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Canvas Print : Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
Canvas Prints From Heritage Images
Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
Kee-mo-ra-nia, No English, a Dandy, 1830
Heritage Images features heritage image collections
Media ID 21233402
© Heritage Art/Heritage Images
Catlin George Face Paint Feather Feathers George Catlin George Wilkes Barre Hand Mirror Mirror Smithsonian American Art Museum Wampum Peoria Tracker
20"x16" (51x41cm) Canvas Print
Step into the past with our exquisite Canvas Print of Kee-mo-ra-nia, No English, a Dandy, 1830, by renowned artist George Catlin from Heritage Images. This captivating portrait, taken in 1830, showcases the distinctive style and character of a Native American man from a bygone era. The high-quality canvas print brings the rich details and vibrant colors of the original painting to life, making it a stunning addition to any home or office. Transport yourself back in time and add a touch of history to your space with this beautiful work of art.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Kee-mo-ra-nia, No English, a Dandy - A Glimpse into Indigenous Identity in 19th Century America
EDITORS COMMENTS
. In this oil painting by George Catlin, titled "Kee-mo-ra-nia, No English, a Dandy" we are transported to the vibrant world of Native American culture during the early 1830s. The portrait showcases an indigenous boy named Kee-mo-ra-nia who exudes confidence and curiosity. Dressed in traditional clothing adorned with feathers and wampum beads, Kee-mo-ra-nia stands proudly before us. His direct gaze captures our attention as he holds a hand mirror delicately in his hand – a symbol of self-reflection and perhaps even education within his community. Catlin's meticulous brushstrokes bring out the rich blue hues of Kee-mo-ra-nia's coat while highlighting the intricate face paint that signifies his tribal heritage. As one of Catlin's many subjects from various tribes across America, this portrait serves as an invaluable record of Native American life during this transformative period. Through this artwork, we catch a glimpse into not only Kee-mo-ra-nia's occupation as a tracker but also his role as an ambassador for his people. This painting is now part of the esteemed collection at Smithsonian American Art Museum - a testament to its significance in preserving our nation's diverse cultural history. George Catlin masterfully captures both the individuality and collective spirit of Native Americans through his artistry
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