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Framed Print : Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges, 1916. Creator: Douy Pascault

Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges, 1916. Creator: Douy Pascault



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Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges, 1916. Creator: Douy Pascault

Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges. Les terres sont maintenues par des caisses en bois faisant l'office de gabions, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". (Three watercolors of the front; trench between Bethincourt and Bois de Forges. Earth held back with crates acting as gabions)

Heritage Images features heritage image collections

Media ID 36327514

© The Print Collector/Heritage Images

Bad Weather Boxes Crate Crates Flood Flooded Flooding Front Line Trench Gabion Lillustration Temporary Trench Trenches Western Front


18"x14" Modern Frame

Step back in time with Media Storehouse's Framed Prints featuring the poignant and historic work of Douy Pascault. This captivating triptych, titled 'Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges, 1916', offers a glimpse into the past through the artist's meticulous watercolor depictions. The scene portrays the trenches between Bethincourt and the woods of Forges during World War I, with the earth held in place by wooden crates serving as makeshift gabions. Each print is expertly framed to complement the artwork, making it a stunning addition to any home or office space. Experience the rich history and emotion of this poignant piece with Media Storehouse's Framed Prints.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Landscape paintings > Landscape art > Watercolor landscapes

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Watercolor artworks

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Realistic drawings > Landscape drawings > Watercolor paintings

> Arts > Realistic drawings > Landscape paintings > Fine art


EDITORS COMMENTS
This evocative watercolor print, titled "Trois aquarelles du front; Tranchee entre Bethincourt et le bois de Forges," was created by the French artist Douy Pascault in 1916. The image captures the harsh realities of the Western Front during World War I, specifically the trench between Bethincourt and Bois de Forges in the Meuse region of Grand Est, France. The scene is one of mud and water, with the earth held back by makeshift gabions, or crates, stacked haphazardly along the trench walls. The crates, once used for transport, now serve as a temporary solution to prevent the earth from collapsing into the trench during heavy rain and flooding. The use of crates as gabions was a common wartime practice, as the constant digging and refilling of trenches required a steady supply of materials to maintain the fragile structures. The print, which was published in "L'Illustration" in 1916, offers a glimpse into the harsh living conditions endured by soldiers on the front lines. The bad weather, with its relentless rain and flooding, added to the already challenging environment, making it essential for troops to adapt quickly to the ever-changing conditions. The use of color in the print adds depth and emotion to the scene, with the muted browns and greens reflecting the desolate landscape. The concept of the print is both beautiful and haunting, showcasing the resilience and resourcefulness of the soldiers in the face of adversity. This poignant work of art serves as a reminder of the sacrifices made during the First World War and the ingenuity required to survive in such a challenging environment.

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