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Framed Print : Cover of "Le Grelot", Satirique en Couleurs, 1881_1_30
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Cover of "Le Grelot", Satirique en Couleurs, 1881_1_30
ICA4928533 Cover of " Le Grelot", Satirique en Couleurs, 1881_1_30: La mere (Louise) Michel (engraving) by Le Petit, Alfred (1841-1909); Photo eCaricadoc; French, out of copyright
Media ID 22322580
© Caricadoc / Bridgeman Images
Anarchism Chat Gambetta Hanging Le Petit Alfred 1841 1909 Leon 1838 1882 Louise 1830 1905 Michael Phrygian Hat A Journal Caricadoc Journalism Newspapers
18"x14" Modern Frame
Adorn your walls with a piece of historical satire from the past. Our Framed Prints collection features this captivating image of "Le Grelot," a satirical color lithograph published in 1881. The cover art, created by Alfred Le Petit, depicts Louise Michel, a prominent French revolutionary figure, in a humorous yet thought-provoking manner. This out-of-copyright print is a unique addition to any art collection, adding character and charm to your living space. Experience the rich history and cultural significance of this intriguing piece, now available as a beautifully framed print from Media Storehouse.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the cover of "Le Grelot", a satirical journal from 1881. The image features an engraving by Alfred Le Petit, depicting Louise Michel, also known as "La Mère" (The Mother), a prominent figure in French anarchism during the late 19th century. Michel is portrayed wearing a distinctive Phrygian hat, symbolizing her revolutionary ideals. The vibrant colors and intricate details of this engraving bring to life the political atmosphere of France at that time. The red hue dominates the scene, representing both passion and rebellion. A mischievous cat adds an element of playfulness amidst the serious subject matter. Intriguingly, we see hanging on the wall behind Michel portraits of Gambetta and Michael - Leon Gambetta being a leading statesman and Louise Michel herself. This suggests their influence on her anarchist beliefs. As we delve into this piece further, it becomes evident that it represents not only a woman but also an era marked by social unrest and political upheaval. It serves as a testament to the power of journalism in shaping public opinion during those times. With its historical significance and artistic brilliance, this print captures our attention and invites us to reflect upon the complex relationship between politics, artistry, and societal change in 19th-century France.
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