Fine Art Print : A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763. Creator: William Hogarth

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A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763. Creator: William Hogarth

A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763

Heritage Images features heritage image collections

Media ID 20577719

© Heritage Art/Heritage Images

Asylum Bedlam Bethlehem Hospital Bethlem Hospital Bethlem Royal Hospital City Of London England Comfort Grief Hogarth Hogarth William Hospital Immoral Insanity Madness Manacle Old Bethlehem Hospital Rake Rakes Progress Sarah Young Sickness Stringed Instrument Tom Rakewell Violin Violinist W Hogarth William Hogarth

20"x16" (+3" Border) Fine Art Print

Experience the captivating narrative of William Hogarth's iconic series, "A Rake's Progress," with this exquisite Fine Art Print of Plate 8, originally created on June 25, 1735, and reissued in 1763. Witness the intrigue and drama unfold as Tom Rakewell, the prodigal son, finds himself in the clutches of a brothel keeper in this masterpiece of English art. Add this stunning, high-quality print to your collection and bring the rich history and storytelling of Hogarth's masterpiece into your home or office.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 47.1cm x 40.6cm (18.5" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > William Hogarth

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Literature

> Arts > Music

> Europe > United Kingdom > England > London > Art > Music > Related Images

> Europe > United Kingdom > England > London > Art > William Hogarth

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Hospitals

EDITORS COMMENTS
This print captures Plate 8 of "A Rakes Progress" by William Hogarth, originally created on June 25,1735 and reissued in 1763. The image depicts a scene set in the infamous Bethlem Royal Hospital, commonly known as Bedlam, during the 18th century in London, England. In this satirical engraving, Hogarth explores themes of immorality, insanity, and grief. The interior of the hospital is depicted with meticulous detail, showcasing its bleak atmosphere. A group of people can be seen within the asylum's confines - both men and women dressed in period fashion. Among them is Tom Rakewell, the protagonist who has descended into madness due to his reckless lifestyle. In this particular plate from Hogarth's series, attention is drawn to a female violinist named Sarah Young. She stands near Tom Rakewell while playing her stringed instrument with great skill but also deep sorrow etched across her face. This juxtaposition highlights the contrast between music as an art form that brings comfort and solace versus the anguish experienced within Bedlam's walls. Hogarth masterfully uses satire to critique society's moral decay through his depiction of characters trapped within their own vices and mental afflictions. This print serves as a reminder of Hogarth's significant contribution to British heritage art and his ability to provoke thought about societal issues that still resonate today.

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