Framed Print : Bettws-Y-Coed and Moel Siabod, from the Llugwy, c1896. Artist: I Slater

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Bettws-Y-Coed and Moel Siabod, from the Llugwy, c1896. Artist: I Slater

Bettws-Y-Coed and Moel Siabod, from the Llugwy, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

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Media ID 15343054

© The Print Collector / Heritage-Images

Bettws Y Coed Cassell Co Cassell Company Cassells Fishing Fishing Rod Gwynedd I Slater Llugwy Pictorial England And Wales Slater Wales Welsh Cassell And Company Ltd Moel Siabod

12"x10" Modern Frame

Step into the past with our exquisite framed print of Bettws-Y-Coed and Moel Siabod, captured by artist I. Slater in 1896. This beautiful piece is taken from the classic publication "Pictorial England and Wales" and transports you to the picturesque village of Bettws-Y-Coed, nestled at the foot of the majestic Moel Siabod mountain. The crisp, clear waters of the Llugwy River flow gently by, adding to the serene beauty of this scene. Our high-quality framed print is meticulously crafted to preserve the intricate details of the original artwork, making it a stunning addition to any home or office. Bring a touch of timeless charm to your space with this captivating piece from our Media Storehouse Framed Prints collection.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Landscapes > Mountain landscapes

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Forest and woodland scenes > Landscape paintings

> Arts > Landscape paintings > Forest and woodland scenes > Nature-inspired art

> Arts > Landscape paintings > Landscape art > Mountain landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Scenic landscapes > Nature art

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Arts > Landscape paintings > Waterfall and river artworks > Scenic landscapes

Bettws-Y-Coed and Moel Siabod, from the Llugwy - A Glimpse into 19th Century Welsh Landscape

EDITORS COMMENTS
. This print takes us back to the enchanting village of Bettws-Y-Coed in Gwynedd, Wales. Captured around 1896 by artist I Slater, this image is a timeless representation of the natural beauty that has long attracted visitors to this picturesque region. From the banks of the serene River Llugwy, we are presented with a breathtaking view of Moel Siabod towering majestically in the background. The monochrome tones add an air of nostalgia and evoke a sense of tranquility as we immerse ourselves in this Victorian-era scenery. In this snapshot from Pictorial England and Wales, one can almost feel the crispness of the country air as a lone figure stands on the riverbank. Clutching his fishing rod, he embodies both man's connection with nature and his pursuit for leisure amidst these stunning surroundings. The lush woodland framing this idyllic scene adds depth to its composition while reminding us of Wales' rich natural heritage. Every detail speaks volumes about Britain's geographical diversity; from mountains to riverside flora, it is clear why Cassell & Company chose to include such an evocative image within their publication. As we gaze upon this vintage print today, let us appreciate not only its artistic value but also its historical significance. It serves as a testament to our enduring

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