Everdingen Collection

Allaert van Everdingen (engraving)
820822 Allaert van Everdingen (engraving) by German School, (19th century); Private Collection; (add.info.: Allaert van Everdingen (1621-75)

Aldret van Everdingen (etching)
815532 Aldret van Everdingen (etching) by Girtin, James (John) (c.1780-after 1820) (after); Private Collection; (add.info.: Aldret van Everdingen. Flemish painter. Etched by I Girtin)

Norwegian landscape, 1656 (oil on panel)
5938189 Norwegian landscape, 1656 (oil on panel) by Everdingen, Allart van (1621-75); 43.8x55.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

The Three Porters. Creator: Allart van Everdingen
The Three Porters

Two Men on a Rock Terrace. Creator: Allart van Everdingen
Two Men on a Rock Terrace

The First Spring. Creator: Allart van Everdingen
The First Spring

Sailboat and Windmill Date: 1665

Landscape, mid-17th century. Creator: Allart van Everdingen
Landscape, mid-17th century

The Second Spring, 17th century. Creator: Allart van Everdingen
The Second Spring, 17th century

The Story of the Horse Who Wants Revenge on the Stag, 1650-75
The Story of the Horse Who Wants Revenge on the Stag. From Hendrick van Alcmars Renard The Fox, 1650-75. Second state of three

Renard Lies that the Rabbit Insulted One of His Children, 1650-75
Renard Lies that the Rabbit Insulted One of His Children, 17th century. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Man between the Two Fir Trees, 17th century. Creator: Allart van Everdingen
The Man between the Two Fir Trees, 17th century. Second state of two

The Two Ladders, 17th century. Creator: Allart van Everdingen
The Two Ladders, 17th century. Second state of two

The First Spring, 17th century. Creator: Allart van Everdingen
The First Spring, 17th century

The Shepherd and the Lamb, 17th century. Creator: Allart van Everdingen
The Shepherd and the Lamb, 17th century. First state of two

The Church in the Valley, 17th century. Creator: Allart van Everdingen
The Church in the Valley, 17th century. Second state of two

The Haybarn with Movable Roof, 17th century. Creator: Allart van Everdingen
The Haybarn with Movable Roof, 17th century. Second state of two

The Hill, 17th century. Creator: Allart van Everdingen
The Hill, 17th century. Second state of three

The Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Masters Neck. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Shepherd on Horseback Chases the Stag, 1650-75. Creator: Allart van Everdingen
The Shepherd on Horseback Chases the Stag. From Hendrick van Alcmars Renard The Fox, 1650-75. Fourth state of five

Renard Exonerates Himself of His Crimes Before the Lion, 1650-75
Renard Exonerates Himself of His Crimes Before the Lion. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Broad River, 17th century. Creator: Allart van Everdingen
The Broad River, 17th century. Second state of two

The Wheel underneath the Haybarn, 17th century. Creator: Allart van Everdingen
The Wheel underneath the Haybarn, 17th century. Second state of three

The Woman Looking Towards the Boat, 17th century. Creator: Allart van Everdingen
The Woman Looking Towards the Boat, 17th century. Third state of three

The Pointed Rock, 17th century. Creator: Allart van Everdingen
The Pointed Rock, 17th century. Third state of three

The Two Peasants Seated on the Hill, 17th century. Creator: Allart van Everdingen
The Two Peasants Seated on the Hill. Third state of three, 17th century

The Three Men and the Porter, 17th century. Creator: Allart van Everdingen
The Three Men and the Porter. Second state of State of three, 17th century

The Watermill, 17th century. Creator: Allart van Everdingen
The Watermill, 17th century. Third state of four

Renard Lies that he Gave the Ram Various Precious Objects that Were Meant for the Lion and Lioness. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Brook in the Wood, 17th century. Creator: Allart van Everdingen
The Brook in the Wood, 17th century. Fifth state of seven

The Skiff near the Pierced Rock, 17th century. Creator: Allart van Everdingen
The Skiff near the Pierced Rock, 17th century. Third state of three

