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Framed Print : Balfours Irrepressible Donkey, 1888. Artist: Joseph Swain

Balfours Irrepressible Donkey, 1888. Artist: Joseph Swain




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Balfours Irrepressible Donkey, 1888. Artist: Joseph Swain

Balfours Irrepressible Donkey, 1888. Arthur James Balfour was the Chief Secretary for Ireland at the beginning of 1888 in Lord Salisburys Conservative administration.The cartoon is accompanied by a poem of the same name in which Punch makes the point that the Irrepressible Donkey, Ireland, has foiled many an able politician from all parties over the years. Balfour is trying to bribe the Donkey with the carrots labelled Reduced Rents. In fact Balfour, having rejected the chance to use the Coercion Acts to control crime in Ireland, put his faith in continuing the expansion of land purchase schemes and other aspects of agrarian reform. From Punch, or the London Charivari, January 14, 1888

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Media ID 14832045

© The Print Collector / Heritage-Images

1st Earl Of Balfour Arthur Balfour Arthur James Arthur James Balfour Arthur James Earl Balfour Bribery Chief Secretary For Ireland Conservative Conservative Party Donkey Earl Balfour Heritage Image Partnership Ireland Irish John Tenniel Joseph Swain Member Of Parliament Sir John Tenniel Swain Tenniel Metaphor


12"x10" Modern Frame

Step into the past with our exquisite Media Storehouse Framed Print of "Balfours Irrepressible Donkey, 1888" by Arthur Balfour, John Tenniel, and Joseph Swain. This iconic political cartoon, published in Punch Magazine, features the irrepressible donkey symbolizing the political situation in Ireland during Arthur Balfour's tenure as Chief Secretary. With its rich historical significance and intricate details, this framed print makes a unique and thoughtful addition to any home or office. Embrace the charm of the past and start your collection with this captivating piece from Heritage Images.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Donkeys > Related Images

> Arts > Artists > A > Joseph Arthur

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > London > Politics > Arthur Balfour

> Europe > United Kingdom > England > London > Politics > Related Images

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
This print, titled "Balfours Irrepressible Donkey" captures a moment of political satire from the 19th century. Created by Joseph Swain in 1888, it features Arthur James Balfour, the Chief Secretary for Ireland at the time, attempting to bribe an irrepressible donkey with carrots labeled "Reduced Rents". The cartoon serves as a metaphor for the challenges faced by politicians in dealing with Ireland's complex issues. In this caricature, Punch magazine highlights how Ireland has consistently outwitted politicians from all parties throughout history. Balfour, representing Lord Salisbury's Conservative administration, rejected using Coercion Acts to control crime in Ireland and instead focused on land purchase schemes and agrarian reform. However, his attempts to entice the stubborn donkey with promises of reduced rents are met with skepticism. The image symbolizes bribery and politics intertwined as Balfour dangles a carrot before the donkey. It reflects both the frustration felt by politicians trying to navigate Irish affairs and their reliance on persuasive tactics that often fall short. With its intricate engraving style and monochrome composition, this print showcases Swain's artistic talent while capturing an important moment in British political history. It serves as a reminder of how cartoons can convey powerful messages through humor and satire.

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