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Canvas Print : Cover of "The Don Quixote", number 781, Satirique en Colours

Cover of 'The Don Quixote', number 781, Satirique en Colours



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Cover of "The Don Quixote", number 781, Satirique en Colours

ICA4925193 Cover of " The Don Quixote", number 781, Satirique en Colours, 1889_6_15: The International Gymnastics Competition - Anticlericalism - Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), De Mun Albert (1841-1914) - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " The Don Quixote", number 781, Satirique en Colours, 1889_6_15: The International Gymnastics Competition - Anticlericalism - Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), De Mun Albert (1841-1914) - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 22322420

© Caricadoc / Bridgeman Images

Athletics Bismarck Casual Eveque Ferry Gymnastics Jules 1832 1893 Otto Von 1815 1898 Physical Exercise A Journal Caricadoc Journalism Newspapers Prussia Prussian


30"x20" (76x51cm) Canvas Print

Bring the timeless tale of Don Quixote to life in your home with our exquisite Media Storehouse Canvas Prints. This captivating artwork, titled "Satirique en Colours, number 781" by Ferry Jules, showcases a satirical take on the classic novel's cover. Bridgeman Images from Fine Art Finder's rendition of this 1889 piece, "The International Gymnastics Competition - Anticlericalism," adds a unique twist to the iconic image. Our premium canvas prints are meticulously crafted to bring out the rich colors and intricate details of this masterpiece, ensuring a stunning addition to any room in your home. Experience the art of storytelling like never before with Media Storehouse Canvas Prints.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 76.2cm (20" x 30")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Charles Martin

> Europe > Germany > Politics

> Europe > Germany > Posters

> Europe > Germany > Related Images

> Popular Themes > Athletics

> Popular Themes > Politics

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases the cover of "The Don Quixote" number 781, Satirique en Colours, dated June 15th, 1889. The illustration by Charles Gilbert-Martin takes us back to a significant event in history - The International Gymnastics Competition. However, this particular image delves deeper into the political and religious undertones of the time. Intriguingly satirical, the engraving depicts prominent figures such as Ferry Jules, Bismarck, Mgr Charles Emile Fredpel (1827-1891), and De Mun Albert (1841-1914). These statesmen were at the center of a heated debate surrounding anticlericalism during that era. The artist's skillful caricature captures their essence with precision and humor. It is fascinating to observe how physical exercise intertwines with politics and religion in this artwork. The French press played a crucial role in disseminating these ideas through casual yet thought-provoking illustrations like this one. As we delve into this piece further, it becomes evident that it not only represents an important moment in history but also reflects broader themes prevalent throughout Europe at the time. From Germany to France and beyond, political tensions between different factions were palpable. Overall, this print from Fine Art Finder provides us with a glimpse into an intricate web of power dynamics within society during the late 19th century. It serves as a reminder that art has always been intertwined with politics and can be used as a powerful tool for social commentary.

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