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Framed Print : Cover of "The Don Quixote", number 781, Satirique en Colours

Cover of 'The Don Quixote', number 781, Satirique en Colours



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Cover of "The Don Quixote", number 781, Satirique en Colours

ICA4925193 Cover of " The Don Quixote", number 781, Satirique en Colours, 1889_6_15: The International Gymnastics Competition - Anticlericalism - Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), De Mun Albert (1841-1914) - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " The Don Quixote", number 781, Satirique en Colours, 1889_6_15: The International Gymnastics Competition - Anticlericalism - Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), De Mun Albert (1841-1914) - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 22322420

© Caricadoc / Bridgeman Images

Athletics Bismarck Casual Eveque Ferry Gymnastics Jules 1832 1893 Otto Von 1815 1898 Physical Exercise A Journal Caricadoc Journalism Newspapers Prussia Prussian


18"x14" Modern Frame

Bring timeless literature to life with our exquisite Framed Prints from Media Storehouse. This captivating piece showcases the cover of "The Don Quixote" by Bridgeman Images, featuring the satirical illustration "Satirique en Colours" (Number 781) by Ferry Jules. Originally published in 1889, this anticlerical image adds a unique and thought-provoking touch to any space. Our high-quality frames enhance the vibrant colors and intricate details of this classic artwork, making it a stunning addition to your home or office. Experience the beauty and rich history of literature through our Framed Prints.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Charles Martin

> Europe > Germany > Politics

> Europe > Germany > Posters

> Europe > Germany > Related Images

> Popular Themes > Athletics

> Popular Themes > Politics

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases the cover of "The Don Quixote" number 781, Satirique en Colours, dated June 15th, 1889. The illustration by Charles Gilbert-Martin takes us back to a significant event in history - The International Gymnastics Competition. However, this particular image delves deeper into the political and religious undertones of the time. Intriguingly satirical, the engraving depicts prominent figures such as Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), and De Mun Albert (1841-1914). These statesmen were at the center of a heated debate surrounding anticlericalism during that era. The artist's skillful caricature captures their essence with precision and humor. It is fascinating to observe how physical exercise intertwines with politics and religion in this artwork. The French press played a crucial role in disseminating these ideas through casual yet thought-provoking illustrations like this one. As we delve into this piece further, it becomes evident that it not only represents an important moment in history but also reflects broader themes prevalent throughout Europe at the time. From Germany to France and beyond, political tensions between different factions were palpable. Overall, this print from Fine Art Finder provides us with a glimpse into an intricate web of power dynamics within society during the late 19th century. It serves as a reminder that art has always been intertwined with politics and can be used as a powerful tool for social commentary.

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