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Fine Art Print : 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)



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193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)

IND81656 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info.: Si sabra mas el discipulo; ); Index Fototeca

Media ID 25895942

© Index Fototeca / Bridgeman Images

Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes Magnifying Glass Social Criticism


21"x14" (+3" Border) Fine Art Print

Discover the captivating depth of Francisco Goya's 'Might not the pupil know more?' from the Los Caprichos series, plate 37. This exquisite etching, dating back to 1799, showcases Goya's mastery of the medium with intricate lines and contrasting shadows. A thought-provoking piece from the renowned Spanish artist, this fine art print is a must-have for any art enthusiast or collector. Courtesy of Bridgeman Images from Fine Art Finder.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 34cm x 53.3cm (13.4" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Donkeys > Related Images

> Arts > Artists > Francisco Goya > Black paintings by Goya

> Arts > Artists > Francisco Goya > Los Caprichos series by Goya

> Arts > Artists > Francisco Goya

> Arts > Artists > Francisco de Goya

> Arts > Artists > G > Francisco Goya

> Arts > Artists > G > Francisco Jose de Goya y Lucientes

> Arts > Artists > Related Images

> Europe > Spain > Posters


EDITORS COMMENTS
The print captures plate 37 of Los caprichos, a renowned series of etchings by Francisco Jose de Goya y Lucientes. Titled "Might not the pupil know more?", this satirical artwork from 1799 offers social criticism through its clever composition. In the image, a young student is depicted holding a magnifying glass and studying an oversized book with great concentration. However, instead of gaining knowledge from the book, he seems to be clueless about its contents. Goya's engraving brilliantly highlights the irony in teaching methods during his time. The presence of a donkey beside the student symbolizes ignorance or foolishness, suggesting that even an animal might possess more wisdom than this misguided pupil. The use of black and white enhances the stark contrast between knowledge and ignorance portrayed in this piece. This thought-provoking artwork reflects Goya's keen observation and critique on education systems prevalent in Spain during his era. Through his masterful technique and attention to detail, Goya prompts viewers to question traditional approaches to learning and encourages them to seek true understanding beyond superficial appearances. As one explores this print further, it becomes evident that Goya's artistic prowess extends far beyond mere aesthetics; he uses art as a powerful tool for societal introspection. This particular work serves as a testament to Goya's enduring legacy as both painter and social commentator within European art history.

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