
3576464 Fashion dolls mantua (bodice), 1760s (yellow & silver woven brocaded silk) by English School, (18th century); Fashion Museum Bath; eFashion Museum Bath; English, out of copyright

Background imageBrocade Collection: Red-ground silk brocade covering, late Qing dynasty (silk)

Red-ground silk brocade covering, late Qing dynasty (silk)
3610468 Red-ground silk brocade covering, late Qing dynasty (silk) by Chinese School, Qing Dynasty (1644-1912); 197.5x127.3 cm; Private Collection; (add.info)

Background imageBrocade Collection: Green and pinks brocade woven silk open robe, 1730s (silk)

Green and pinks brocade woven silk open robe, 1730s (silk)
3100320 Green and pinks brocade woven silk open robe, 1730s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageBrocade Collection: Bonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English

Bonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English
2966310 Bonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English from off the Earth, pub. 1798 (hand-coloured engraving) by Gillray

Background imageBrocade Collection: Portrait of Maria Sforza

Portrait of Maria Sforza
BEN85408 Portrait of Maria Sforza by Bembo, Bonifacio (c.1420-82); Pinacoteca di Brera, Milan, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageBrocade Collection: Madonna of Humility with two angels, 1460 (panel)

Madonna of Humility with two angels, 1460 (panel)
BEN85036 Madonna of Humility with two angels, 1460 (panel) by Domenico di Michelino, (1417-91); Museo Nazionale del Bargello, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian

Background imageBrocade Collection: Marchese Ludovico Gonzaga III of Mantua (reigned 1444-78)

Marchese Ludovico Gonzaga III of Mantua (reigned 1444-78)
BEN78461 Marchese Ludovico Gonzaga III of Mantua (reigned 1444-78), his wife Barbara of Brandenburg, children and courtiers, from the Camera degli Sposi or Camera Picta

Background imageBrocade Collection: Detail of a fashion dolls dress, 1760s (silk) (detail of 329169)

Detail of a fashion dolls dress, 1760s (silk) (detail of 329169)
FMB329167 Detail of a fashion dolls dress, 1760s (silk) (detail of 329169) by English School, (18th century); Fashion Museum Bath; (add.info.: the dress was made by a mantua maker)

Background imageBrocade Collection: Joshua Grigby (oil on canvas)

Joshua Grigby (oil on canvas)
AGN356198 Joshua Grigby (oil on canvas) by Gainsborough, Thomas (1727-88); Private Collection; (add.info.: Joshua Grigby (1731-98); built Drinkstone Park

Background imageBrocade Collection: Ceremonial robe of a Nan prince, northern Thailand (mixed media)

Ceremonial robe of a Nan prince, northern Thailand (mixed media)
LIT389602 Ceremonial robe of a Nan prince, northern Thailand (mixed media) by Thai School; Photo eLuca Tettoni; Thai, out of copyright

Background imageBrocade Collection: Mr. Beard, engraved by James McArdell (c. 1729-65), 1764 (mezzotint)

Mr. Beard, engraved by James McArdell (c. 1729-65), 1764 (mezzotint)
DEC418517 Mr. Beard, engraved by James McArdell (c.1729-65), 1764 (mezzotint) by Hudson, Thomas (1701-79) (after); 36.5x26.1 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageBrocade Collection: Evening dress in damask with chrysanthemum brocade on a black background

Evening dress in damask with chrysanthemum brocade on a black background
473306 Evening dress in damask with chrysanthemum brocade on a black background, 1894 (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageBrocade Collection: General Sir Samuel James Browne (b / w photo)

General Sir Samuel James Browne (b / w photo)
PNP315912 General Sir Samuel James Browne (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Samuel James Browne (1824-1901) V.C. G.C.B. K.C.S.I.; won the V.C

Background imageBrocade Collection: Portrait of Dammas Guldewagen, c. 1657 (oil on canvas)

Portrait of Dammas Guldewagen, c. 1657 (oil on canvas)
DAY234998 Portrait of Dammas Guldewagen, c.1657 (oil on canvas) by Bray, Jan de (c.1626-97); 111.8x94 cm; The Dayton Art Institute, Dayton, Ohio, USA; eDayton Art Institute; Gift of Mr Carlton W

Background imageBrocade Collection: Carl Bernhard, Duke of Saxe-Weimar-Eisenach (pastel on paper)

