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Framed Print : Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
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Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
Kee-mo-ra-nia, No English, a Dandy, 1830
Heritage Images features heritage image collections
Media ID 21233402
© Heritage Art/Heritage Images
Catlin George Face Paint Feather Feathers George Catlin George Wilkes Barre Hand Mirror Mirror Smithsonian American Art Museum Wampum Peoria Tracker
12"x10" Modern Frame
Discover the captivating history of the past with our Framed Print of "Kee-mo-ra-nia, No English, a Dandy, 1830" by renowned artist George Catlin, available at Media Storehouse. This stunning piece showcases a portrait of a Native American man, believed to be from the Kiousa or Comanche tribes, dressed in European clothing, captured in 1830. Each print is expertly framed to preserve its rich details and vibrant colors, making it a beautiful addition to any home or office. Bring a piece of American history into your space and start a conversation with this unique and intriguing work of art. Order yours today from Media Storehouse.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Kee-mo-ra-nia, No English, a Dandy - A Glimpse into Indigenous Identity in 19th Century America
EDITORS COMMENTS
. In this oil painting by George Catlin, titled "Kee-mo-ra-nia, No English, a Dandy" we are transported to the vibrant world of Native American culture during the early 1830s. The portrait showcases an indigenous boy named Kee-mo-ra-nia who exudes confidence and curiosity. Dressed in traditional clothing adorned with feathers and wampum beads, Kee-mo-ra-nia stands proudly before us. His direct gaze captures our attention as he holds a hand mirror delicately in his hand – a symbol of self-reflection and perhaps even education within his community. Catlin's meticulous brushstrokes bring out the rich blue hues of Kee-mo-ra-nia's coat while highlighting the intricate face paint that signifies his tribal heritage. As one of Catlin's many subjects from various tribes across America, this portrait serves as an invaluable record of Native American life during this transformative period. Through this artwork, we catch a glimpse into not only Kee-mo-ra-nia's occupation as a tracker but also his role as an ambassador for his people. This painting is now part of the esteemed collection at Smithsonian American Art Museum - a testament to its significance in preserving our nation's diverse cultural history. George Catlin masterfully captures both the individuality and collective spirit of Native Americans through his artistry
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