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Fine Art Print : Ber(h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste

Ber(h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste



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Ber(h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste

Ber(h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste. Fiche le 28/2/94. 1894

Heritage Images features heritage image collections

Media ID 20138720

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating Fine Art Print from Media Storehouse's extensive collection. This rare and intriguing image, titled "Ber(h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste," is a photograph by renowned French criminologist Alphonse Bertillon from Heritage Images. Taken in 1894, this portrait of a 43-year-old man named Victor, born in Paris and identified as a tailor and an anarchist, offers a unique glimpse into the past. Add this striking piece to your home or office decor and bring a touch of history into your space.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Le Mans

> Europe > France > Paris > Politics

> Europe > France > Paris > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print, titled "Ber (h)nard. Victor. 43 ans, ne a Paris. Coupeur. Anarchiste" is a remarkable piece of historical documentation captured by the renowned Alphonse Bertillon. The photograph portrays Ber (h)nard Victor, a 43-year-old man born in Paris and working as a cutter, who proudly identifies himself as an anarchist. Bertillon's expertise in anthropometry and his pioneering work in criminal identification are evident in this arresting mugshot-style portrait. The black and white composition adds to its timeless appeal while highlighting the seriousness of the subject matter. Through this image, we catch a glimpse into France's political landscape during that era, where anarchism was gaining momentum as an ideology challenging societal norms and advocating for radical change. It serves as a testament to the power of photography as both art form and scientific tool. Housed within the prestigious Metropolitan Museum of Art collection, this photograph showcases Bertillon's significant contribution to physical anthropology and law enforcement practices at that time. Its presence among other heritage artworks solidifies its importance not only from an artistic standpoint but also from a historical perspective. As we delve into this thought-provoking image, let us appreciate how it encapsulates the intersection between politics, science, crime prevention methods, and human identity—a true testament to Alphonse Bertillon's enduring legacy.

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