Carl Bernhard, Duke of Saxe-Weimar-Eisenach (pastel on paper)
BFM286703 Carl Bernhard, Duke of Saxe-Weimar-Eisenach (pastel on paper) by Woltze, Berthold (1829-96); 61x47.8 cm; Schlossmuseum, Schloss Friedenstein, Gotha, Germany; (add.info.: Carl Bernhard)

Background imageBrocade Collection: Napoleon Bonaparte (1769-1821) Premier Consul (oil on canvas)

Napoleon Bonaparte (1769-1821) Premier Consul (oil on canvas)
CHT217276 Napoleon Bonaparte (1769-1821) Premier Consul (oil on canvas) by Boilly, Louis Leopold (1761-1845); Private Collection; eArchives Charmet; French, out of copyright

Background imageBrocade Collection: Willem Coymans, 1645 (oil on canvas)

Willem Coymans, 1645 (oil on canvas)
3058131 Willem Coymans, 1645 (oil on canvas) by Hals, Frans (1582/3-1666); 77x64 cm; National Gallery of Art, Washington DC, USA; Dutch, out of copyright

Background imageBrocade Collection: Portrait of a Lady, here called Arabella Stuart (oil on canvas)

Portrait of a Lady, here called Arabella Stuart (oil on canvas)
LMG108840 Portrait of a Lady, here called Arabella Stuart (oil on canvas) by Gheeraerts, Marcus (c.1561-1635) (attr. to); 203.2x127 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Background imageBrocade Collection: Portrait of Horatio Walpole (1723-1809) 2nd Baron Walpole of Wolterton (oil on canvas)

Portrait of Horatio Walpole (1723-1809) 2nd Baron Walpole of Wolterton (oil on canvas)
LMG108809 Portrait of Horatio Walpole (1723-1809) 2nd Baron Walpole of Wolterton (oil on canvas) by Subleyras, Pierre (1699-1749); 96.5x73.7 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Background imageBrocade Collection: Buonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English

Buonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English
NCO190141 Buonaparte hearing of Nelsons Victory swears by his Sword to Extirpate the English from off the Earth, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageBrocade Collection: Gentleman in ceremonial garb, 17th century

Gentleman in ceremonial garb, 17th century
5855364 Gentleman in ceremonial garb, 17th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: French gentleman in ceremonial garb, 17th century)

Background imageBrocade Collection: Portrait of Jasper Schade, 1645 (oil on canvas)

Portrait of Jasper Schade, 1645 (oil on canvas)
5614478 Portrait of Jasper Schade, 1645 (oil on canvas) by Hals, Frans (1582/3-1666); 114x98 cm; Narodni Galerie, Prague, Czech Republic; (add.info)



All Professionally Made to Order for Quick Shipping

"Brocade: A Tapestry of Elegance and History" Step into the opulent world of brocade, where threads intertwine to create a fabric that exudes luxury and grandeur. From Marie Antoinette's lavish courtly attire to the Art Deco weddings of the roaring twenties, it has adorned countless moments in history. Intricately woven with rich patterns and vibrant colors, brocade captured the essence of regality. Isabella of Portugal donned a resplendent gown, immortalized in an enchanting colored engraving. Princess Marina of Greece radiated beauty in her wedding gown on Tatler's front cover, epitomizing grace and sophistication. But brocade is not limited to royal occasions alone; it weaves its way through various aspects of life. Lieutenant Andrew Finucane proudly wore his 10th Light Dragoons uniform, showcasing the military's appreciation for this exquisite fabric. John Cassin's portrait by Charles Balthazar Julien Fevret de Saint-Memin depicted him in a distinguished coat embellished with delicate brocaded details. Even advertisements couldn't resist the allure of brocade. Rayne shoes' 1953 campaign showcased how these luxurious fabrics complemented fashionable footwear flawlessly. Goochs Jurna enticed customers with their captivating advertisement featuring stunning designs interwoven with golden threads. It also found its place beyond clothing – Akaki kinran displayed gold-threaded red background fabric at an archery contest, adding splendor to traditional events. Victorian scraps portrayed women draped in red brocades, capturing both fashion trends and societal norms from that era. As time passes, one thing remains constant –brocade continues to captivate hearts worldwide as a symbol of elegance and refinement. Its intricate patterns tell stories from centuries past while still inspiring modern designers today.