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Fine Art Print : Au nouvel an, visite obligée à la tante Rabourdin, 1847. Creator: Honore Daumier
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Au nouvel an, visite obligée à la tante Rabourdin, 1847. Creator: Honore Daumier
Au nouvel an, visite obligee a la tante Rabourdin, 1847. Obligatory New Year visit to Aunt Rabourdin - bored children look on as their mother greets a female relative. From Les Bons bourgeois, no. 46
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Media ID 36352739
© Heritage Art/Heritage Images
Annual Aunt Bonnet Bonnets Bourgeois Bourgeoisie Class Daumier Honore Daumier Honore Victorin Family Life Funny Greeting H Daumier Hand Coloured Lithograph Honore Daumier Honore Victorin Daumier Kiss Kissing Lithographic Middle Class New Year Salutation Sibling Sister Sister In Law Social Class Tradition Hand Tinted Lithotint Parody Satirical
20"x16" (+3" Border) Fine Art Print
Experience the timeless charm of Honore Daumier's Au nouvel an, visite obligee a la tante Rabourdin, a captivating fine art print from Media Storehouse. This masterpiece, created in 1847, depicts the obligatory New Year visit to Aunt Rabourdin, where bored children look on as their mother engages in a warm greeting. Daumier's intricate brushstrokes and nuanced expressions bring this scene to life, transporting you back in time. Add this exquisite work of art to your collection and elevate your home decor with a touch of history and sophistication.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 36.6cm x 50.8cm (14.4" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Au nouvel an, visite obligée à la tante Rabourdin
EDITORS COMMENTS
(Obligatory New Year visit to Aunt Rabourdin), a captivating hand-colored lithograph by Honore Daumier from 1847, offers a humorous and satirical glimpse into the daily life of the middle class during the 19th century. In this image, we see a bored mother making an obligatory New Year's visit to her sister-in-law, Aunt Rabourdin. The children, dressed in their finest apparel, look on with expressions of disinterest and annoyance. The mother, dressed in a fashionable Victorian gown with a colorful bonnet, leans in for a kiss on the cheek from her sister-in-law, who wears a similar yet less extravagant outfit. The siblings exchange pleasantries, their faces betraying a hint of the underlying tedium and routine of such social obligations. The artist, Honore Daumier, masterfully captures the nuances of the bourgeoisie's social traditions, poking fun at the formality and repetition of New Year's visits. The use of hand-tinting adds depth and vibrancy to the scene, making it a charming and intriguing piece of heritage art. This lithograph, titled "Les Bons bourgeois, no. 46," is part of the extensive collection at the Los Angeles County Museum of Art (LACMA). It is a testament to the rich history of French art and the satirical commentary on the social norms and expectations of the time. The image invites us to reflect on the enduring traditions that shape our lives and the humor that often lies within them. Through Daumier's keen observation and artistic skill, "Au nouvel an, visite obligée à la tante Rabourdin" offers a delightful and amusing glimpse into the lives of the 19th-century bourgeoisie, making it a must-see for anyone interested in the history of art, social commentary, or the human condition.
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