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Framed Print : Fragments magazine poster by Bruce Bairnsfather, 1919

Fragments magazine poster by Bruce Bairnsfather, 1919



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$119.99

Resolution may be poor at this size (118 DPI)

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Fragments magazine poster by Bruce Bairnsfather, 1919

Poster advertising Fragments magazine, published by The Bystander and edited and contributed to by Captain Bruce Bairnsfather whose cartoons in the Bystander during the First World War were hugely popular. Price at 2d. Fragments was aimed at an ex-serviceman readership and boasted a circulation of 7 million within a few months of its launch. His character, Old Bill is pictured in a sailor suit asking, " Are ye comin to see the Prince off, Bert?" Bert was one of Old Bills sidekicks in the trenches and his comment is about the Prince of Wales tour to North America that year. Date: 1919

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14186481

© David Cohen Fine Art/Mary Evans Picture Library

Bairnsfather Bill Bruce Bystander Character Fragments Magazines Sailor Sailors 1919


18"x14" Modern Frame

Introducing the Media Storehouse Framed Prints collection, featuring the iconic "Fragments magazine poster by Bruce Bairnsfather, 1919." This captivating piece, sourced from Mary Evans Prints Online, is a testament to the rich history of journalism and the arts during the First World War. Known for his satirical and humorous cartoons in The Bystander, Captain Bruce Bairnsfather made a significant impact on the British public during this turbulent period. His wit and insight were reflected in the pages of Fragments magazine, which he edited and contributed to. This beautifully preserved fragment from the past is now available as a stunning framed print, perfect for adding character and depth to any space. The high-quality print is expertly framed and ready to hang, ensuring a flawless presentation of this historic piece. Bring a piece of history into your home or office with the Media Storehouse Framed Prints collection, featuring the "Fragments magazine poster by Bruce Bairnsfather, 1919."

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26.2cm x 40.6cm (10.3" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This poster, created by renowned British cartoonist Captain Bruce Bairnsfather in 1919, advertises the launch of Fragments magazine. Published by The Bystander, Fragments was specifically targeted towards an ex-serviceman readership and boasted an impressive circulation of 7 million within a few short months. The magazine was edited and significantly contributed to by Bairnsfather, who gained widespread popularity during the First World War for his humorous and insightful cartoons featuring his iconic character, Old Bill, and his sidekick, Bert, in the trenches. In this poster, Old Bill, dressed in a sailor suit, is depicted asking his companion Bert, "Are ye comin to see the Prince off, Bert?" The Prince referred to is none other than the Prince of Wales, who embarked on a tour of North America that year. The poster's vibrant colors and lively composition effectively capture the excitement and camaraderie of the post-war era, making it a valuable historical artifact that transports us back to a bygone time. Bairnsfather's Fragments magazine offered a unique blend of humor, nostalgia, and connection for the millions of soldiers who had recently returned from the battlefields. The poster's enduring appeal lies not only in its historical significance but also in its ability to evoke a sense of community and shared experience among those who lived through the tumultuous events of the early 20th century.

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