Everdingen Collection (page 3)

The Two Boats on the River, 17th century. Creator: Allart van Everdingen
The Two Boats on the River, 17th century, hird state of four

The Large Rock at the River, 17th century. Creator: Allart van Everdingen
The Large Rock at the River, 17th century. Fourth state of five

The Hut of the Carpenter, 17th century. Creator: Allart van Everdingen
The Hut of the Carpenter, 17th century. Frst state of two

The Unloading of the Barge, 17th century. Creator: Allart van Everdingen
The Unloading of the Barge, 17th century

The Stork Removes a Bone from the Wolfs Throat from Hendrick van Alcmars Renard The F
The Stork Removes a Bone from the Wolfs Throat. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

The Horseman on the Stone Bridge. Creator: Allart van Everdingen
The Horseman on the Stone Bridge, 17th century. Second state of three

Renard is Accused by the Wolf and Several Animals, 1650-75
Renard is Accused by the Wolf and Several Animals. From Hendrick van Alcmars Renard The Fox, 1650-75. Second state of four

The Cascade Near the Watermill, 17th century. Creator: Allart van Everdingen
The Cascade Near the Watermill, 17th century. Fourth state of five

The Lion Allows a Fight Between the Wolf and Renard, 1650-75
The Lion Allows a Fight Between the Wolf and Renard. From Hendrick van Alcmars Renard The Fox, 1650-75

The Fourth Spring, 17th century. Creator: Allart van Everdingen
The Fourth Spring, 17th century. Ffirst state of two

The Lion Announces a Durable Peace to the Animals who Surround Him, 1650-75
The Lion Announces a Durable Peace to the Animals who Surround Him. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of five

The Cottages at the Bank, 17th century. Creator: Allart van Everdingen
The Cottages at the Bank, 17th century. Second state of three

The Large House with the Turret, 17th century. Creator: Allart van Everdingen
The Large House with the Turret, 17th century. Second state of two

Cupid with a Glass Globe, c. 1657?1658. Private Collection

Vertumnus and Pomona. Artist: Everdingen, Caesar Boetius van (1616-1678)
Vertumnus and Pomona. Found in the collection of Thyssen-Bornemisza Collections

Cittern Player, ca 1637-1640. Artist: Everdingen, Caesar Boetius van (1616-1678)
Cittern Player, ca 1637-1640. Found in the collection of the Musee des Beaux-Arts, Rouen

Young Woman Warming her Hands, 1646. Artist: Everdingen, Caesar Boetius van (1616-1678)
Young Woman Warming her Hands, 1646. Found in the collection of the Rijksmuseum, Amsterdam

Girl with a Large Hat, 1645-1648. Artist: Everdingen, Caesar Boetius van (1616-1678)
Girl with a Large Hat, 1645-1648. Found in the collection of the Rijksmuseum, Amsterdam

Portrait of Elisabeth van Kessel, 1671. Artist: Everdingen, Caesar Boetius van (1616-1678)
Portrait of Elisabeth van Kessel, 1671. Found in the collection of the Rijksmuseum, Amsterdam

Amor Holding a Glass Orb, 1650-1660. Artist: Everdingen, Caesar Boetius van (1616-1678)
Amor Holding a Glass Orb, 1650-1660. From a private collection

Landscape with Three Horsemen, 17th century. Artist: Allart van Everdingen
Landscape with Three Horsemen, 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Vertumnus Pomona Attributed Cesar van Everdingen
Vertumnus and Pomona; Attributed to Cesar van Everdingen (Dutch, about 1617 - 1678); about 1650; Oil on canvas; 104.1 × 140 cm (41 × 55 1, 8 in.)

Allart Van Everdingen 1621-1675 Dutch Painter And Printmaker From 75 Portraits Of Celebrated Painters From Authentic Originals Etched By James Girtin Published London 1817

A Young Woman Warming her Hands over a Brazier: Allegory of
Cesar Boetius van Everdingen (1617-1678). Dutch painter. A Young Woman Warming her Hands over a Brazier: Allegory of Winter, c. 1644-1648. Rijksmuseum. Amsterdam. Holland

Allart Van Everdingen
ALLART VAN EVERDINGEN Dutch artist Date: 1621 - 1675

Drawings Prints, Print, Unloading Barge, Artist, Allart van Everdingen, Dutch, Alkmaar
Drawings and Prints, Print, The Unloading of the Barge, Artist, Allart van Everdingen, Dutch, Alkmaar 1621-1675 Amsterdam, Everdingen, Allart van, Dutch, 1621, 1675, 1640, 1675

Mountain Torrent 1670s Oil canvas 21 1 / 4 x 16 1 / 2
Artokoloro

Forest Stream ca 1660 Oil canvas 39 1 / 4 x 50 7 / 8
Artokoloro

Cornelis Ploos van Amstel and Cornelis Brouwer after Allart van Everdingen (Dutch, 1726 - 1798), Village with Pond, c. 1782, transfer technique (aquatint?) and roulette with burnishing in red-brown

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Everdingen, a name that resonates with artistic brilliance and timeless landscapes. From the skilled hands of Allaert van Everdingen, engravings and etchings come to life, capturing the essence of nature's beauty. In his Norwegian landscape masterpiece from 1656, oil on panel transports us to a serene world where mountains meet tranquil waters. The artistry extends beyond landscapes; he delves into human narratives as well. "The Three Porters" showcases his ability to depict characters with depth and emotion. Similarly, "Two Men on a Rock Terrace" invites us into an intimate moment frozen in time. With "The First Spring, " Everdingen celebrates the rebirth of nature after winter's slumber. The vibrant colors dance across the canvas, evoking feelings of hope and renewal. Meanwhile, in "Sailboat and Windmill" from 1665, we witness his mastery in capturing movement through brushstrokes. In every stroke lies evidence of Everdingen's profound connection with nature. His mid-17th-century landscape transports us to idyllic scenes where one can almost feel the gentle breeze caressing their face. And then there is "The Second Spring, " another testament to his ability to encapsulate the essence of this season's awakening. Yet it is not only natural beauty that captivates Everdingen; he weaves tales through art as well. In "The Story of the Horse Who Wants Revenge on the Stag, " created between 1650-75, we are drawn into an intriguing narrative filled with intrigue and tension. Equally captivating is "Renard Lies that Rabbit Insulted One of His Children, " also dating back to this period. Finally, we find ourselves standing before "The Man between Two Fir Trees. " This piece from the 17th century beckons us closer as if inviting us into its mysterious realm—a testament to Everdingen's ability to evoke curiosity and wonder.