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Fine Art Print : Cartoon, Bravo, Chelmsford! (Battle of Ulundi)

Cartoon, Bravo, Chelmsford! (Battle of Ulundi)



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Cartoon, Bravo, Chelmsford! (Battle of Ulundi)

Cartoon, Bravo, Chelmsford! A satirical comment on the Battle of Ulundi (4 July 1879), during the Anglo-Zulu War, won by Lord Chelmsfords forces against those of Cetewayo. They are depicted here as boxers in boxing gloves. Date: 1879

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23361702

© Mary Evans Picture Library

1879 Anglo Bravo Chelmsford Comment Conflict Difference Fight Forces Foreign Policy Satire Satirical Ulundi Zulu Racial


20"x16" (+3" Border) Fine Art Print

Introducing the captivating "Cartoon, Bravo, Chelmsford!" Fine Art Print from Media Storehouse, featuring the iconic satirical cartoon by Rights Managed from Mary Evans Prints Online. This exquisite print offers a witty commentary on the Battle of Ulundi (4 July 1879), a pivotal moment during the Anglo-Zulu War. Lord Chelmsford's forces emerged victorious against those of Cetewayo, but this cartoon brilliantly captures the essence of the conflict in a humorous and thought-provoking way. Add this stunning piece to your collection and bring a touch of historical intrigue and charm to your home or office decor.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Pop art > Satire > Satirical artwork

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EDITORS COMMENTS
Cartoon, Bravo, Chelmsford!: A Satirical Comment on the Battle of Ulundi (4 July 1879) This intriguing print, titled "Cartoon, Bravo, Chelmsford!", offers a satirical take on the Battle of Ulundi, a significant engagement during the Anglo-Zulu War (1879) between the British forces led by Lord Chelmsford and the Zulu army under King Cetewayo. The cartoon depicts the two sides as boxers, donning boxing gloves, engaged in a fierce fight. The Anglo-Zulu War was a turning point in the European colonization of Africa and marked the end of the Zulu Empire's military power. The Battle of Ulundi, fought on July 4, 1879, saw Lord Chelmsford's forces emerge victorious, securing British control over the region. This satirical print, created in 1879, reflects the racial and political tensions of the time. The image of the two opposing sides as boxers highlights the perceived difference between the European and African peoples, with the "civilized" and "superior" British forces depicted as triumphant. The title "Cartoon, Bravo, Chelmsford!" suggests a congratulatory tone towards Lord Chelmsford for his military success. However, the satirical nature of the print invites a more nuanced interpretation. The use of boxing gloves as a symbol of conflict and fighting may be seen as a commentary on the brutal nature of the war and the racial differences that fueled it. This print serves as a fascinating window into the Victorian era's foreign policy towards Africa and the complex racial dynamics of the time. It offers a unique perspective on a significant historical event and invites further reflection on the implications of European colonialism and the construction of racial difference.

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