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Framed Print : Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth
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Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth
Marriage A-la-Mode: 2. The Tete a Tete, 1743. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust
Heritage Images features heritage image collections
Media ID 14868176
© Art Media / Heritage-Images
Conversation Conversing Disgust Drunk Drunkenness Fireplace Hogarth Husband Marriage A La Mode Servant Tete A Tete W Hogarth Wife William Hogarth Pastime
12"x10" Modern Frame
Bring timeless artistry into your home with our Framed Prints from Media Storehouse. This exquisite piece, "Marriage A-la-Mode: 2. The Tete a Tete, 1743" by William Hogarth, captures a poignant moment in the series that explores the complexities of 18th-century marriage. The young nobleman's neglect of his wife, as depicted in this masterpiece, is captured in intricate detail. Each Framed Print is meticulously crafted to preserve the beauty and authenticity of the original artwork. Add this stunning piece to your collection and experience the rich history and storytelling of this iconic artwork.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "Marriage A-la-Mode: 2. The Tete a Tete" created by the talented artist William Hogarth in 1743, we are transported to a scene of domestic discord and social satire. The image portrays a young nobleman returning home at the early hour of 1.20 am, clearly intoxicated from a night of revelry. Ignoring his wife, who had been hosting a card party, he nonchalantly passes her by. The atmosphere inside their opulent residence is tense as their steward walks out in disgust, unable to bear witness to such disregard for marital obligations. Amidst the lavish interior decoration and roaring fireplace, an animal presence adds another layer of symbolism - perhaps representing the untamed nature of their troubled relationship. Hogarth's masterful use of color brings attention to the female figure - the neglected wife patiently awaiting her husband's attention while engaging in conversation with another guest. This eighteenth-century artwork serves as both entertainment and critique on societal norms surrounding marriage during that era. As we delve into this thought-provoking piece, we are reminded of Hogarth's ability to capture human flaws and weaknesses through his art media. This print invites us to reflect on themes such as loyalty, communication breakdowns within relationships, and the consequences of excessive indulgence. "Marriage A-la-Mode: 2. The Tete a Tete" continues to be an enduring testament to Hogarth's skillful storytelling abilities and his
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