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Canvas Print : The Munition Girls by Bernhard Hugh
Canvas Prints From Mary Evans Picture Library
The Munition Girls by Bernhard Hugh
Two former munitions workers recognise themselves in a painting of a factory during the First World War, now hanging at the Royal Academy Exhibition at Burlington House. Date: 1919
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14171592
© Illustrated London News Ltd/Mary Evans
Academy Munition Munitionettes Munitions Paintings
20"x16" (51x41cm) Canvas Print
Step back in time with our exquisite Canvas Print of "The Munition Girls by Bernhard Hugh" from Media Storehouse. This evocative piece, sourced from Mary Evans Prints Online, captures a poignant moment from the First World War era. Two former munitions workers are seen recognizing themselves in a painting of a factory scene, now displayed at the Royal Academy Exhibition at Burlington House in 1919. This beautiful, high-quality Canvas Print brings history to life in your home, with its rich colors and intricate details that truly capture the essence of the original artwork. Add a touch of timeless charm and character to any room in your house.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Amidst the grandeur and elegance of the Royal Academy Exhibition at Burlington House in 1919, a painting titled "The Munition Girls" by Bernhard Hugh stood out as a poignant reminder of the sacrifices and contributions of ordinary women during the First World War. The scene depicted in the painting was that of a munitions factory, with its chaotic and frenetic energy, a stark contrast to the refined atmosphere of the exhibition. Two former munition workers, their faces etched with the marks of time and experience, approached the painting with a sense of nostalgia and recognition. Their eyes scanned the familiar forms of the women in the painting, their expressions reflecting a mix of amusement and fondness. They could see themselves in the munitionettes, their youthful faces etched with determination and grit, their bodies bent over the assembly lines, their hands moving in rhythmic unison as they produced the vital components of the war effort. The painting, with its humorous and cartoonish style, captured the essence of the munitions factories, where the serious business of war production was interspersed with moments of levity and camaraderie. The women in the painting, with their bandanas tied around their heads and their rollers in their hair, were a far cry from the elegant ladies depicted in the other paintings at the exhibition. But they were every bit as important, and their contributions were every bit as valuable. As the two former munition workers stood before the painting, they felt a sense of pride and gratitude. They had played their part in the war effort, and now, their story was being told in this painting, a testament to their resilience and determination. The painting was more than just a work of art; it was a piece of history, a reminder of a time when the ordinary men and women of Britain came together to face the challenges of war.
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