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Framed Print : The Departure (Second Class), pub. 1857 (coloured engraving)
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The Departure (Second Class), pub. 1857 (coloured engraving)
5055697 The Departure (Second Class), pub. 1857 (coloured engraving) by Solomon, Abraham (1824-62) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22829854
© The Stapleton Collection / Bridgeman Images
Compartment Lower Classes Luggage Passenger Passengers Widow Public Transport
12"x10" Modern Frame
Add a touch of historical charm to your home or office with the Media Storehouse Framed Print of 'The Departure (Second Class)' by Solomon, Abraham. This beautifully detailed coloured engraving, published in 1857, captures the essence of Victorian-era travel with its depiction of passengers boarding a steamship. With its rich colors and intricate detail, this timeless piece is a must-have for art enthusiasts and history buffs alike. The print is expertly framed to preserve its beauty and is out of copyright, making it a truly unique and affordable addition to your collection.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This colored engraving, titled "The Departure (Second Class), pub. 1857" takes us back in time to the Victorian era. The image showcases a poignant farewell scene within the confines of a train carriage compartment. A mother and her young son are depicted, surrounded by their luggage, as they bid goodbye to their loved ones. The interior of the carriage exudes an air of modesty, reflecting the lower classes' travel experience during that period. The widow's somber expression hints at a possible journey filled with uncertainty and perhaps even sorrow. As we observe this historical snapshot, it becomes evident that public transport played a significant role in connecting people from different walks of life. This particular scene highlights how individuals from diverse backgrounds shared common spaces on trains, fostering interactions between passengers who may not have otherwise crossed paths. Abraham Solomon's masterful engraving captures intricate details such as the boy's bonnet and the carefully arranged luggage. These elements add depth to the composition while providing insight into daily life during this era. "The Departure (Second Class)" invites viewers to reflect upon themes of family bonds, separation, and societal dynamics prevalent in Victorian society. It serves as both an artistic representation and a historical document showcasing an important mode of transportation that shaped lives during this transformative period.
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