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Framed Print : The Munition Girls by Bernhard Hugh
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The Munition Girls by Bernhard Hugh
Two former munitions workers recognise themselves in a painting of a factory during the First World War, now hanging at the Royal Academy Exhibition at Burlington House. Date: 1919
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Media ID 14171592
© Illustrated London News Ltd/Mary Evans
Academy Munition Munitionettes Munitions Paintings
12"x10" Modern Frame
Step back in time with our exquisite framed print of "The Munition Girls by Bernhard Hugh" from the esteemed Mary Evans Prints Online. This evocative piece, dating back to 1919, captures the spirit of the First World War era as two former munitions workers recognize themselves in a painting of a factory. Hang this beautiful, rights-managed artwork in your home or office to add a touch of historical charm and intrigue to any space. The high-quality print is expertly framed, ensuring a stunning presentation that is sure to be a conversation starter. Bring a piece of the past into your present with Media Storehouse's Framed Prints.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Amidst the grandeur and elegance of the Royal Academy Exhibition at Burlington House in 1919, a painting titled "The Munition Girls" by Bernhard Hugh stood out as a poignant reminder of the sacrifices and contributions of ordinary women during the First World War. The scene depicted in the painting was that of a munitions factory, with its chaotic and frenetic energy, a stark contrast to the refined atmosphere of the exhibition. Two former munition workers, their faces etched with the marks of time and experience, approached the painting with a sense of nostalgia and recognition. Their eyes scanned the familiar forms of the women in the painting, their expressions reflecting a mix of amusement and fondness. They could see themselves in the munitionettes, their youthful faces etched with determination and grit, their bodies bent over the assembly lines, their hands moving in rhythmic unison as they produced the vital components of the war effort. The painting, with its humorous and cartoonish style, captured the essence of the munitions factories, where the serious business of war production was interspersed with moments of levity and camaraderie. The women in the painting, with their bandanas tied around their heads and their rollers in their hair, were a far cry from the elegant ladies depicted in the other paintings at the exhibition. But they were every bit as important, and their contributions were every bit as valuable. As the two former munition workers stood before the painting, they felt a sense of pride and gratitude. They had played their part in the war effort, and now, their story was being told in this painting, a testament to their resilience and determination. The painting was more than just a work of art; it was a piece of history, a reminder of a time when the ordinary men and women of Britain came together to face the challenges of war.
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