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Fine Art Print : Becu. Lucien. 27 ans, ne a la Conte d Abigny (Pas-de-Calais)

Becu. Lucien. 27 ans, ne a la Conte d Abigny (Pas-de-Calais)



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Becu. Lucien. 27 ans, ne a la Conte d Abigny (Pas-de-Calais)

Becu. Lucien. 27 ans, ne a la Conte d Abigny (Pas-de-Calais). Garcon de cafe. Pas de motif. 22/2/94. 1894

Heritage Images features heritage image collections

Media ID 20138692

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anthropology Anthropometry Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Waiter Waiters Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating beauty of Becu Lucien in this exquisite fine art print from Alphonse Bertillon's collection, available at Media Storehouse. Taken in 1894, this photograph captures Lucien, a 27-year-old café boy from Conte d'Abigny in Pas-de-Calais, France. Bertillon's masterful composition and lighting bring out the essence of Lucien's character, making this a timeless piece that adds depth and sophistication to any space. Experience the rich history and artistic excellence of this rare photograph, now available as a fine art print from Media Storehouse.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Pas de Calais

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print by Alphonse Bertillon showcases Becu Lucien, a 27-year-old café waiter from the small town of Conte d'Abigny in Pas-de-Calais, France. Taken on February 22nd, 1894, this image is part of Bertillon's groundbreaking work in anthropometry and criminal identification. Bertillonage, as it was known at the time, revolutionized law enforcement practices by using precise measurements of various body parts to create a unique profile for each individual. This portrait captures not only Lucien's physical appearance but also his occupation and personal details that were crucial for identification purposes. The Metropolitan Museum of Art houses this remarkable artifact from the late 19th century. It serves as a reminder of both the scientific advancements made during that era and the role photography played in documenting individuals within society. Lucien's expression hints at an intriguing story behind his mugshot-like pose. As we gaze into his eyes, we are left wondering about his life experiences and how he ended up captured through Bertillon's lens. The photograph transports us back in time to an era when crime detection techniques were evolving rapidly. Through this powerful image, Alphonse Bertillon invites us to delve deeper into history while contemplating the intersection between science, artistry, and humanity itself.

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