Marriage A La Mode Collection

Characters and Caricaturas by William Hogarth
3521495 Characters and Caricaturas by William Hogarth by Hogarth, William (1697-1764); (add.info.: Characters and Caricaturas by William Hogarth (1697 - 1764)

Marriage a la Mode
3768678 Marriage a la Mode by Hogarth, William (1697-1764) (after); (add.info.: Marriage a la Mode-After the Ball, engraving by William Hogarth, English painter and artist)

Marriage A-la-Mode: 4 by William Hogarth
3849704 Marriage A-la-Mode: 4 by William Hogarth by Hogarth, William (1697-1764); (add.info.: Marriage A-la-Mode: 4, The Toilette by William Hogarth. Circa 1743, oil painting, 70.5 x 90.8 cm)

Marriage A La Mode (engraving)
666299 Marriage A La Mode (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: Marriage A La Mode. Breakfast scene. From The Works of WIlliam Hogarth (Jones, 1833)

"Finance A La Mode!"(engraving)
2777048 " Finance A La Mode!" (engraving) by English School, (19th century); Private Collection; (add.info.: " Finance A La Mode)

Marriage a la Mode: pl. 3, 1745. Creator: Bernard Baron
Marriage a la Mode: pl. 3, 1745

Marriage A-la-Mode, Plate V, April 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate V, April 1745. After William Hogarth

Marriage A-la-Mode, Plate IV, April 1, 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate IV, April 1, 1745. After William Hogarth

Marriage A-la-Mode, Plate VI, April 1, 1745. Creator: Gerard Jean-Baptiste Scotin
Marriage A-la-Mode, Plate VI, April 1, 1745. After William Hogarth

Marriage A-la-Mode, Plate I, April 1, 1745. Creator: Gerard Jean-Baptiste Scotin
Marriage A-la-Mode, Plate I, April 1, 1745. After William Hogarth

Marriage A-la-Mode, Plate II, April 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate II, April 1745. After William Hogarth

Marriage A-la-Mode, Plate III, April 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate III, April 1745. After William Hogarth

Marriage A-la-Mode, Plate II, April 1, 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate II, April 1, 1745. After William Hogarth

Hogarth, (1697-1764), 1830. Creator: Unknown
Hogarth, (1697-1764), 1830. William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist known for his moral series A Harlots Progress

Marriage a la Mode, 1745; plate III. Artist: Bernard Baron
Marriage a la Mode, 1745; plate III. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved ineffective in

Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
Marriage A-la-Mode: 3. The Inspection, c1743. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved

Death of the Earl, plate V of Marriage a la mode, 1833. Artist: TE Nicholson
Death of the Earl, plate V of Marriage a la mode, 1833. Early 19th century version of a scene from Hogarths Marriage a la mode of c1743

Marriage a la Mode: 1, The Marriage Contract, 1743. Artist: William Hogarth
Marriage a la Mode: 1, The Marriage Contract, 1743. The ageing Earl Squander, proud of his family tree but in need of money to maintain his position

Marriage A-la-Mode: 6. The Ladys Death, c1743. Artist: William Hogarth
Marriage A-la-Mode: 6. The Ladys Death, c1743. Silvertongue has been hanged and the countess has taken poison. Her father - a City alderman - removes the ring from her finger

Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth
Marriage A-la-Mode: 2. The Tete a Tete, 1743. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust

Marriage a la Mode Death Countess 1745 William Hogarth
Marriage a la Mode: The Death of the Countess, 1745. William Hogarth (British, 1697-1764). Engraving

Marriage a la Mode 1745 William Hogarth
Marriage a la Mode, 1745. William Hogarth (British, 1697-1764). Engraving

Marriage a la Mode Death Earl 1745 William Hogarth
Marriage a la Mode: The Death of the Earl, 1745. William Hogarth (British, 1697-1764). Engraving

Marriage a la Mode Toilet Scene 1745 William Hogarth
Marriage a la Mode: The Toilet Scene, 1745. William Hogarth (British, 1697-1764). Engraving

Marriage a la Mode Scene Quack 1745 William Hogarth
Marriage a la Mode: The Scene with the Quack, 1745. William Hogarth (British, 1697-1764). Engraving

Marriage a la Mode Plate II 1745 William Hogarth
Marriage a la Mode: Plate II, 1745. William Hogarth (British, 1697-1764). Etching and engraving; platemark: 38 x 46.4 cm (14 15/16 x 18 1/4 in.)

Marriage a la Mode Contract 1745 William Hogarth
Marriage a la Mode: The Contract, 1745. William Hogarth (British, 1697-1764). Engraving

HOGARTH: MARRIAGE, 1743. Detail of a line engraving after the painting, Marriage a la Mode: The Contract, 1743, by William Hogarth

View of Leiceter Square London, 1753 (engraving)
XJF3038410 View of Leiceter Square London, 1753 (engraving) by Bowles, John (1701-79); Private Collection; (add.info.: South West Prospect of the 17th century square)

Leicester Square, 1754 (engraving)
XJF3038406 Leicester Square, 1754 (engraving) by Nicholls, Sutton (18th century) (after); Private Collection; (add.info.: Birds eye view of the 17th century square looking north to Leicester House)

Leicester Square, 1753 (engraving)
XJF3038404 Leicester Square, 1753 (engraving) by Maurer, I. (18th century) (after); Private Collection; (add.info.: South West Prospect of the 17th century square)

Marriage a la Mode: Visit to the Quack Doctor. Steel engraving, c1860, after the original by William Hogarth (1697-1764)
HOGARTH: MARRIAGE. Marriage a la Mode: Visit to the Quack Doctor. Steel engraving, c1860, after the original by William Hogarth (1697-1764)

HOGARTH: MARRIAGE. Marriage a la Mode. Steel engraving, c1860, after the original by William Hogarth (1697-1764)

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"Marriage a la Mode: A Satirical Take on Society's Vices and Consequences" Step into the world of 18th-century England through William Hogarth's iconic series, "Marriage a la Mode. " In this collection of engravings, Hogarth masterfully captures the follies and vices that plagued society during his time. In "Marriage A-la-Mode: 4, " we witness the unraveling of an ill-fated marriage between two young aristocrats. The engraving by Simon Francois Ravenet portrays the couple in their opulent surroundings, surrounded by symbols of wealth and excess. However, beneath this facade lies a story filled with betrayal, greed, and societal expectations. As we delve deeper into the series, Bernard Baron's engravings reveal more about these characters' lives. Plate I introduces us to their arranged marriage ceremony – a union based on financial gain rather than love or compatibility. Plate II shows their lavish lifestyle as they indulge in extravagant parties and entertainments while neglecting each other emotionally. The consequences of such superficiality become evident in Plate III when infidelity enters the picture. Baron exposes Lady Squanderfield's affair with her conniving lawyer while her husband remains oblivious to her actions. This revelation sets off a chain reaction leading to tragedy. Plate IV takes us further down this dark path as both husband and wife engage in extramarital affairs without remorse or consideration for one another's feelings. Their disregard for fidelity ultimately leads them towards ruinous ends. Gerard Jean-Baptiste Scotin brings forth even more dramatic scenes in Plates V and VI as debts accumulate due to reckless spending habits. Financial ruin looms over them like an impending storm, highlighting how materialism can destroy relationships built on shallow foundations. Through biting satire and intricate details within each engraving, Hogarth critiques not only individual choices but also societal norms prevalent during his era – where marriages were often arranged for financial gain and appearances mattered more than genuine connection.