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Canvas Print : The Departure (Second Class), pub. 1857 (coloured engraving)
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The Departure (Second Class), pub. 1857 (coloured engraving)
5055697 The Departure (Second Class), pub. 1857 (coloured engraving) by Solomon, Abraham (1824-62) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22829854
© The Stapleton Collection / Bridgeman Images
Compartment Lower Classes Luggage Passenger Passengers Widow Public Transport
20"x16" (51x41cm) Canvas Print
Bring the timeless beauty of Victorian art into your home with Media Storehouse's Canvas Prints. This exquisite piece, titled "The Departure (Second Class)" by Abraham Solomon, showcases the intricate details of this 1857 coloured engraving. Capturing the essence of a bygone era, this masterpiece from Bridgeman Images, now available as a high-quality canvas print, is sure to add character and charm to any room. Experience the magic of fine art, right at your fingertips.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This colored engraving, titled "The Departure (Second Class), pub. 1857" takes us back in time to the Victorian era. The image showcases a poignant farewell scene within the confines of a train carriage compartment. A mother and her young son are depicted, surrounded by their luggage, as they bid goodbye to their loved ones. The interior of the carriage exudes an air of modesty, reflecting the lower classes' travel experience during that period. The widow's somber expression hints at a possible journey filled with uncertainty and perhaps even sorrow. As we observe this historical snapshot, it becomes evident that public transport played a significant role in connecting people from different walks of life. This particular scene highlights how individuals from diverse backgrounds shared common spaces on trains, fostering interactions between passengers who may not have otherwise crossed paths. Abraham Solomon's masterful engraving captures intricate details such as the boy's bonnet and the carefully arranged luggage. These elements add depth to the composition while providing insight into daily life during this era. "The Departure (Second Class)" invites viewers to reflect upon themes of family bonds, separation, and societal dynamics prevalent in Victorian society. It serves as both an artistic representation and a historical document showcasing an important mode of transportation that shaped lives during this transformative period.
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