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Fine Art Print : Bissonier. Sebastien. 19 ans, ne a St Bonnet (Allier). Journalier

Bissonier. Sebastien. 19 ans, ne a St Bonnet (Allier). Journalier



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Bissonier. Sebastien. 19 ans, ne a St Bonnet (Allier). Journalier

Bissonier. Sebastien. 19 ans, ne a St Bonnet (Allier). Journalier. Outrage a la Gendarmerie. 5/3/94. 1894

Heritage Images features heritage image collections

Media ID 20137406

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anthropology Anthropometry Bertillon Bertillon Alphonse Bertillonage Criminal Day Labourer Identification Labourer Mug Shot Mugshot Physical Anthropology Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating Fine Art Print from Media Storehouse's collection, featuring the iconic photograph "Bissonier. Sebastien. 19 ans, ne a St Bonnet (Allier). Journalier" by Alphonse Bertillon. Taken in 1894, this powerful image tells the story of a young man named Sebastien, aged 19, from St Bonnet (Allier), who was arrested by the gendarmes. Alphonse Bertillon, a pioneer in criminal photography, captured this moment with exceptional detail and depth. Bring this piece of historical art into your home and add a touch of timeless beauty and intrigue to your decor.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Allier

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print by Alphonse Bertillon takes us back to the 19th century, immersing us in a world of crime and anthropology. The subject of this portrait is Sebastien Bissonier, a 19-year-old day laborer born in St Bonnet, Allier. His face tells a story of defiance as he stands before the Gendarmerie, accused of an outrageous act on March 5th, 1894. Bertillon's expertise in identification and anthropometry is evident in this mugshot-style image. With meticulous precision, he captures every detail of Sebastien's features - his strong jawline, piercing eyes, and unkempt hair that speaks volumes about his life as a working-class man. As we gaze at this photograph housed within the Metropolitan Museum of Art's collection, we are transported to another time and place - France during the late 19th century. It serves as a reminder that crime knows no boundaries or social classes. Beyond its historical significance lies the artistry behind Bertillon's composition. The contrast between light and shadow creates depth while emphasizing Sebastien's rugged masculinity. This albumen silver print showcases Bertillon's mastery in capturing not only physical appearances but also emotions hidden beneath the surface. Through this powerful image, we catch a glimpse into both the scientific advancements made by Bertillon himself and society's fascination with criminality during that era. It stands as a testament to photography’s ability to preserve moments frozen in time

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