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Canvas Print : Cover of "Le Grelot", Satirique en Couleurs, 1881_1_30
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Cover of "Le Grelot", Satirique en Couleurs, 1881_1_30
ICA4928533 Cover of " Le Grelot", Satirique en Couleurs, 1881_1_30: La mere (Louise) Michel (engraving) by Le Petit, Alfred (1841-1909); Photo eCaricadoc; French, out of copyright
Media ID 22322580
© Caricadoc / Bridgeman Images
Anarchism Chat Gambetta Hanging Le Petit Alfred 1841 1909 Leon 1838 1882 Louise 1830 1905 Michael Phrygian Hat A Journal Caricadoc Journalism Newspapers
30"x20" (76x51cm) Canvas Print
Bring timeless art into your home with Media Storehouse's Canvas Prints. This exquisite piece showcases the iconic cover of "Le Grelot: Satirique en Couleurs," a satirical publication from 1881. Featuring the engraving of Louise Michel by Alfred Le Petit, this captivating image is a testament to the rich artistic heritage of France. Our high-quality canvas prints are meticulously crafted to bring out the intricate details and vibrant colors of this out-of-copyright masterpiece. Transform your living space into a personal gallery with this stunning addition to your collection.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the cover of "Le Grelot", a satirical journal from 1881. The image features an engraving by Alfred Le Petit, depicting Louise Michel, also known as "La Mère" (The Mother), a prominent figure in French anarchism during the late 19th century. Michel is portrayed wearing a distinctive Phrygian hat, symbolizing her revolutionary ideals. The vibrant colors and intricate details of this engraving bring to life the political atmosphere of France at that time. The red hue dominates the scene, representing both passion and rebellion. A mischievous cat adds an element of playfulness amidst the serious subject matter. Intriguingly, we see hanging on the wall behind Michel portraits of Gambetta and Michael - Leon Gambetta being a leading statesman and Louise Michel herself. This suggests their influence on her anarchist beliefs. As we delve into this piece further, it becomes evident that it represents not only a woman but also an era marked by social unrest and political upheaval. It serves as a testament to the power of journalism in shaping public opinion during those times. With its historical significance and artistic brilliance, this print captures our attention and invites us to reflect upon the complex relationship between politics, artistry, and societal change in 19th-century France.
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