The Three Travellers at the Foot of High Rock, 17th century. First state of four

Two Men Seated at the Foot of a High Rock, 17th century. Creator: Allart van Everdingen
Two Men Seated at the Foot of a High Rock, 17th century. Third state of three

The Casks and Planks at the Back of the River, 17th century. Third state of three

The Carpenter, 17th century. Creator: Allart van Everdingen
The Carpenter, 17th century. Second state of three

The Two Men on the Hill, 17th century. Creator: Allart van Everdingen
The Two Men on the Hill, 17th century. Second state of two

The Three Cottages on the Hill, 17th century. Creator: Allart van Everdingen
The Three Cottages on the Hill, 17th century. Fifth state of five

The Rock in the Middle of the River, 17th century. Creator: Allart van Everdingen
The Rock in the Middle of the River, 17th century. Third state of three

The Landscape with the Wooden Bridge, 17th century. Creator: Allart van Everdingen
The Landscape with the Wooden Bridge, 17th century. Fourth state of four

The Two Beams Floating in the Water, 17th century. Creator: Allart van Everdingen
The Two Beams Floating in the Water, 17th century. Second state of two

Renard Wants to Find a Rooster, 1650-75. Creator: Allart van Everdingen
Renard Wants to Find a Rooster. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Church on the Hill, 17th century. Creator: Allart van Everdingen
The Church on the Hill, 17th century, third state of four

The Large Rock, mid-17th century. mid-17th century. Creator: Allart van Everdingen
The Large Rock, mid-17th century. Fourth state of four

The Cat Climbs a Barn, 1650-75. Creator: Allart van Everdingen
The Cat Climbs a Barn. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Fishermans Hut, 17th century. Creator: Allart van Everdingen
The Fishermans Hut, 17th century. First state three

Renard Escapes with a Chicken that he Stole from a Clergymans Table, 1650-75
Renard Escapes with a Chicken that he Stole from a Clergymans Table. From Hendrick van Alcmars Renard The Fox, 1650-75. Fourth state of five

The Two Barrels before a Hut, 17th century. Creator: Allart van Everdingen
The Two Barrels before a Hut, 17th century. first state of four

Renard Leaves with the badger, 1650-75. Creator: Allart van Everdingen
Renard Leaves with the badger. From Hendrick van Alcmars Renard The Fox, 1650-75. Fourth state of four

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Everdingen, a name that resonates with artistic brilliance and timeless landscapes. From the skilled hands of Allaert van Everdingen, engravings and etchings come to life, capturing the essence of nature's beauty. In his Norwegian landscape masterpiece from 1656, oil on panel transports us to a serene world where mountains meet tranquil waters. The artistry extends beyond landscapes; he delves into human narratives as well. "The Three Porters" showcases his ability to depict characters with depth and emotion. Similarly, "Two Men on a Rock Terrace" invites us into an intimate moment frozen in time. With "The First Spring, " Everdingen celebrates the rebirth of nature after winter's slumber. The vibrant colors dance across the canvas, evoking feelings of hope and renewal. Meanwhile, in "Sailboat and Windmill" from 1665, we witness his mastery in capturing movement through brushstrokes. In every stroke lies evidence of Everdingen's profound connection with nature. His mid-17th-century landscape transports us to idyllic scenes where one can almost feel the gentle breeze caressing their face. And then there is "The Second Spring, " another testament to his ability to encapsulate the essence of this season's awakening. Yet it is not only natural beauty that captivates Everdingen; he weaves tales through art as well. In "The Story of the Horse Who Wants Revenge on the Stag, " created between 1650-75, we are drawn into an intriguing narrative filled with intrigue and tension. Equally captivating is "Renard Lies that Rabbit Insulted One of His Children, " also dating back to this period. Finally, we find ourselves standing before "The Man between Two Fir Trees. " This piece from the 17th century beckons us closer as if inviting us into its mysterious realm—a testament to Everdingen's ability to evoke curiosity and wonder.