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Framed Print : Flemish tapestry. Series The Conquest of Tunis; Review of the Troops at Barcelona (La revista de las tropas en Barcelona). Second tapestry in the series. Model Jan Vermeyen and Pieter Coecke van Aelst. 1543-1548
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Flemish tapestry. Series The Conquest of Tunis; Review of the Troops at Barcelona (La revista de las tropas en Barcelona). Second tapestry in the series. Model Jan Vermeyen and Pieter Coecke van Aelst. 1543-1548
7209349 Flemish tapestry. Series The Conquest of Tunis; Review of the Troops at Barcelona (La revista de las tropas en Barcelona). Second tapestry in the series. Model Jan Vermeyen and Pieter Coecke van Aelst. 1543-1548. Manufacture Real Fabrica de Tapices de Santa Barbara, Madrid. 1731-1744. Fabric Silk and wool. by Vermeyen, Jan Cornelisz (1500-59); 525x712 cm; Palacio Real de Madrid, Spain; (add.info.: Size 525 x 712 cm. Location Royal Palace of Madrid. Origin The Conquest of Tunis set was comissioned by Charles V and it is not on display. These two panels are from the replica cycle comissioned by Philip V and finished by 1744. On display Royal Armoury. Palacio Real, Madrid, Spain); © Paul Maeyaert
Media ID 24708526
© Paul Maeyaert / Bridgeman Images
Backcloth Barcelona Barcelona Province Barcelonese Catalan Catalonia Catalunya Catalunyan Comunidad De Madrid Du Soudan Madrid Madrid Province North East Africa North West Africa Northafrica Silk Silk Velvet Tunis Tunisia Tunisian White Wool Wool Arab Civilization Arabians Central Africa Flemish Art Flemish Artist Maghreb Maghrebi Maghrebian Sudan Tapestries
12"x10" Modern Frame
Experience the grandeur of Flemish art with our Framed Prints featuring the second tapestry in the series, "The Conquest of Tunis: Review of the Troops at Barcelona (La revista de las tropas en Barcelona)" by Paul Maeyaert. This exquisite masterpiece, inspired by the works of Jan Vermeyen and Pieter Coecke van Aelst, dates back to 1543-1548. With intricate details and vibrant colors, this tapestry transports you back to the era of grand conquests and military might. Each print is meticulously framed to preserve its beauty and add a touch of sophistication to your space. Bring the timeless allure of Flemish art into your home with our Framed Prints.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a magnificent Flemish tapestry from the 16th century titled "The Conquest of Tunis; Review of the Troops at Barcelona". The second tapestry in its series, it was created by renowned artists Jan Vermeyen and Pieter Coecke van Aelst between 1543 and 1548. Measuring an impressive 525x712 cm, this masterpiece is made from silk and wool fabric. Originally commissioned by Charles V, these particular panels are part of a replica cycle ordered by Philip V and completed in 1744. Currently housed in the Royal Palace of Madrid's Royal Armoury, they offer a glimpse into the rich history of Catalonia. The tapestry depicts a scene filled with soldiers and military action, capturing the essence of army life during that era. It also highlights significant cultural connections between Europe and North Africa, particularly Tunisia. The intricate details showcase not only Flemish artistry but also elements of Arab civilization. Paul Maeyaert skillfully captured this image to preserve its beauty for future generations to admire. Through his lens, we can appreciate the delicate craftsmanship displayed in every stitch while marveling at the historical significance it represents. This photograph serves as a reminder that art has no boundaries or limitations when it comes to telling stories or bridging cultures across time and space.
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