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Fine Art Print : A Sharp between Two Flats, Gloucester-Wellington-Cumberland, 1833. Creator: John Doyle
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A Sharp between Two Flats, Gloucester-Wellington-Cumberland, 1833. Creator: John Doyle
A Sharp between Two Flats, Gloucester-Wellington-Cumberland, 1833. William Frederick, 2nd Duke of Gloucester (1776-1834); Prime Minister Arthur Wellesley, 1st Duke of Wellington (1769-1852); Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851). Satirical cartoon on British politics by H.B. (John Doyle). [Thomas McLean, London, 1833]
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Media ID 19665143
© The Print Collector/Heritage Images
1st Duke Of Wellington Alfred Alfred Ducôte Alfred Duc¶te Arthur Wellesley Arthur Wellesley 1st Duke Of Wellington Cumberland Douro Marquess Of Doyle Doyle John Ducote Ducote Alfred Duc¶te Duke Duke Of Duke Of Brunswick Luneburg Duke Of Cumberland Duke Of Cumberland And Teviotdale Duke Of Gloucester Duke Of Wellington Earl Of Armagh Ernest Flat Iron Duke John Doyle King Of Hanover Lord Wellington Marquess Of Douro Mclean Mclean T Mclean Thomas Mclean Thos Prime Minister Prince Ernest Augustus Sharp Sir Arthur Wellesley T Mclean The Iron Duke Thomas Mclean Thos Thos Mclean Top Hat Tophat Wellesley Arthur 1st Duke Of Wellington Wellington Duke Of William Frederick
20"x16" (+3" Border) Fine Art Print
Experience the rich historical tapestry of the past with this exquisite Fine Art Print from Media Storehouse. Featuring the iconic image "A Sharp between Two Flats, Gloucester-Wellington-Cumberland, 1833" by renowned Irish artist John Doyle. This captivating print depicts a pivotal moment in history as the 2nd Duke of Gloucester and Prime Minister Arthur Wellesley, the 1st Duke of Wellington, engage in a heated political exchange. Add this stunning piece to your collection and bring the intrigue and elegance of 19th-century politics into your home or office.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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A Sharp between Two Flats, Gloucester-Wellington-Cumberland, 1833
EDITORS COMMENTS
is a captivating satirical cartoon that offers a glimpse into the intricate world of British politics during the 19th century. Created by John Doyle, also known as H. B. , this print showcases three prominent figures: William Frederick, 2nd Duke of Gloucester; Prime Minister Arthur Wellesley, 1st Duke of Wellington; and Ernest Augustus, Duke of Cumberland and King of Hanover. The cartoon cleverly depicts these influential men as musical notes on a staff - with the sharp symbolizing the cunning nature of their political maneuvers. Dressed in their distinctive attire, each duke represents different factions within British society at that time. Doyle's artistic prowess shines through in his attention to detail and subtle symbolism. The composition captures not only the physical appearance but also hints at the underlying power struggles and alliances among these individuals. This thought-provoking piece invites viewers to reflect upon the complexities inherent in political landscapes throughout history. It serves as a reminder that even those who appear harmonious on the surface may be engaged in fierce competition behind closed doors. As we admire this remarkable print by John Doyle, we are transported back to an era where wit and satire were powerful tools for social commentary. Through his artistry, Doyle provides us with an intriguing window into British politics during this transformative period.
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